G E A R G U I D E
Vidikron Vision Model 40 DLP Projector
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that the Model 40 is capable of | numbers. When you measure | ||
950 ANSI lumens and has a con- | these two specifications in an | ||
trast ratio of 1,600:1. Since Vidikron | actual home theater environment, | ||
is now owned by Runco, they’ve | it becomes crystal clear that virtu- | ||
adopted Runco’s Cinema Standards | ally all of these published specifi- | ||
Measurement System (CSMS) | cations are totally bogus. | ||
specification standards, which are | After I’d completed a full ISF- | ||
more realistic in terms of light- | style calibration for both NTSC | ||
output and | and HDTV sources, I sat back | ||
| In film, we measure | and watched a variety of DVDs | |
HIGHLIGHTS | |||
light in | and HDTV material. Chapter 31 | ||
• Good video processing with | Runco has decided to | of Charlotte Gray, still one of my | |
include | favorite reference DVDs, had great | ||
measurements in their | snap and detail, plus very good | ||
• Excellent flexibility for setup | specifications, as well as | color saturation. In the beginning | |
and optimizing picture quality | of this chapter, a train travels | ||
for all sources | specifications after | through the French countryside, | |
• Great value for the dollar | proper calibration. This | and there was some visible low- | |
| is the first time I’ve ever | level noise. This noise was more | |
reprinted even a portion of a man- | prevalent in darker scenes, such as | ||
ufacturer’s spec sheet, but it’s | the love scene between Charlotte | ||
worth illustrating, as it represents | and the young British officer in | ||
real information that will aid in | chapter 4. In fairness to Vidikron, | ||
your home theater’s design. If you | I’ve seen this | ||
look closely at the spec sheet, | virtually every | ||
you’ll see the CSMS specifications | jector, and I attribute it at least in | ||
under “Light Output”: home theater | part to DLP technology. Part of | ||
calibration: 480 ANSI lumens; | the problem could also be in the | ||
17.9 | video processing. | ||
“Contrast Ratio,” the CSMS spec is | Chapter 4 of Training Day looked | ||
a much more realistic 148:1. The | excellent. Denzel Washington’s | ||
company takes it one step further | black car looked really black, which | ||
by recommending a screen size | is a testament to the Model 40’s | ||
between 72 and 96 inches wide, | excellent | ||
even though the projector can pro- | DLP still can’t do black like a CRT, | ||
ject images up to 200 inches wide. | and it probably never will. How- | ||
I have to hand it to Runco/Vidikron | ever, the new HD2 chip takes DLP | ||
for taking this bold step. I’ve long | performance to another level. I | ||
been frustrated with | dare say it takes DLP to an accept- | ||
manufacturers’ marketing depart- | able level for 99.9 percent of home | ||
ments for boasting ridiculous | theater enthusiasts. | ||
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| HDTV from my Dish |
Vidikron Vision Model 40 DLP Projector
Network satellite feed looked mostly awesome. Bright scenes looked really good, but darker scenes were plagued by
114 Home Theater / November 2003 • www.hometheatermag.com
In particular, I watched Armed and Dangerous on the HBO HD channel and Harlan County War on Showtime HD. I fired up my reference Runco
Vidikron looks strong again. Their Vision Model 40 is a very respectable player in the
Vision Model 40 DLP Projector $8,995
With the | $9,995 |
Vidikron
(510)
decoding all add up to excellent performance. There’s no doubt that the Model 40 does a lot right, and it’s a truly impressive DLP projector, especially when you consider its price. At $8,995 with the