Crown Audio SASS manuals
Musical Instruments & Equipment > Microphone
When we buy new device such as Crown Audio SASS we often through away most of the documentation but the warranty.
Very often issues with Crown Audio SASS begin only after the warranty period ends and you may want to find how to repair it or just do some service work.
Even oftener it is hard to remember what does each function in Microphone Crown Audio SASS is responsible for and what options to choose for expected result.
Fortunately you can find all manuals for Microphone on our side using links below.
14 pages 1.36 Mb
2 SECTION ONESECTION TWO SECTION THREE SECTION FOUR 3 CHOOSING THE RIGHT CROWN MICROPHONETransducer Type Condenser or Dynamic Boundary or Free Field Polar Patterns Omnidirectional or Unidirectional Frequency Response Bright or Flat INTRODUCTION MICROPHONE TECHNIQUE BASICSHow to reduce feedback How to reduce reverberation 4 How to reduce background noiseHow to reduce leakage How to pick up sound at a distance Field: Speeches Speaker that Wanders, Speaker that Stays Behind the Lectern, Narration recording: Group discussion Theatre, Drama, Opera, or Musicals (Figure 17): Film or video: 5 Orchestra, Band, Choir, or Organ Recording (Figure 15):Choir (Figure 16): News and sports reporting Studio: How to reduce the phase cancellations between two mics How to reduce phase cancellations from surface reflections How to reduce handling noise and stand thumps How to reduce proximity effect How to reduce pop Violin Mandolin, Bouzouki, or Dobra Acoustic Bass Brass Woodwinds Flute Dulcimer Harmonica Harp How to achieve a natural How to achieve a bright How to achieve a good balance 6 NOTES ON CROWN MICROPHONE MODELSCM-200A CM-310A CM-311A CM-312A CM-30/CM-31 CM-700 Percussion Ambience Grand piano (Figure 10): Upright Piano (Figure 11): Xylophone and Marimba Banjo (Figure12): CM-150 CM-10 Now Discontinued GLM-100, GLM-200 LM-201, LM-300A, LM-300AL, LM-301A 7 SPECIFIC APPLICATIONSVocal 8 Sax (Figure 5):Electric guitar or bass Recorded Direct: Electric guitar amp (Figure 6): Drum set (Figure 7): Toms and Snare, Recording/Reinforcement: Cymbals, Recording/Reinforcement: High-Hat, Recording/Reinforcement: Kick Drum, Recording/Reinforcement: Three Microphones (Figure 8): Two Microphones (Figure 9): Acoustic guitar Recordings (Figure 4): 9 Sax (Figure 5):Electric guitar or bass Recorded Direct: Electric guitar amp (Figure 6): Drum set (Figure 7): Toms and Snare, Recording/Reinforcement: Cymbals, Recording/Reinforcement: High-Hat, Recording/Reinforcement: Kick Drum, Recording/Reinforcement: Three Microphones (Figure 8): Two Microphones (Figure 9): Acoustic guitar Recordings (Figure 4): Percussion Ambience Grand piano (Figure 10): Upright Piano (Figure 11): Xylophone and Marimba Banjo (Figure12): CM-150 CM-10 GLM-100, GLM-200 LM-201, LM-300A, LM-300AL, LM-301A 10 SPECIFIC APPLICATIONSVocal Violin Mandolin, Bouzouki, or Dobra Acoustic Bass Brass Woodwinds Flute Dulcimer Harmonica Harp How to achieve a natural How to achieve a bright How to achieve a good balance 11 NOTES ON CROWN MICROPHONE MODELSCM-200A CM-310A CM-311A CM-312A CM-30/CM-31 CM-700 12 Orchestra, Band, Choir, or Organ Recording (Figure 15):Choir (Figure 16): News and sports reporting Studio: How to reduce the phase cancellations between two mics How to reduce phase cancellations from surface reflections How to reduce handling noise and stand thumps How to reduce proximity effect How to reduce pop 13 How to reduce background noiseHow to reduce leakage How to pick up sound at a distance Field: Speeches Speaker that Wanders, Speaker that Stays Behind the Lectern, Narration recording: Group discussion Theatre, Drama, Opera, or Musicals (Figure 17): Film or video: 14 CHOOSING THE RIGHT CROWN MICROPHONETransducer Type Condenser or Dynamic Boundary or Free Field Polar Patterns Omnidirectional or Unidirectional Frequency Response INTRODUCTION MICROPHONE TECHNIQUE BASICSHow to reduce feedback How to reduce reverberation
Also you can find more Crown Audio manuals or manuals for other Musical Instruments & Equipment.