Zoom B22 manuals
Musical Instruments & Equipment > Music Pedal
When we buy new device such as Zoom B22 we often through away most of the documentation but the warranty.
Very often issues with Zoom B22 begin only after the warranty period ends and you may want to find how to repair it or just do some service work.
Even oftener it is hard to remember what does each function in Music Pedal Zoom B22 is responsible for and what options to choose for expected result.
Fortunately you can find all manuals for Music Pedal on our side using links below.
Zoom B22 Operation Manual
33 pages 890.56 Kb
2 SAFETY PRECAUTIONS Usage PrecautionsZOOM B2 SAFETY PRECAUTIONSCleaning Electrical interference Volume Usage PrecautionsAlterations Handling Environment Power requirements Connecting cables and input and output jacks Please keep this manual in a convenient place for future reference. arning Caution 3 ContentsThe FCC regulation warning (for U.S.A.) 4 Features 2. 1.it and then raise the cover.Play mode/edit mode Bank and area Patch Effect parameter Effect type Effect module LO EQZNR/MIXDRIVE/SYNTHCOMP/LIMIT WAH/EFX MOD/SFXHI EQ DELAY REVERB 5 Terms Used in This Manual This section explains some important terms that are used throughout the B2 documentation. Operating the B2 on batteriesTurn the B2 over and open the cover of the battery compartment on the bottom. Insert four fresh IEC R6 (size AA) batteries. Close the cover of the battery compartment. 3.Push the cover in until the latch audibly snaps into place. 6 Controls and Functions / Connections[OUTPUT/PHONES] jack Rear PanelModule selector Top Panel [W]/[Q] foot switches [STORE] key [INPUT] jack BANK [-]/[+] keys Selecting a Patch 8 A1Turn power on Select a patch 9 Adjust tone and volume Directly selecting a bankTo select the banks A d, 0 3 directly, use the BANK [-]/[+] keys. 10 A8 Patch change at bypass/mute Using the Tuner B P MTSwitch to bypass or muteSetting the B2 to the bypass stateIn play mode, press both [W]/[Q] foot switches together briefly and release. Setting the B2 to the mute stateIn play mode, press both [W]/[Q] foot switches together and hold for at least 1 second. Play the string to tunePlay the open string to tune, and adjust the pitch.The left side of the display shows the note which is closest to the current pitch. 11 A8 Press one of the [W]/[Q] foot switches. Return to play mode 4 0 42NOTE Adjusting the reference pitch of the tunerTurn Parameter knob 1. While the reference pitch value is shown, turn Parameter knob 1 to adjust it. Set the B2 to play mode Start the rhythm function Select a rhythm pattern 12 Using the Rhythm Function 13 2 52040Adjust the rhythm volume Adjust the tempo Stop the rhythm Editing a Patch 14 A G OFSelect the effect module To switch an effect module on and off 15 S B5 5Terminate the edit mode Select the effect type Change the parameter value Storing/Copying Patches 16 A 0D 0 17 D 4D4 20 A LCOMP/LIMIT WAH/EFX DRIVE/SYNTH ZNR/MIX MOD/SFX REVERBDELAYHI EQLO EQ Effect module Effect type 21 Linking Effects 22 Effect Types and Parameters Effect type Effect parameters 1 3 Expression pedal Tap Hold Module selector Effect module TAP HOLD How to read the parameter table 23 DIR LVL OCT LVL This effect adds a 1-octave lower component to the original sound. OCoCRESONANCE POSI & DIR MIX This effect varies the frequency band of the resonance lter according to the picking intensity. ArThis effect varies wah in accordance with playing intensity. AWComprises wah and lter effects as well as VCA type effects. RATIO WAH/EFX (Wah/Effects) module WAH/EFXTHRESHOLD This is a limiter that suppresses signal peaks above a certain reference level. LM CP COMP/LIMITCOMP/LIMIT (Compressor/Limiter) module CP LM AW AR trFREQUENCY POSI & DIR MIX Simulates a Vox wah pedal PWThis effect changes the sound of any bass into a sound resembling a fretless bass. dF rGPOSITION This effect produces sound with a pulsating character. PHWAVE This effect periodically varies the volume. 24 TRPH PW RG DF 25 DRIVE/SYNTHHA DRIVE/SYNTH moduleAG SB SW AC BM TE TU SA TS OD DS FF SS ST 26 GAIN FREQUENCY TYPE This is a parametric equalizer that adjusts the frequency range below 650 Hz. LO PARAMETRIC EQ (Low Parametric EQ) LP450Hz 150Hz 70Hz This is a 3-band equalizer that adjusts the frequency range below 450 Hz. LE LO EQ module LO EQZNRZNR (ZOOM Noise Reduction) nr ZNR/MIX module ZNR/MIXVARI CABINET This is a monophonic (single-note) bass synthesizer that detects the input signal pitch. MS 27 RESONANCE This effect produces a resonating and strongly undulating sound. FLThis is a stereo chorus with clear sound. SC CHComprises modulation and delay effects such as chorus, pitch shifter, delay, and echo. GAIN MOD/SFX(Modulation/SFX) module MOD/SFXFREQUENCY TYPE This is a parametric equalizer for the frequency range above 800 Hz.HI PARAMETRIC EQ (High Parametric EQ) HP6kHz 3kHz 1kHz This is a 3-band equalizer that adjusts the frequency range above 1 kHz. HE HI EQ HE HP CH SC FL PPBALANCE SHIFT This effect shifts the pitch of the original sound up or down. PtThis effect simulates a tape echo. tEThis is a delay with a maximum setting of 2000 ms. dLRESONANCE Special effect that changes the sound in a staircase pattern. StBALANCE Effect with automatic vibrato. VbTable 3 MODE This effect allows using a pedal to shift the pitch in real time. Adjusts the pitch shift amount in semitones. Selecting "dt" gives a detuning effect. 28 PPVB PT ST DL TE 29 DECAY This effect simulates a spring-type reverb. SP This reverb simulates the acoustics of a room. rMThis reverb simulates the acoustics of a concert hall. HLThis is a module with various kinds of reverb effects. This is a warm sounding long delay of up to 5000 ms duration. REVERB module REVERBECHO EC This is a ping-pong type delay where the delay sound alternates between left and right. PdThis is a delay with a maximum setting of 5000 ms. dLThis is a delay module which allows long delay times and use of the hold function. KEY DELAY module DELAY 30 CONTROLMASTER LEVEL FS CONTROL module The operation of modules denoted by (*) changes as follows, according to the letter at right. U 31 Specifications Troubleshooting 32 B2 Preset Pattern# PatternName TimSig # PatternName TimSig Category No. Patch name Description Main effect A0 D9 D8 Enchanting tremolo sound with reverb creates a dreamy backdrop or enhances a moody solo. Harmonized pitch shifter sound in an A major key. Good for bass solos. Phaser sound lets you embellish your slap playing with modulation effects. D2 VARIATION Blues sound from the days of Muddy Waters. The range is low-fi, but the impact is powerful. Marcus Miller type slap sound. Typically deep SWR bass sound is complemented by glossy highs. Motown sound made famous by James Jamerson. Sixties Motown comes alive again. C5 C4 C3 ARTIST Simulates the lightly distorted sound of the SANSAMP BASSDRIVER DI, beloved by many bass players. B7 B6 Simulation of ACOUSTIC 360 head amp combined with 301 cabinet, characterized by a tight midrange. Combines the all-tube SVT from AMPEG with an 810E cabinet. Experience that gutsy tube amp sound. PAD type synth bass sound. Great for lead bass and for programing sound during live play. Flanging sound for those smooth and flowing phrases, supported by a solid backbone. A7 Classic sub-octaver sound created by Pino Palladino. A5 Progressive rock sound, taking a hint from Yes bassist Chris Squire. Traditional-style auto wah. Transform percussive play with ghost notes straight into a funky sound. All-rounder distortion sound. Turn on pedal wah, flanger, and echo for even more excitement. Simulates the sound of a HARTKE HA3500 with 4.5XL that became the Will Lee trademark. 33 B2 Patch List
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