On the

Rear Panel:

35

 

 

34

33

32

31

30

27

28

Tweeter

 

 

Line Outputs

 

Effects

Foot

 

 

 

 

 

 

 

Loop

Switch

-6dB

 

 

 

 

 

 

 

 

 

-50dB

0dB

0

10

 

 

 

 

 

 

Level

Level

Gnd

Low Z

High Z

Return

Send

Reverb/

 

 

 

 

Lift

Bal.

Bal.

 

 

Chorus

27:Footswitch. Connect the supplied two-button footswitch here for remote on/off control of the internal reverb and chorus. (When connect- ed, the footswitch overrides the front panel chorus on/off switch.)

Note: This is a STEREO jack: tip controls the chorus, ring controls the reverb, sleeve is ground. Use only a footswitch equipped with a stereo 1/4” plug.

28:Effects Loop Send. When using an external signal processor, connect this jack to the input of the effect by means of a shielded signal cable.

29:Effects Loop Return. When using an external signal processor, connect this jack to the output of the effect by means of a shielded signal cable.

30:High Z Bal. Use this jack to connect a high impedance, line level signal to a house sound board, a recording console or an external power ampli- fier by means of an 1/4” stereo plug-terminated cable. (Ring is signal +, tip is signal -, and sleeve is ground.)

31:Low Z Bal. Use this jack to connect a low impedance, line level signal to a house sound board, a recording console or an external power amplifi- er by means of an XLR-terminated cable. (Pin 1 is ground, pin 2 is signal +, and pin 3 is signal -.)

32:Ground Lift. This switch, when depressed, electronically disconnects the low Z balanced output jack’s chassis ground connection. If you expe- rience excessive noise when using the low Z balanced output jack, depress this switch.

33:Line Out Level. Use this control to adjust the output level of the line out signal. (This control works independently from the amplifier’s master level control.)

34:Tweeter Level. Use this control to adust the signal output level from the CA112D’s internal tweeter. Rotating this control counter-clockwise reduces the tweeter’s output level.

Not Shown:

Power cord. Connect the end of this cord to a suitable source of line volt- age. Refer to the voltage information on the back of the amplifier for its voltage and current requirements.

Note: This is a grounded plug. To avoid the possibility of electric shock,

DO NOT defeat the ground connection in any way!

The DSP

Section:

The CA112D features Crate’s On-Board Digital Signal Processing (DSP) technology that was designed specifically for use with acoustic instruments and vocals. This provides a large selection of digital reverbs, effects and delays. Select the type of effect desired by rotating the Mode control (#22). This control is divided into five sections: Small Area Reverbs (SAR), Large Area Reverbs (LAR), Special Reverbs (SPR), Delays (DLY) and Multiple Effects (Multi).

Mode

 

DLY

SPR

 

LAR

 

SAR

Multi

The following chart provides a list of the DSP settings along with a brief description of each effect.

SAR:

Small Room

8’ x 8’ empty room w/hardwood floor

Small Rehearsal Hall

20’ x 40’ hall, wood floors, hard walls

LAR:

Large Hall

50’ x 100’ hall, about 50 persons

 

Concert Hall

5000-seat hall, full crowd

SPR:

Plate Reverb

Simulates studio steel plate reverb

 

Spring Reverb

Simulates multi-spring reverb tank

DLY:

Slapback, short

125ms delay + reverb

 

Slapback, Med-short

240ms delay + reverb

 

Slapback, Medium

350ms delay + reverb

 

Slapback, Long

557ms delay - 630’ travel time

Multi:

Short Med. Surface

280ms delay w/21.8% regen + reverb

Medium Hard Surface

335ms delay w/26.5% regen + reverb

 

Chor-Delay

400ms delay with modulation

 

Chor-Verb

Hall reverb w/modulated pre-delay

 

Slap-Verb

Medium hall w/200ms pre-delay

 

Instrument Doubler

Simulates second track slightly out-of-sync

CA112D Block Diagram:

instrument

 

 

 

 

channel

 

 

 

 

input

 

filter

 

tones

 

 

 

 

rev/

 

 

 

 

effect

active

piezo

 

 

send

freq cut

gain

low mid cntr high

 

 

peak

master

effects

line out

 

 

chorus

 

 

depth rate

on

 

 

effects

mode

send

 

off

 

 

DSP

foot

switch

reverb return

vocal/aux

phantom power

rev/

channel

low-z input

hi-z input

aux channel

hi-z input

gain

effect

send

effect return

effect return

rev/

effect

send

line out

hi-z

bal.

level

gnd

lift

low-z bal.

graphic EQ

master 80 330 1k 4k 10k

levelHz

high pass

25w

 

 

level

low pass

50w

 

50w

hi freq driver

dual

voice coil

low freq

driver

gain

Page 5
Image 5
Crate Amplifiers manual Rear Panel, DSP Section, CA112D Block Diagram, Not Shown