Korg music workstation/sampler

The silence between samples may become obtrusive

if you play back at a slower tempo, or noise may

occur between samples if you play back at a faster

tempo. To avoid such problems, you can set Stretch

“New BPM” or “Ratio” in step 6 to the tempo at

which you want to play back, and execute time

stretch to adjust the length of each sample. (☞PG

p.130 9)

9In “Song Select,” choose 001.

The following song data has been set/created automat-

ically as you speciﬁed in step 6.

• P0: Play/REC page

Song: 001, Meter: 4/4, Tempo: 120, RPPR: On

• P0: Play/REC, Program T01–08 page

Track01 Program: E102

• P6: Pattern/RPPR, RPPR Setup page

Key: C#2, Assign: On,

Pattern: User, U00, Track: Track01

Pattern data: 1 measure (D2–)

In the P6: Pattern/RPPR, Pattern Edit page, press the

SEQUENCER [START/STOP] key to start playback of

pattern U00.

When you press the C#2 key in the P6: Pattern/RPPR,

RPPR Setup page, the RPPR function will start playing

pattern U00.

In the same way as in step 8, changing the playback

tempo will not affect the pitch.

Sampling in Program, Combina-

tion, or Sequencer modes

External audio sources can be sampled from the various

input jacks in Program, Combination, and Sequencer

modes as well.

A performance in the above modes can also be internally

resampled in digital form. You can resample a perfor-

mance that uses the TRITON Extreme’s full range of fea-

tures (ﬁlters, effects, arpeggiator, and sequencer).

You can also sample the TRITON Extreme’s performance

together with audio from an external input source, or

monitor the performance of the TRITON Extreme’s arpeg-

giator and sequencer etc. while you sample only the exter-

nal audio from the input jacks.

In Sequencer mode, you can sample external audio while

listening to a song play back, and automatically create

note data in the track that will play the sample when the

track is played back. This allows you to sample vocals or

guitar while the sequencer runs, just as though you were

using a multitrack recorder. (This function is called “In-

Track Sampling.”)

☞For examples of sampling in Program and Combina-

tion modes, refer to QS p.22. The sampling procedure

in Combination mode is the same as in Program mode.

Sample an arpeggiated drum phrase

together with an externally-input guitar

Here’s how you can resample an arpeggiated perfor-

mance together with an external audio input source.

In this example, we will explain how a guitar connected to

the AUDIO INPUT jack can be played along to a drum

pattern played by the TRITON Extreme, and how both

can be sampled together.

Sampling can be performed in a similar way in Com-

bination and Sequencer modes as well as in Program

mode.

In this example we will send the external audio input

source to INDIVIDUAL 1, so if you want to monitor

the sound being sampled, connect AUDIO OUTPUT

(MAIN) L/MONO, R, and (INDIVIDUAL) 1 to your

mixer, and use headphones etc. to monitor the output

of the mixer.

1Press the [PROG] key to enter Program mode, and

select the K020: Processed Kit program.

2Turn on the arpeggiator (ARPEGGIATOR [ON/OFF]

key is lit), and play the keyboard to make sure that a

drum phrase is sounded.

Press the Arpeggio tab, and make sure that “Latch” is

checked.

Also adjust the arpeggiator tempo “” as desired.

3Press the ARPEGGIATOR [ON/OFF] key to turn off

the arpeggiator.