Adobe RGB Coverage
Expanded Color Space Meets | 0.9 |
|
|
|
|
|
|
|
|
|
|
|
|
| Color | Reproduction |
|
| Area |
| |||
Professional Needs | 0.8 |
|
| (xy | Coordinate) |
|
|
|
| ||
0.7 |
|
|
|
|
| Adobe RGB |
| ||||
|
|
|
|
|
|
| |||||
Graphics professionals are well |
|
|
|
|
| sRGB |
|
|
| ||
|
|
|
|
|
|
|
| ||||
|
|
|
|
|
| ISO Coated |
| ||||
|
|
|
|
|
|
| |||||
aware that a totally digital workflow | 0.6 |
|
|
|
|
| Color | Space |
| ||
0.5 |
|
|
|
|
|
|
|
|
|
| |
and the ability to do soft proofing |
|
|
|
|
|
|
|
|
|
| |
y |
|
|
|
|
|
|
|
|
|
| |
results in higher efficiency and lower | 0.4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
| |
costs. Many also want to switch to | 0.3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
| |
0.2 |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
| |
hesitant to do so because of concerns | 0.1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||
regarding the color accuracy required | 0.0 |
|
|
|
|
|
|
|
|
|
|
0.1 0.2 0.3 0.4 0.5 0.6 | 0.7 0.8 | ||||||||||
for professional color work. EIZO’s so- |
|
|
| x |
|
|
| ||||
|
|
|
|
|
|
|
|
|
|
|
lution is the ColorEdge CG220: an LCD monitor that covers the Adobe RGB color space. It thus encompasses not only the sRGB color space, widely supported by many computer monitors, operating systems and digital cameras, but also the
Advantages Of Adobe RGB
In order to realize the advantages of soft proofing, a color manage- ment system for sharing accurate colors among photographers, graphic artists and printers is a necessity. The most efficient way to achieve this is for all parties to use a standardized color space with a wide
3D representation in CIE Lab of comparisons between ISO Coated and sRGB/Adobe RGB Color Spaces
(A) | (B) |
Created in ColorThink
(A)Adobe RGB (white wire frame) encompasses the ISO coated color space (multicolor solid).
(B)sRGB (white wire frame) does not cover many of the green, cyan, and yellow areas of the ISO coated color space (multicolor solid).
range of colors. The ColorEdge CG220 now makes it possible to adopt the Adobe RGB extended color space, which has become the de facto standard for professional color processing. It ensures guaranteed color reproduction across all digital platforms, providing a color management environment that fully supports soft proofing, from the photography stage to final CMYK printing.
Color Management
Photography |
| Design |
| Prepress/Printing |
| |
|
| Adobe RGB color space throughout entire workflow |
| |||
Shoot | Check | Process | Layout | Layout | ||
Data | Image | |||||
|
|
|
| |||
|
| Masking | Enlarging | Edit |
| |
|
| Compositing | Reducing |
| ||
|
| Adjustment | Clipping Paths |
|
| |
No need for Photoshop | Edit Adobe RGB image | Edit while simulating |
| |||
color engine |
| Soft proof | CMYK color space |
|
A common color space throughout the workflow lets you switch from hardcopy proofing to soft proofing.
By covering the Adobe RGB color space, the ColorEdge CG220 is not subject to influence from the OS color engine or software, and allows final color checks in Adobe RGB. This offers a great advantage over sRGB monitors, whose smaller palette is not capable of accurately reproducing colors in certain areas of the spectrum, notably emerald greens and cyans. Retouching images with these monitors requires numerous printouts to achieve accurate color matching. By enabling on- screen retouching and color confirmation, the ColorEdge CG220 makes your work faster, easier and more accurate.
5