Yamaha TYROS - page 86

Voice Creating (Sound Creator)

Reference

86 TYROS Owner’s Manual

Sound Creator Parameters (Normal Voices)

The Sound Creator parameters are organized into ﬁve different pages, and can be set as described in step #3 of the

“Basic Procedure” above. These can also be programmed as part of the Voice Set parameters (page 151), to be

automatically called up when the voice is selected.

Keep in mind that these parameters do not apply to the Organ Flutes voices, which have their own set of parameters

(page 83).

■ COMMON

■ CONTROLLER

● MODULATION

The Modulation Wheel can be used to modulate the parameters below as well as the pitch (vibrato).

Here, you can set the degree to which the Modulation wheel modulates each of the following param-

eters.

● AFTERTOUCH

Aftertouch can be used to modulate the parameters below. Here, you can set the degree to which

Aftertouch modulates each of the following parameters.

VOLUME Determines the volume of the current edited voice.

TOUCH SENSE

Determines the touch sensitivity, or how greatly the volume responds to your play-

ing strength. A setting of “0” produces more extreme drops in level, the more softly

you play, while a setting of “64” is normal response, and “127” produces high vol-

ume for any playing strength (fixed).

OCTAVE

Shifts the octave range of the edited voice up or down in octaves. When the edited

voice is used as any of the RIGHT1 - 3 parts, the R1/R2/R3 parameter is available;

when the edited voice is used as the LEFT part, the LEFT parameter is available.

MONO/POLY Determines whether the edited voice is played monophonically or polyphonically

(page 81).

PORTAMENTO TIME Sets the portamento time when the edited voice is set to “MONO” above.

FILTER Determines the degree to which the Modulation Wheel modulates the Filter Cutoff

Frequency. See next page for details about Filter.

AMPLITUDE Determines the degree to which the Modulation Wheel modulates the amplitude

(volume).

LFO PMOD Determines the degree to which the Modulation Wheel modulates the pitch, or the

vibrato effect.

LFO FMOD Determines the degree to which the Modulation Wheel modulates the Filter modu-

lation, or the wah effect.

LFO AMOD Determines the degree to which the Modulation Wheel modulates the amplitude, or

the tremolo effect.

FILTER Determines the degree to which Aftertouch modulates the Filter Cutoff Frequency.

See next page for details about Filter.

AMPLITUDE Determines the degree to which Aftertouch modulates the amplitude (volume).

LFO PMOD Determines the degree to which Aftertouch modulates the pitch, or the vibrato ef-

fect.

LFO FMOD Determines the degree to which Aftertouch modulates the Filter modulation, or the

wah effect.

LFO AMOD Determines the degree to which Aftertouch modulates the amplitude, or the tremolo

effect.