Korg music workstation/sampler

The structure of Sequencer mode

Sequencer mode is structured as follows.

Songs

A song consists of MIDI tracks 1–16, a master track, song

parameters such as the song name, effect, arpeggiator and

RPPR parameters, and 100 user patterns.

A maximum of 200 such songs can be created on TRITON

Extreme.

MIDI tracks 1–16 and the master track each consist of

setup parameters located at the start location, and musi-

cal data within the track.

Setup parameters

MIDI tracks 1–16

Bank/Program No.*, PLAY/MUTE/REC, Pan*, Vol-

ume*, Track Play Loop, Loop Start Measure, Loop End

Measure, Play Intro, Status, MIDI Channel, Bank Select

(When Status=EX2), Force OSC Mode, OSC Select, Por-

tamento*, Transpose**, Detune**, Bend Range**, Delay,

Use Program's Scale, MIDI Filter, Key Zone, Velocity

Zone, Track Name, Arpeggiator Assign, IFX/Indiv.Out

BUS Select, Send1(MFX1)*, Send2(MFX2)*

Master track

Time signature*, Tempo*

Musical data

MIDI tracks 1–16

Note On/Off, Program Change (including Bank

Select), Pitch Bend, After Touch (Poly After), Control

Change, Pattern No., System Exclusive

* When you change the setting during realtime-

recording, this will be recorded as musical data.

This allows the starting settings to be modiﬁed dur-

ing the playback.

** Musical data (MIDI RPN data) can be used to

change the starting settings during playback.

For details on control changes and RPN, refer to PG

p.285, 293.

Of the above parameters, those that can be edited

during realtime recording can be recorded as exclu-

sive data.

Patterns

There are two types of patterns: preset patterns and user

patterns.

•Preset patterns: Patterns suitable for drum tracks are

preset in internal memory, and can be selected for any

song.

•User patterns: Each song can have up to 100 patterns.

When using a pattern in a different song, use the

Utility menu commands “Copy Pattern” or “Copy

From Song” etc. to copy the pattern. The pattern

length can be specified in units of a measure.

Each pattern consists of musical data for one track. It is

not possible to create patterns that contain multiple tracks.

These patterns can be used as track musical data by being

placed in a track (page menu command “Put to Track”) or

copied to a track (page menu command “Copy to Track”).

Alternatively, you can use a pattern with the RPPR func-

tion of a song.

Cue List

A cue list allows you to playback multiple songs in suc-

cession. The TRITON Extreme allows you to create 20 cue

lists. Each cue list allows you to connect a maximum of 99

songs in any order, and to specify the number of times

that each song will repeat.

The page menu command “Convert to Song” lets you

convert the two or more songs in a cue list into a single

song. This allows you to use a cue list to create the back-

ing, then convert the cue list into a song and add solo

phrases on unused tracks.

Sequencer structure and corresponding pages

AUDIO OUTPUT

L/MONO, R

AUDIO OUTPUT

INDIVIDUAL

3, 4

1, 2

Controller

Setup

: P4- 4

Arpeggi-

ator

: P7

Routing : P8-1

Track

Insert Effect

Master Effect

Individual Outputs

Track 1

Track 2

Track 3

Track 4

Track 5

Track 6

Track 7

Track 8

Track 16

Master

Track

Pattern

U00 ... U99

RPPR

Setup: P6

Insert

Effect

1 ... 5 : P8

Master

Effect

1, 2 : P9

Master

: P9

Valve

Force

: P9

Placement:

Insert(Use Indiv.3/4 BUS)

Resampling (L/R 2ch Mix)

Valve

Force

: P9

Placement:

Final

Parameter

settings

Musical

data

Parameter

settings

Musical

data

Parameter

settings

Musical

data

Parameter

settings

Musical

data

Parameter

settings

Musical

data

Parameter

settings

Musical

data

Parameter

settings

Musical

data

Musical

data

Parameter

settings

Parameter

settings

Musical

data

Tempo, Time signature data

Sampling memory (RAM)

Sample

In-Track Sampling

Make Audio CD

WAVE (Stereo) Media