7 |
| Special Design Features | |
Rugged Build |
| Mechanical strength has been a hallmark of Perreaux products since the | |
| |||
Quality |
| company first started production back in 1974. The concept behind the physical | |
|
| design and construction is that each structural member should contribute to both | |
|
| rigidity and performance. | |
Balanced |
| The SM6 is a truly balanced preamplifier, from input to output. The positive | |
Design |
| and negative halves of the signal never touch, remaining balanced throughout all | |
|
| stages. This circuit topology offers the ultimate in performance, providing | |
|
| increased noise rejection and lower levels of distortion. | |
Class A |
| Four discrete output stages operating in Class A provide output buffering. This | |
Output |
| enables low impedance loads to be driven, over long cable lengths using any | |
|
| cable. |
|
Multiple |
| There is a separate power supply for each section of the preamplifier. One for | |
Power |
| each of the volume control chips (two chips are used to keep the system fully | |
Supplies |
| balanced and therefore, to maintain separation, each chip is supplied with it’s | |
|
| own separate power supply), another one for each of the output buffering stages | |
|
| (once again because the SM6 utilises a fully balanced circuit topology), another | |
|
| for the digital logic and the final power supply looks after the input relays. The | |
|
| advantage of this is that there is complete isolation from stage to stage. The | |
|
| digital noise is kept completely out. This is further evidence of a thoroughly | |
|
| designed product offering. | |
Wireless |
| Many audiophile grade components are still provided with analogue controls | |
Remote |
| that are adjusted on | the faceplate of the unit. While total control from the |
Control |
| remote is common practice in standard products, and so it should be on all | |
|
| products, it is not yet widely utilised on many | |
|
| advantage is that you don’t have to get out of your chair to make an adjustment. | |
|
| Some of the functions available are: mute, volume up/down, display on/off, | |
|
| input select and balance. | |
Earthing |
| Perreaux engineers pay particular attention to designing the product to ensure | |
|
| maximum separation between internal signal and power earths, only meeting at a | |
|
| central starred point. |
|
Precision |
| The SM6 uses two digitally controlled resistor ladder volume controls. This is | |
Volume |
| because we treat the positive and negative parts of the signal separately (true | |
Control |
| balanced topology). | The advantages of using a digitally controlled analogue |
|
| resistor ladder to adjust volume are precise control, no contacts to corrode | |
|
| creating wiper noise and no analogue component drift. | |
Dual Outputs |
| You do not need to purchase an RCA style splitter if you want to drive two | |
|
| separate power amps simultaneously, as there are dual parallel preamplifier | |
|
| outputs. |
|
19