3. MOVIE THEATER |
| 5. STADIUM |
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When the input signal is analog or PCM audio |
| When the input signal is analog or PCM audio ( | DSP ) | ||||||||||||
( DSP |
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| PRO LOGIC ) |
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Speaker output: main, center, rear |
| When the input signal is Dolby Digital ( |
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| DIGITAL | DSP ) | ||||||||
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DIGITAL MOVIE THEATER |
| Speaker output: main, center, rear |
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When the input signal is Dolby Digital ( |
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| DIGITAL | DSP ) | This program gives you long delays between | |||||||||
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Speaker output: main, center, rear |
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| direct sounds and effect sounds, and | ||||||||||||||
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| Ideal for reproducing video discs, video | extraordinarily spacious feel of a large | ||||||||||
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| stadium. |
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| tapes and similar sources which are Dolby |
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| Surround encoded and bear the “DOLBY |
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| SURROUND” logo. |
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This program is ideal for precisely reproducing the sound design of the newest 70 mm/Dolby Digital
4. TV SPORTS |
| 6. DISCO |
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When the input signal is analog or PCM audio ( | DSP ) | When the input signal is analog or PCM audio ( | DSP ) | ||||||||
Speaker output: main, center, rear |
| Speaker output: main, rear |
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When the input signal is Dolby Digital ( |
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| DIGITAL | DSP ) | When the input signal is Dolby Digital ( |
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| DIGITAL | DSP ) |
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Speaker output: main, center, rear |
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This program is furnished with a tight sound | This program recreates the acoustic | ||||||||||
field in which the sound will not spread | environment of a lively disco in the heart of | ||||||||||
excessively on the front side, but the rear | a very lively city. The sound is dense and | ||||||||||
surround side produces a dynamic sound | highly concentrated. It is also characterized | ||||||||||
expansion. This program is the most suitable | by a | ||||||||||
for sports programs. |
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