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Mackie 8-submaster mixer OVERDUBBING PART 2: THE BOARD, application, channels and adjust, to the appropriate bus, desired tape channel input

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CHANNEL

CHANNEL

CHANNEL

CHANNEL

CHANNEL

L MIC

12

L MIC

13

L MIC

14

L MIC

15

L MIC

16

–10

–10

–10

–10

–10

INE /LI

INE /LI

INE /LI

INE /LI

INE /LI

SEN

SEN

SEN

SEN

SEN

NE

NE

NE

NE

NE

SG

SG

SG

SG

SG

IA

IA

IA

IA

IA

TI

TI

TI

TI

TI

IV

IV

IV

IV

IV

I N

I N

I N

I N

I N

T

T

T

T

T

Y

Y

Y

Y

Y

+4

40dB

MIC/LINE

+4

40dB

MIC/LINE

+4

40dB

MIC/LINE

+4

40dB

MIC/LINE

+4

40dB

MIC/LINE

U

48dB

TAPE

U

48dB

TAPE

U

48dB

TAPE

U

48dB

TAPE

U

48dB

TAPE

16x8x2 8-BUS MIXING CONSOLE

TRIM		TRIM		TRIM		TRIM		TRIM
GAIN		GAIN		GAIN		GAIN		GAIN
	FLIP		FLIP			FLIP		FLIP	FLIP
1	U	1	U	1	U	1	U	1	U
1		1		1		1		1
OO	+15	OO	+15	OO	+15	OO	+15	OO	+15
2	U	2	U	2	U	2	U	2	U
OO	+15	OO	+15	OO	+15	OO	+15	OO	+15
AUX		AUX		AUX		AUX		AUX
	PRE		PRE			PRE		PRE	PRE
3	U	3	U	3	U	3	U	3	U
	5		5			5		5	5
OO	+15	OO	+15	OO	+15	OO	+15	OO	+15
4	U	4	U	4	U	4	U	4	U
	6		6			6		6	6
OO	+15	OO	+15	OO	+15	OO	+15	OO	+15
AUX		AUX		AUX		AUX		AUX
	SHIFT		SHIFT			SHIFT		SHIFT	SHIFT
12		13		14		15		16

POWER

1	U			1	U
1				1
	SOLO							SOLO	1-2	3-4
OO	+15			OO	+20	L	R
2	U			2	U
2				2
	SOLO							SOLO	1-2	3-4
OO	+15			OO	+20	L	R
LEVEL				LEVEL		BALANCE
3	U	5	U	3	U
3		5		3
	SOLO		SOLO			SOLO		PHONES	PHONES	L/R MIX
OO	+15	OO	+15	OO	+20			1	2
4	U	6	U	4	U				ASSIGN
4		6		4
	SOLO		SOLO			SOLO		PHONES	PHONES	L/R MIX
OO	+15	OO	+15	OO	+20			1	2
LEVEL		LEVEL		LEVEL					ASSIGN

5-6	7-8	L/R MIX
ASSIGN
5-6	7-8	L/R MIX
ASSIGN

5U

SOLO

OO

+20

6U

SOLO

OO

+20

LEVEL

channels and adjust	to the appropriate bus	desired tape channel input.
Assign	panpot	for the

PRE

PRE

PRE

PRE

PRE

CHANNEL

CHANNEL

CHANNEL

CHANNEL

CHANNEL

MIX-B

MIX-B

MIX-B

MIX-B

MIX-B

SOURCE

SOURCE

SOURCE

SOURCE

SOURCE

U

U

U

U

U

HI

HI

HI

HI

HI

MID

MID

MID

MID

MID

–15

+15

–15

+15

–15

+15

–15

+15

–15

+15

3k

3k

3k

3k

3k

1k

5k FREQ

1k

5k FREQ

1k

5k FREQ

1k

5k FREQ

1k

5k FREQ

500

18k

500

18k

500

18k

500

18k

500

18k

2

NORMAL

2

NORMAL

2

NORMAL

2

NORMAL

2

NORMAL

BAND

BAND

BAND

BAND

BAND

WIDTH

WIDTH

WIDTH

WIDTH

WIDTH

OCTAVES

OCTAVES

OCTAVES

OCTAVES

OCTAVES

3

1

3

1

3

1

3

1

3

1

12

12

12

12

12

U

U

U

U

U

LO

LO

LO

LO

LO

MID

MID

MID

MID

MID

–15

+15

–15

+15

–15

+15

–15

+15

–15

+15

250

250

250

250

250

220

350 FREQ

220

350 FREQ

220

350 FREQ

220

350 FREQ

220

350 FREQ

45

3k

45

3k

45

3k

45

3k

45

3k

U

U

U

U

U

HI

HI

HI

HI

HI

12k

12k

12k

12k

12k

–15

+15

–15

+15

–15

+15

–15

+15

–15

+15

U

U

U

U

U

LO

LO

LO

LO

LO

80

80

80

80

80

–15

+15

–15

+15

–15

+15

–15

+15

–15

+15

EQ

EQ

EQ

EQ

EQ

EQ IN

EQ IN

EQ IN

EQ IN

EQ IN

75 Hz

75 Hz

75 Hz

75 Hz

75 Hz

18dB/oct

18dB/oct

18dB/oct

18dB/oct

18dB/oct

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

PAN

PAN

PAN

PAN

PAN

L

R

L

R

L

R

L

R

L

R

U

U

U

U

U

LEVEL

LEVEL

LEVEL

LEVEL

LEVEL

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

HI/LO EQ

HI/LO EQ

HI/LO EQ

HI/LO EQ

HI/LO EQ

TO MON

TO MON

TO MON

TO MON

TO MON

MIX-B

MIX-B

MIX-B

MIX-B

MIX-B

MONITOR

SPLIT EQ

MONITOR

SPLIT EQ

MONITOR

SPLIT EQ

MONITOR

SPLIT EQ

MONITOR

SPLIT EQ

FLIP SW

FLIP SW

FLIP SW

FLIP SW

FLIP SW

CHANNEL

CHANNEL

CHANNEL

CHANNEL

CHANNEL

SOURCE

SOURCE

SOURCE

SOURCE

SOURCE

OL

OL

OL

OL

OL

-20

-20

-20

-20

-20

L

R

L

R

L

R

L

R

L

R

PAN

SOLO

PAN

SOLO

PAN

SOLO

PAN

SOLO

PAN

SOLO

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

12

MUTE

13

MUTE

14

MUTE

15

MUTE

16

dB

dB

dB

dB

dB

10

10

10

10

10

5

5

5

5

5

1-2

1-2

1-2

1-2

1-2

U

U

U

U

U

3-4

3-4

3-4

3-4

3-4

5

5

5

5

5

5-6

5-6

5-6

5-6

5-6

10

10

10

10

10

7-8

7-8

7-8

7-8

7-8

20

20

20

20

20

30

L/R

30

L/R

30

L/R

30

L/R

30

L/R

MIX

MIX

MIX

MIX

MIX

40

40

40

40

40

50

50

50

50

50

80

80

80

80

80

OO

OO

OO

OO

OO

SOLO		AUX SENDS						SOLO				STEREO AUX RETURNS
U														U
				MONITOR				MONITOR				L/R MIX			AUX SEND 1
OO +15		OO				OO				OO				OO +15	OO
MIX-B	PHONES					PHONES				STUDIO				LEVEL	LEVEL
LEVEL		LEVEL				LEVEL
				MIX-B				MIX-B				MIX-B			AUX SEND 2
														RUDE
MIX-B TO		SOLO		AUX SEND 3/4		SOLO		AUX SEND 3/4		OO		2-TK		SOLO LITE
MIX-B TO		SOLO		AUX SEND 3/4		SOLO		AUX SEND 3/4		CNTRL RM		2-TK			TAPE SUB
L/R MIX															MASTERS
ASSIGN
				AUX SEND 5/6				AUX SEND 5/6				EXTERNAL
MIX B															PHONES
MIX B		PHONES 1				PHONES 2				MONITOR				SOLO	&
MONITOR		PHONES 1				PHONES 2				MONITOR				SOLO	TALKBACK STUDIO
				EXTERNAL				EXTERNAL				MONO
				SOURCE				SOURCE				SOURCE
															+
															22
	+		+		+		+		+		+		+
	10		10		10		10		10		10		10		10
	7		7		7		7		7		7		7		7
	4		4		4		4		4		4		4		4
	2		2		2		2		2		2		2		2
	0		0		0		0		0		0		0		0
	2		2		2		2		2		2		2		2
	4		4		4		4		4		4		4		4
	7		7		7		7		7		7		7		7
	10		10		10		10		10		10		10		10
	20		20		20		20		20		20		20		20
	30		30		30		30		30		30		30		30
	40		40		40		40		40		40		40		40
L	–	R	–	L	–	R	–	L	–	R	–	L	–	R	L – R
1		2		3		4		5		6		7		8	MAIN
9		10		11		12		13		14		15		16	OR SOLO LEVEL
9		10		11		12		13		14		15		16
17		18		19		20		21		22		23		24
SOLO		SOLO		SOLO		SOLO		SOLO		SOLO		SOLO		SOLO	TALKBACK
															MIC
ASSIGN		ASSIGN		ASSIGN		ASSIGN		ASSIGN		ASSIGN		ASSIGN		ASSIGN
MONO		MONO		MONO		MONO		MONO		MONO		MONO		MONO
L+R		L+R		L+R		L+R		L+R		L+R		L+R		L+R
															LEFT/RIGHT
															MIX
L	MIX	R		L	MIX	R		L	MIX	R		L	MIX	R
1		2		3		4		5		6		7		8
dB	dB			dB		dB		dB		dB		dB		dB	dB
10	10			10		10		10		10		10		10	10
5	5			5		5		5		5		5		5	5
U	U			U		U		U		U		U		U	U
5	5			5		5		5		5		5		5	5
10	10			10		10		10		10		10		10	10
20	20			20		20		20		20		20		20	20
30	30			30		30		30		30		30		30	30
40	40			40		40		40		40		40		40	40
50	50			50		50		50		50		50		50	50
80	80			80		80		80		80		80		80	80
OO	OO			OO		OO		OO		OO		OO		OO	OO

knobs are used	application
Tinted	in this
	OO
Tinted buttons	are pressed IN
	CNTRL RM
OVERDUBBING PART 2: THE BOARD

31

Contents

Page CAUTION AVIS AVIS SAFETY INSTRUCTIONS Typical In Hours Example ©1999 Mackie Designs Inc. All Rights Reserved. Printed in the U.S.A PLEASE! SAVE THE SHIPPING BOX TABLE OF CONTENTS MASTER TRACK SHEETS SECTION 2: Panel Layout and Function –20AND OL LEDs CHANNEL SOLO PHANTOM POWER TRIM MIC/LINE SWITCH THE FLIP SWITCH: MIC/LINE OR TAPE MIX-B /MONITOR MIX-BPAN MIX-BLEVEL MIX-BSPLIT EQ SECTION Freq. center: 1k; ±15dB boost/cut Bandwidth: 1-octave; LO MID EQ Lo Mid EQ EQ IN/OUT HI EQ LO EQ AUX 1 & PRE (1&2) AUX 3, 4, 5 SHIFT SOURCE MONO L & R L MIX and R MIX METERING Bus Meters MAIN OR SOLO LEVEL Meters AUX SOLO STEREO AUX RETURNS Returns 1 & ASSIGN (1 & 2) Returns 3 & PHONES MONITOR TALKBACK only The studio output is not padded JACK PANELS (INPUT STRIP & MASTER OUTPUT) INPUT STRIP PHANTOM POWER Let there be light (sockets) OUTPUT PANEL Submaster Inserts Main Inserts AUX Sends Control Room Output Main Mix MIX-BOutput Studio Output Phones REAR PANEL CONNECTIONS Tape Returns Tape return OPERATING LEVEL Submaster/Tape Outputs MAIN BALANCED OUTPUTS EXPANDER PORT DC POWER IN THIS PAGE LEFT BLANK INTENTIONALLY SECTION 3: GENERAL INFORMATION BUSES SENDS AND RETURNS Page Connectors A BIT MORE ON MIX-B/FLIP Figure 5: FLIP/MIX-Bsignal path during tracking (“flip” switch up) SECTION 4: RECORDING FOLLOW THIS LEVEL-SETTING PROCEDURE FOR EACH CHANNEL IN USE: TRACKING PART 1: INPUT/OUTPUT knobs are used application TRACKING PART 2: THE BOARD Let’s Record Overdub, Anyone MIXING OVERVIEW RECORDING OVERDUBBING PART 1: INPUT/OUTPUT channels and adjust to the appropriate bus desired tape channel input OVERDUBBING PART 2: THE BOARD MULTITRACK MIXING PART 1: INPUT/OUTPUT MULTITRACK MIXING PART 2: THE BOARD Drums Bass Guitar Guitar Keys