GEN Other (General Other) |
| Common Quick Edit |
There are various parameters for Micro Tuning and for |
| Various parameters control the sonic properties of the |
controlling how the generated sound is output. |
| Voice. There are four screens. |
Mode Voice
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| GEN’Other) Mode | Assign | MicroTuning | ||
| C 1234 | poly | single | 31:Indian |
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■Mode
Select monophonic or polyphonic playback. Select whether the Voice is played back monophonically (single notes only) or polyphonically (multiple simultaneous notes).
❏Settings: mono, poly
■Assign
If you set Key Assign to “single,” the doubled playback of the same note is prevented. The synthesizer will terminate a note when the same note is received again. If you select “multi,” the synthesizer will consecutively assign each instance of the same received note to a separate channel, making multiple part tone generation possible.
❏Settings: single, multi
QED Level (Quick Edit Level) QED EffectCtrl (Quick Edit Effect) QED Filter (Quick Edit Filter)
QED EG (Quick Edit Envelope Generator)
QED Level (Quick Edit Level)
These parameters control the output level (volume) and pan position of the Voice.
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| QED’Level) | Vol | Pan RevSend | ChoSend | ||
| C 1234 | 127 | C | 127 | 127 |
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■Vol (Volume)
Set the output level of the Voice.
❏Settings: 0 ~ 127
■Pan
Set the stereo pan position of the Voice.
❏Settings: L63 (Left) ~ C (Center) ~ R63 (Right)
■ MicroTuning | ■ RevSend (Reverb Send) |
Set the Micro Tuning (tuning system, or temperament) used | Set the Send level of the signal sent from Insertion |
for the Voice. Normally you would use “Equal Temperament” | Effect 1/2 (or the bypassed signal) to the Reverb |
but there are also 31 other tuning systems available. | effect. |
❏Settings: (see the following list)
No. | Type | Key | Comments |
00 | Equal temperament |
| The “compromise” tuning used for most of |
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| the last 200 years of Western music, and |
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| found on most electronic keyboards. Each |
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| half step is exactly 1/12 of an octave, and |
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| music can be played in any key with equal |
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| ease. However, none of the intervals are |
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| perfectly in tune. |
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01~12 | Pure major | C~B | This tuning is designed so that most of the |
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| intervals (especially the major third and |
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| perfect fifth) in the major scale are pure. This |
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| means that other intervals will be |
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| correspondingly out of tune. You need to |
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| specify the key (C~B) you will be playing in. |
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13~24 | Pure minor | A~G# | The same as Pure Major, but designed for |
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| the minor scale. |
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25 | Werckmeister |
| Andreas Werckmeister, a contemporary of |
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| Bach, designed this tuning so that keyboard |
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| instruments could be played in any key. |
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| Each key has a unique character. |
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26 | Kirnberger |
| Johan Philipp Kirnberber was also |
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| concerned with tempering the scale to allow |
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| performances in any key. |
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27 | Vallotti & Young |
| Francescantonio Vallotti and Thomas Young |
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| (both |
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| the Pythagorean tuning in which the first six |
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| fifths are lower by the same amount. |
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28 | 1/4 shifted |
| This is the normal equal tempered scale |
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| shifted up 50 cents. |
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29 | 1/4 tone |
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| octave. (Play |
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| octave.) |
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30 | 1/8 tone |
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| (Play |
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31 | Indian | C~B | Usually observed in the Indian music (white |
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| keys [C~B] only). |
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❏Settings: 0 ~ 127
■ChoSend (Chorus Send)
Set the Send level of the signal sent from Insertion Effect 1/2 (or the bypassed signal) to the Chorus effect.
❏Settings: 0 ~ 127
QED EffectCtrl (Quick Edit Effect)
Set the amount of Chorus applied to the entire Voice.
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| QED’EffectCtrl) | Chorus | |
| C 1234 | +63 |
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■Chorus
Set an offset value for the parameters used by each type of Chorus.
❏ Settings:
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