Alesis MasterControl manual Adjusting latency by changing the buffer size Latency

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In digital recording systems, all digital input devices must be synchronized to the same clock. Use word clock cables or other connections to synchronize multiple external converters, if you are using them.

4.Adjusting the sample rate: You can change the sample rate that the MasterControl uses in this area.

Some audio programs require that you change the sample rate under their Project Setup or similar menus. For instance, Cubase will take control of this parameter.

5.Adjusting latency by changing the buffer size: “Latency”

refers to the amount of time it takes for audio to get into and out of the computer. In the best of all possible worlds, there would be no such thing as latency – we would hear audio the moment it was created. However, computers have limited processing power, and they can “choke,” cut off recording, or crash programs if they are asked to handle too much data all at once.

To minimize this risk, audio can be stored in a buffer for a

certain amount of time. This buffering helps smooth out the stream of data that the computer needs to handle. In the end, all of the audio is sorted out and played correctly, but with a delay.

Here are the basic considerations to consider when adjusting buffer sizes:

yLower buffer size = less latency but higher risk of audio problems

yHigher buffer size = more latency but lower risk of audio problems

yVery high buffer size = possible system instability

For most systems, there is a “sweet spot” where latency is not too high and system performance is good. Experiment with raising or lowering buffer sizes to hit this sweet spot.

As you begin adding plug-in EQ, compression, and so forth to your project, your computer will need to work harder. If you start to hear clicks, pops and other glitches in your audio, consider increasing your buffer size at this time.

Many people use two latency settings—a lower one when recording tracks and a higher one when mixing.

As a final note, one tremendous benefit that the MasterControl offers is that you can monitor through it without latency at all.

Press the DIRECT MONITOR button (and mute the input monitoring in your DAW) to hear what you’re recording without any delay between the incoming and monitored signal.

6.Specify how sample rates can change: Since Windows (and various Windows applications) have a nasty tendency to try and take control over your audio sample rate – often without notice – this section allows you to ignore those sample change events.

If you do not mind your sample rate changing freely, choose “Allow SR Changes.”

To allow only ASIO applications (like Cubase) to change the sample rate, select “Allow ASIO changes only.”

You can lock the sample rate – such that it can only be changed using this control panel – by selecting “Apps cannot change SR.” This is the safest of all these options.

Whichever setting you choose, the sample rate can always be changed from within this control panel. Note, however, that if you have an audio application open, you can cause conflicts with it if you try to set the sample rate differently here compared to the setting in the open audio application.

7.Enable or disable WDM Audio (Windows only): If you are using ASIO applications exclusively and do not need access to Windows system sounds, Windows Media Player or other media players, consider un-checking this box. Doing so helps ensure that unwanted audio from other applications does not intrude on your intended audio output.

8.Specify the System Sounds Configuration: These buttons will call up other windows where you can set the configuration of input and output channels of the MasterControl. The default will be “Stereo,” though the number of channels on the MasterControl allow for a variety of configurations ranging from mono to 7.1 surround sound. The channels available in each drop-down menu in the window will depend on the option selected in the “MultiChannel Config” menu.

9.Specify the System Latency Compensation: If you are experiencing system instability, experiment with these settings in order to find the best combination of buffer size and latency compensation. Note that, if you choose an option other than “none,” the lowest buffer sizes will not be available.

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Contents Reference Manual Page Table of Contents „ How this manual is organized IntroductionMAC OS First Things First Driver InstallationInstalling the Optional Applications WindowsTo minimize noise, only engage Rear Panel FeaturesPage Analog Input Signal Indicators TOP Panel FeaturesDAW Control Channels DAW Control Transport DAW Control MULTI-FUNCTION KnobsDAW Control Assignable Button Banks Monitoring / Control Room FeaturesConfiguration Controls Page Selecting the Proper Preset for Your DAW Page Cubase and Nuendo Setup Control Surface MAC and Windows Page Page Ableton Live Setup Page Page Page Page From the menu bar, go to Options f Controllers/Surfaces Cakewalk Sonar SetupPage Page Page Logic PRO Setup Page Reason Setup Samplitude SetupDigital Performer Setup PRO Tools Setup„ Available Channels at Various Sample Rates Audio Inputs and Outputs„ Channels Sent from the MasterControl to the Computer Choose Sounds and Audio Devices XP or Sounds Vista Windows Audio ConfigurationChoosing the Mastercontrol AS Your Default Audio Device Disabling Windows System Sounds Specify the Audio Clock Source Alesis Firewire Control Panel WindowsAdjusting latency by changing the buffer size Latency Audio Midi Setup MAC Audio Configuration„ Nickname tab Alesis Firewire Control Panel MAC„ General tab „ Phones 1/2 Source Global Menus„ Screen Contrast „ Output a / B / C Source„ Direct Monitoring „ Talkback Volume„ Footswitch Setup „ Footswitch Polarity„ Factory Reset „ Talkback Controls Monitoring & Control Room Features„ Speakers / Outputs Controls „ Headphone Controls„ Creating a Direct Monitoring Mix „ When to Use Direct Monitoring„ Configuring the Global menus Direct MonitoringChoose File f New Project Creating a Cubase LE Project for RecordingPage Page Cakewalk Sonar Important Points for Users of Various DawsCubase / Nuendo Ableton LiveSamplitude Logic PROAlesis HD24 / HD24XR Digital PerformerSoundtrack PRO PRO ToolsReason PLUG-IN 1 Signal Flow Diagram Specifications Demo Materials TrademarksContact Information Page