Yamaha PSR-530 - page 34

Auto Accompaniment

●F1: The FINGERED 1 Mode

The Fingered 1 mode lets you finger your own chords on the AUTO ACCOMPA-

NIMENT section of the keyboard (i.e. all keys to the left of and including the split-

point key — normally 54) while the PSR-530 supplies appropriately orchestrated

rhythm, bass, and chord accompaniment in the selected style.

The FINGERED 1 mode recognizes the following chords:

FngrngMd

• Notes in parentheses

can be omitted.

• If you play any three

adjacent keys (includ-

ing black keys), the

chord sound will be

cancelled and only

the rhythm instru-

ments will continue

playing (CHORD

CANCEL function).

• Playing a single key

or two same root keys

in the adjacent oc-

taves produces ac-

companiment based

only on the root.

• A perfect fifth (1 + 5)

produces accompani-

ment based only on

the root and fifth

which can be used

with both major and

minor chords.

• The chord fingerings

listed are all in “root”

position, but other in-

versions can be used

— with the following

exceptions:

m7, m7

5, 6, m6,

sus4, aug, dim7,

5, 6(9), m7(11),

1+2+5.

• Inversion of the 7sus4

chord are not recog-

nized if the 5th is

omitted.

• The AUTO ACCOM-

PANIMENT will some-

times not change

when related chords

are played in se-

quence (e.g. some

minor chords followed

by the minor seventh).

• Two-note fingerings

will produce a chord

based on the previ-

ously played chord.

Chord Name/[Abbreviation] Normal Voicing

Major [M] 1 - 3 - 5

Add ninth [(9)] 1 - 2 - 3 - 5

Sixth [6] 1 - (3) - 5 - 6

Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6

Major seventh [M7] 1 - 3 - (5) - 7 or

1 - (3) - 5 - 7

Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7

Major seventh add sharp eleventh [M7(#11)] 1 - (2) - 3 - #4 - 5 - 7 or

1 - 2 - 3 - #4 - (5) - 7

Flatted fifth [(b5)] 1 - 3 - b5

Major seventh flatted fifth [M7b5] 1 - 3 - b5 - 7

Suspended fourth [sus4] 1 - 4 - 5

Augmented [aug] 1 - 3 - #5

Major seventh augmented [M7aug] 1 - (3) - #5 - 7

Minor [m] 1 - b3 - 5

Minor add ninth [m(9)] 1 - 2 - b3 - 5

Minor sixth [m6] 1 - b3 - 5 - 6

Minor seventh [m7] 1 - b3 - (5) - b7

Minor seventh ninth [m7(9)] 1 - 2 - b3 - (5) - b7

Minor seventh add eleventh [m7(11)] 1 - (2) - b3 - 4 - 5 - (b7)

Minor major seventh [mM7] 1 - b3 - (5) - 7

Minor major seventh ninth [mM7(9)] 1 - 2 - b3 - (5) - 7

Minor seventh flatted fifth [m7b5] 1 - b3 - b5 - b7

Minor major seventh flatted fifth [mM7b5] 1 - b3 - b5 - 7

Diminished [dim] 1 - b3 - b5

Diminished seventh [dim7] 1 - b3 - b5 - 6

Seventh [7] 1 - 3 - (5) - b7 or

1 - (3) - 5 - b7

Seventh flatted ninth [7(b9)] 1 - b2 - 3 - (5) - b7

Seventh add flatted thirteenth [7(b13)] 1 - 3 - 5 - b6 - b7

Seventh ninth [7(9)] 1 - 2 - 3 - (5) - b7

Seventh add sharp eleventh [7(#11)] 1 - (2) - 3 - #4 - 5 - b7 or

1 - 2 - 3 - #4 - (5) - b7

Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 - b7

Seventh sharp ninth [7(#9)] 1 - #2 - 3 - (5) - b7

Seventh flatted fifth [7b5] 1 - 3 - b5 - b7

Seventh augmented [7aug] 1 - 3 - #5 - b7

Seventh suspended fourth [7sus4] 1 - 4 - (5) - b7

One plus two plus five [1+2+5] 1 - 2 - 5

Chord (C) Display

C(9) C(9)

C6 C6

C6(9) C6(9)

CM7 CM7

CM7(9) CM7(9)

CM7(#11) CM7(#11)

C(b5) C(b5)

CM7b5 CM7b5

Csus4 Csus4

Caug Caug

CM7aug CM7aug

Cm Cm

Cm(9) Cm(9)

Cm6 Cm6

Cm7 Cm7

Cm7(9) Cm7(9)

Cm7(11) Cm7(11)

CmM7 CmM7

CmM7(9) CmM7(9)

Cm7b5 Cm7b5

CmM7b5 CmM7b5

Cdim Cdim

Cdim7 Cdim7

C7 C7

C7(b9) C7(b9)

C7(b13) C7(b13)

C7(9) C7(9)

C7(#11) C7(#11)

C7(13) C7(13)

C7(#9) C7(#9)

C7b5C7b5

C7aug C7aug

C7sus4 C7sus4

C1+2+5 C