Appendix
ZOOM HD8/HD16
192
17 Crunch Crunch sound optimized for cutting.
18 NuanceOD Overdrive sound brings out those fine amp details.
19 Tremolo Tremolo sound for arpeggio.
20 ShortDLY Rock lead sound with short delay.
21 Half Wah Midrange-oriented sound with half open wah.
22 Jet Riff Flanger jet sound.
23 SmoothLD Smooth and glossy distortion sound.
24 HR Core Punchy hard rock sound.
25 ENGL 650 Simulation of the ENGL E650 favored by Ritchie Blackmore.
26 5thPitch Synthesizer-like pitch sound with fifth-down for ad-libbing.
27 375 DLY Dotted eighth delay with bpm = 120 gives a gimmicky sound for solo play.
28 PsycheVB Psychedelic vibe sound of the sixties as personified by Jimi Hendrix.
29 D'live Crunch sound with intense live feeling.
30 NicePick Crunch sound controlled by your picking.
31 X'over Slick semi-acoustic sound with overdrive.
32 Combo Crunch sound in the boogie combo style.
33 MildTone Mild tone emphasizes the low range.
34 Bright Bright and airy sound.
35 OLD DLY Lead tone flavored with analog delay.
36 Tweed Tweed amp sound with a clear edge.
37 BoxBody Old-style semi-acoustic fusion sound.
38 Big Wave SFX sound using ARRM creates a wave that rolls back to you.
39 Bottom Twang those lower strings with this sound.
40-49 Empty
ACO/BASS SIM algorithm No. Patch name Description
0Ensemble Gorgeous sound with deep ensemble effect.
1Delay LD Lively acoustic guitar sound for lead playing.
2Chorus Chorus sound runs the gamut from side guitar to lead guitar.
3FineTune Delicate detune creates sonic depth.
4Air Aco Air sound creates a miking effect.
5Standard Standard bass sound with many uses.
6CompBass Bass sound comes to live with compressor and exciter.
7WarmBass Bass sound with warm and round feeling.
8Flanging Flanging sound covers a lot of ground, from 16-beat phrases to melody playing.
9Auto Wah Funky bass making good use of auto wah.
10-19 Empty
BASS algorithm No. Patch name Description
0SVT Walk the high road of rock. Great for finger picking or flatpicking.
1BASSMAN Vintage rock sound for any occasion.
2HARTKE Hartke simulation with all the glitz and glitter.
3SUPER-B Choose this for guitar unison play and solo play.
4SANS-A Edgy sound with a strong core is a good match for flatpick.
5TUBE PRE All-rounder tube sound always comes in handy.
6Attack Compression sound effective for slap and flatpick playing.
7Wah-Solo Solo sound with distortion and a touch of wah. Pitch shift is the secret ingredient.
8Talk&Cry Typical SFX effect that uses cry like a talking modulator.