Yamaha 301, 303, CVP-305

Style Creator

CVP-305/303/301 Owner’s Manual 119

Using, Creating and Editing the Auto Accompaniment Styles

■NTT (Note Transposition Table)

This sets the note transposition table for the source pattern.

■NTT BASS ON/OFF

The channels for which this is set to ON will be played back by the bass root note,

when the on-bass chord is recognized by the instrument.

BYPASS When NTR is set to ROOT FIXED, the transposition table used does not

do any note conversion. When NTR is set to ROOT TRANS, the table

used only converts the root note.

MELODY Suitable for melody line transposition. Use this for melody channels

such as Phrase 1 and Phrase 2.

CHORD Suitable for chord transposition. Use this for the Chord 1 and Chord 2

channels, especially when they contain piano or guitar-like chordal

parts.

MELODIC MINOR When the played chord changes from a major to a minor chord, this

table lowers the third interval in the scale by a semitone. When the

chord changes from a minor to a major chord, the minor third interval is

raised by a semitone. Other notes are not changed. Use this for melody

channels of Sections which respond only to major/minor chords, such

as Intros and Endings.

MELODIC MINOR

5th

In addition to the Melodic Minor transposition above, augmented and

diminished chords affect the 5th note of the Source Pattern.

HARMONIC

MINOR

When the played chord changes from a major to a minor chord, this

table lowers the third and sixth intervals in the scale by a semitone.

When the chord changes from a minor to a major chord, the minor

third and ﬂatted sixth intervals are raised by a semitone. Other notes are

not changed. Use this for chord channels of Sections which respond

only to major/minor chords, such as Intros and Endings.

HARMONIC

MINOR 5th

In addition to the Harmonic Minor transposition above, augmented and

diminished chords affect the 5th note of the Source pattern.

NATURAL MINOR When the played chord changes from a major to a minor chord, this

table lowers the third, sixth and seventh intervals in the scale by a semi-

tone. When the chord changes from a minor to a major chord, the

minor third, ﬂatted sixth and ﬂatted seventh intervals are raised by a

semitone. Other notes are not changed. Use this for chord channels of

Sections which respond only to a Major/minor chord such as Intros and

Endings.

NATURAL MINOR

5th

In addition to the Natural Minor transposition above, augmented and

diminished chords affect the 5th note of the Source pattern.

DORIAN When the played chord changes from a major to a minor chord, this

table lowers the third and seventh intervals in the scale by a semitone.

When the chord changes from a minor to a major chord, the minor

third and ﬂatted seventh intervals are raised by a semitone. Other notes

are not changed. Use this for chord channels of Sections which respond

only to a Major/minor chord such as Intros and Endings.

DORIAN 5th In addition to the Dorian transposition above, augmented and dimin-

ished chords affect the 5th note of the Source pattern.