M-Audio 52803 warranty

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Each 1/4” line out jack (Output 1 and 2) sends a -10dB unbalanced signal on 1/4” TS plugs (tip-sleeve).They are designed to be plugged into a mixer, stereo receiver, powered speakers, or any other line level input such as a mixdown deck or tape recorder.

Channel 1 of the M-Audio Ozone provides a microphone input on a balanced XLR connector. Channel 2 has a balanced 1/4” TRS (tip-ring- sleeve) connector for connecting a balanced or unbalanced instrument level signal.This input is ideal for recording an electric guitar, bass, or an acoustic guitar with a pickup. Either one of the M-Audio Ozone’s input channels can be recorded individually, or you can record them simultaneously.

The Aux Input accepts a stereo signal via a TRS cable. You may need to purchase a cable that converts a pair of stereo outputs (individual RCA or 1/4” TS) into a single 1/4” TRS connector to plug into the M-Audio Ozone’s Aux Input.Your M-Audio dealer should have a cable like this, often called an “insert cable.”

You may connect the output of a line level instrument such as an electronic keyboard, instrument preamp, or the output of a CD player or similar line-level device to the M-Audio Ozone’s Aux Inputs.

The M-Audio Ozone’s Mic In (Channel 1), accepts a balanced, low impedance microphone signal. If your microphone is a condenser type that requires phantom power, you may apply phantom power by engaging the Phantom Power switch (see the section entitled “Phantom Power”). The Instrument In (Channel 2) will accept a balanced or unbalanced high impedance guitar, keyboard, or microphone.

The following diagrams illustrate two scenarios, intended as examples of how the M-Audio Ozone might be used. Typical Setup #1 shows the M- Audio Ozone with a microphone plugged into the Mic In on Channel 1, and an electric guitar plugged into the Instrument In on Channel 2. The main outputs (Output 1 and 2) of the M-Audio Ozone are plugged into a DAT recorder, with the recorder’s outputs connected to a monitoring system. Typical Setup #2 shows a drum machine plugged into the Aux Inputs, with Outputs 1 and 2 plugged into a monitoring system. The drum machine is also connected to the M-Audio Ozone MIDI Out “USB.”

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Contents Audio Ozone User’s GuideAudio Ozone Overview Audio Ozone FeaturesIntroduction What’s in the Box Top Panel Audio Ozone Panel FeaturesGuide to Getting Started Page Rear Panel Audio Ozone Driver Installation Driver Installation for WindowsWindows XP Page Found New HardwareWizard will appear. Click Next to continue Page Windows Page Page Page Windows ME Page Windows 98SE Page Page Page Page Macintosh Driver Installation Audio Ozone and the Windows Sound SystemOMS Installation Audio Ozone Driver InstallationOMS Configuration Mac OS9 only Page Audio Ozone and the Mac OS 9 Sound Manager Audio Ozone and Mac OSM-Audio Ozone Control Panel Page Application Software Setup Audio Ozone Hardware Installation Audio Ozone Audio Setup and ControlPage Using the Mic and Instrument Inputs Setting Input Gain Phantom PowerUsing the Aux Inputs Using Direct Monitor Audio Ozone Midi Setup and Control Audio Ozone Midi Functions Utilizing the Programming Assignment Keys Midi Functions In Standalone ModeDefault Settings of The M-Audio Ozone Page Page Page Audio Ozone Preset Chart Technical Support & Contact Information Audio U.S Audio U.KAudio Ozone Warranty Information Audio Ozone Technical Specifications GeneralOutputs 1 Mic/Inst InputAppendix a Midi Controller Information Appendix B M-Audio Ozone Block Diagram