MartinLogan Odyssey user manual Placement

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PLACEMENT

Listening Position

By now your speakers should be placed approximately two to three feet from the front wall, the wall in front of the listening position, and at least one to two feet from the side walls. Your sitting distance should be further than the distance between the speakers themselves. What you are trying to attain is the impression of good center imaging and stage width.

There is no exact distance between speakers and listener, but there is a relationship. In long rooms, naturally, that relationship changes. The distance between the speakers will be far less than the distance from you to the speaker system. However, in a wide room, you will still find that if the distance from the listener to the speakers becomes smaller than the distance between the speakers themselves, the image will no longer focus in the center.

Now that you have positioned your speaker system, spend some time listening. Wait to make any major changes in your initial setup for the next few days as the speaker system itself will change subtly in its sound. Over the first 40 hours of play the actual tonal quality will change slightly with deeper bass and more spacious highs resulting.

After a few days of listening you can begin to make refinements and hear the differences of those refinements.

The Wall Behind the Listener

Near-field reflections can also occur from your back wall (the wall behind the listening position). If your listening position is close to the back wall, these reflections can cause problems and confuse the quality of imaging. Actually it is better for the wall behind you to be soft than to be bright. If you have a hard back wall and your listening position is close to it, experiment with devices that will soften and absorb information (i.e. wall hangings and possibly even sound absorbing panels).

The Wall Behind the Speakers

The front surface, the wall behind your speakers, should not be extremely hard or soft. For instance, a pane of glass will cause reflections, brightness and confused imaging. Curtains, drapery and objects such as bookshelves can be placed along the wall to soften a hard surface. A standard

sheet rock or textured wall is generally an adequate surface if the rest of the room is not too bright and hard. Sometimes walls can be too soft. If the entire front wall consists of only heavy drapery, your system can sound too soft or dull. You may hear dull, muted music with little ambience. Harder room surfaces will actually help in this case.

The front surface should, optimally, be one long wall without any doors or openings. If you have openings, the reflection and bass characteristics from one channel to the other can be different.

The Side Walls

The same requirements exist for side walls. Additionally, a good rule of thumb is to have the side walls as far away from the speaker sides as possible, minimizing near-field side wall reflections. Sometimes, if the system is bright or the imaging is not to your liking, and the side walls are very near, try putting curtains or softening material directly to the edge of each speaker. An ideal side wall, however, is no side wall at all.

Experimentation

Toe-in

Now you can begin to experiment. First begin by toeing your speakers in towards the listening area and then facing them straight into the room. You will notice that the tonal balance changes slightly. You will also notice the imaging changing. Generally it is found that the ideal listening position is with the speakers slightly toed-in so that you are listening to the inner third of the curved transducer section.

Experimenting with the toe-in will help in terms of tonal balance. You will notice that as the speakers are toed-out, the system becomes slightly brighter than when toed-in. This design gives you the flexibility to compensate for a soft or bright room.

Tilting the Speakers Backwards and Forwards

As can be seen from the diagrams in the Room Acoustics section of this manual, the vertical dispersion is directional above and below the stator panel itself. In some instances, if you are sitting close to the floor, slight forward tilting of the speakers can enhance clarity and precision.

8Placement

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Contents Y S S E Y TM Contents Installation in Brief Installation in BriefIntroduction and Assembly IntroductionAssembling the Odyssey IntroductionAC Power Connection Signal ConnectionOperation Break-InOperations Single-Wire Connection Passive Bi-AmplificationBi-Wire Connection Jumper clips removed Left Channel Amplifier Speaker output Bass Control SwitchBass Control Woofer Placement Enjoy Yourself Final PlacementExtra Tweak Room Acoustics Your RoomTerminology Rules of ThumbDipolar Speakers and Your Room Solid FootingDispersion Interactions Controlled Horizontal DispersionControlled Vertical Dispersion Three Major Types of DispersionDispersion Interactions Home Theater Home TheaterSubwoofer Electrostatic Advantages Electrostatic AdvantagesFull Range Operation Tweeter Midrange WooferCrossover point 2-5kHz Crossover point 100-400Hz Crossover point 250HzMartinlogan Exclusives Curvilinear Line Source ClstmBass Control System Vapor Deposited FilmElectrostatic Loudspeaker History Electrostatic Loudspeaker HistoryElectrostatic Loudspeaker History Frequently Asked Questions Frequently Asked QuestionsFrequently Asked Questions Troubleshooting Specifications Warranty and RegistrationService General InformationGlossary of Audio Terms Glossary of Audio TermsGlossary of Audio Terms Page Page MartinLogan, All rights reserved Rev. #011101

Odyssey specifications

The MartinLogan Odyssey is a distinguished loudspeaker that showcases the brand's commitment to innovation, craftsmanship, and exceptional audio performance. This electrostatic speaker is designed for audiophiles who desire an immersive listening experience, blending advanced technology with luxurious aesthetics.

At the heart of the Odyssey is MartinLogan's renowned electrostatic technology, which utilizes a thin, electrically charged diaphragm suspended between two perforated metal stators. This design allows for extremely low distortion and a wide frequency response. The result is clear, detailed sound reproduction that captures the nuances of both music and film audio, making it a perfect choice for critical listening environments.

One of the standout features of the Odyssey is its unique design that incorporates the company's latest advancements in transducer technology. The speaker boasts a large, full-range electrostatic panel, which provides an expansive soundstage and extraordinary imaging. This panel is complemented by a high-performance, low-frequency driver that seamlessly integrates with the electrostatic element, ensuring a well-rounded and balanced sound across the auditory spectrum.

The cabinet design of the Odyssey is also noteworthy. Crafted from high-quality materials, the enclosure is engineered to minimize resonance while providing a visually appealing appearance. The sleek, contemporary design fits elegantly into a variety of interior settings, making the speakers a stylish addition to any audio setup.

Another significant feature of the MartinLogan Odyssey is its precise, adjustable crossover network. This network manages the transition between the electrostatic panel and the woofer, ensuring smooth integration and coherence across all frequencies. Such precision in engineering allows discerning listeners to enjoy their favorite recordings with impeccable clarity and detail.

Additionally, the Odyssey is designed for versatility in placement. The speaker is equipped with various adjustment options for height and tilt, allowing users to optimize sound dispersion and field. This adaptability makes it suitable for both dedicated listening rooms and home theaters.

In summary, the MartinLogan Odyssey exemplifies what can be achieved with state-of-the-art electrostatic technology combined with thoughtful design. With its focus on audio fidelity, impressive build quality, and aesthetic elegance, the Odyssey stands as a titan among high-end loudspeakers, appealing to both audiophiles and casual listeners alike.