NOTE ON/OFF
(NOTE oY E (NOTE ON) #& n#A& mHl #&;$ -#5#6 # ML
BOFF) pHl& #N#A& ; 7!9 (; ", NOTE ON/OFF # ML -(> r('& ( Q(2 #&(;$ dhh = $('9 ($' :q(& E B:A.E d -> r'& Q2 #&;$ ut = $' , e s 1& N -> r('& 7 w#lE C@' NOTE ON ;( H $ QE vNX BNOTE OFF ; # $ -#5#6 !'X ML V#A N B;% !'; E NOTE ON #, Qx\ ,ML( V#A N \ #& n#A& q( E mHl #&;$
BMIDI OUT { 1& 6#z $'6 y#; NOTE OFF
"! PROGRAM CHANGE
; ", Q 12k PROGRAM CHANGE ,H; ,# #, ML B127 N 0 1& )& 4/
{ 4/( ,#@%( :99 (N 0 1&9 PROGRAM CHANGE #( #( 4#!( BH(; ", #( H( #&;$ (N% ML( MIDI OUT BML V#A N% H; m!} H ,# Z# 1& PROGRAM CHANGE H; -#5#6 !' 99 N 0 1& ) 4/ QE 12k ML V#A N w#2#&(E & C# MIDI H5 de~ 1& Y B*127 N 0 1& ) 4/ m!l L BA-1`A. \ V}& #Y !K dhh N% -#H5 N B[ ,# Z# E !Y 1& C# MIDI -#5#6 ?' QE #&;$
Q2 #&;$ B:AR-28`A.9 H ?} X`&w GM m=@ Q2 #&;$ * B99 0 76 r \ H; -#5#6 !' '\ ,#P ?} wX`&
❚ !' #&;$ BR! A i#, !' X ,m\ %!= _Ä >>@& dh #; • BML V#A N =6 <; ; -.E-. ,> '\ ,MIDI -#5#6
PITCH BEND '&% $#!
%$8 =@% ( TX5 1& =Å _#;`5 -#&%(& j # ML ,=Å _#;`5 -#5#6 1 ML V#A N Q BN% $ _#;z A8 E B-#5#! ML K& !' QE ?=' #;2
CONTROL CHANGE
W!= -(> )'& -H Z(P K& -zÇ Dl( # ML F5 9 "2j ", CONTROL CHANGE -#5#6 BN% $ _#;z B:zÇ W$ #PÉH #N 3`9 "2j :zÇ BCONTROL CHANGE C@#6 ##! 12k -#5#!#6 i# #
7VOLUME
64HOLD1
1MODULATION
MIDI
?MIDI
# " ! MIDI 43#(! 12 1& 0 ( -/. ( -,#+* "# )('& %$ =6 <; :89 -!&2 8 76 -#5#! BA%@& ?;> -#
MIDI
MIDI IN MIDI OUT
++++ * ,)(
MIDI
J;( IH6 ,-> ,3#>& F5E (2 MIDI -#5#6 ##( D> C# MIDI %!= -.E ,H; "( K& & ML K& 7 C# MIDI B?;> 1$ 2 Q#(2&P#6 (< O#( L( B-> ,3#(>& 2 (N# MIDI -(; 1$ J; IH6 ,C# MIDI -#5#6 $ ;$ TA SA5 R; QE MIDI E B-> ,> ?;> 4 X ,C# MIDI ?(& W6#=& (U ML V(#A N(% -> ,(>& QE "U,
-#5#6 $ 2 [ MIDI Z# E !Y N% . QE Q#2&P#6 1& ,(!&2( -#2!+ (!$ ,-/] \ (K26 \(& ( C# MIDI B)E ,3#>&
❚
`(`. =6 ( X _8 1& !(Y 3$ ^%$ C#( MIDI -#5#6 | • |
BML V#A N %$ | |
%% _E #( C# MIDI -#5#! #N#c ( 3#$ KY b%a | • |
Bdh g , f , e , d -; \ _E 1& ^%$ | |
(>A "(' L( ,#( MIDI ^j \(& i#( 1& ?( F; ( BML V#A N%6 ##! ##, 12k 3] i#