Rear Panel and Connections

is the master, and Channel 2 is the slave. Each of the Channel 2 controls and switches will be overridden and controlled by Channel 1 except the Bypass switch which will remain independent. Also, Channel 2’s 3-LED Threshold Meter will be disabled, while both channels’ Gain Reduction Meters will identically indicate the amount of gain reduction occurring. It is important to note that while Channel 1 is the master as far as the controls go, both channels have equal precedence as far as signal processing is concerned. The 262 uses True RMS Power Summing™, an extremely accurate and musical way to combine detector outputs in a stereo situation. The LED adjacent to the switch will be lit when switched to stereo couple mode.

15WATTS

100V 50/60Hz

120V 60Hz

PROFESSIONAL PRODUCTS

A HARMAN INTERNATIONAL COMPANY

SALT LAKE CITY, UTAH MADE IN USA MODEL 262

CHANNEL TWO		CHANNEL ONE
OUTPUT	INPUT	OUTPUT	INPUT
C A U T I O N
RISK OF ELECTRIC SHOCK
DO NOT OPEN	BAL /		BAL /
A T T E N T I O N : RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR	BAL /		BAL /
	UNBAL		UNBAL
W A R N I N G : TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE

INPUT Jacks: The input jacks accept a standard 1/4” TRS phone plug for a balanced input source, or a standard 1/4” TS phone plug for an unbalanced source.

OUTPUT Jack: The output jacks accept a standard 1/4” TRS phone plug for dri- ving balanced lines, or a standard 1/4” TS phone plug for driving unbalanced lines.

AC Power Receptacle: This receptacle accepts an IEC-type power cord (as shipped with the unit). Check that the AC power markings below the AC power connector are correct for your area. (Either 100/120V, or 230V.) Plug the cord into the unit and mains power. Note that the 262 does not have a power switch. It is recommended that the 262 be “On” at all times. Power consump- tion is low. If you do not plan to use the 262 for an extended period of time, unplug it. Connection to an inappropriate power source may result in extensive damage which is not covered by the warranty.

The 262 has balanced inputs and outputs, and can be used with any line-level device. Some common examples include: mixing consoles, patch bays and other signal processors.

For all connections, refer to the following steps:

1.Turn off all equipment before making any connections.

2.Mount the 262 in a 1U rack space (optional).

The 262 requires one rack space (height). It can be mounted above or below anything that doesn’t generate excessive heat, since it requires no special venti- lation. Ambient temperatures should not exceed 113˚F (45˚C) when equipment

Rear Panel Operation

Connections

Compressor/

Limiter2625

262 specifications

The DBX Pro 262 is a highly regarded professional audio processor that excels in delivering versatile signal processing capabilities. Designed for both live sound and studio environments, the Pro 262 combines high-quality dynamics processing, filtering, and precision mastering features, making it a powerful tool for audio engineers and producers.

One of the standout features of the DBX Pro 262 is its dual-channel design, allowing users to process two different audio signals independently. This makes the device particularly well-suited for a variety of applications, from live concerts to studio recordings. Each channel is equipped with a comprehensive set of controls, including threshold, ratio, attack, release, and gain make-up, allowing for precise dynamic control over the audio signals.

The Pro 262 employs advanced VCA (Voltage Controlled Amplifier) technology, which delivers transparent compression without colorizing the audio. This technology is crucial for maintaining the integrity of the original sound while ensuring that levels are controlled efficiently. Additionally, the unit features a peak limiter that safeguards against unwanted distortion by preventing signals from exceeding a set threshold.

Another notable characteristic of the DBX Pro 262 is its inclusion of a full parametric equalizer. The EQ section provides users with up to 12 bands of adjustable frequency bands, enabling detailed shaping of the audio signal. This precision EQ allows for effective problem-solving in both live performance and studio mixing environments.

In terms of connectivity, the Pro 262 comes with balanced XLR inputs and outputs, ensuring that the signal integrity is maintained throughout the audio chain. It also features a sidechain input, which allows users to set up external control for dynamic processing based on different input signals.

The unit is designed with an intuitive, user-friendly interface that allows engineers to make quick adjustments during live performances. LED meters provide real-time feedback on levels and gain reduction, ensuring that users can monitor performance at a glance.

Overall, the DBX Pro 262 is not just a versatile processor; it is a reliable tool that brings professional-grade dynamics processing and equalization to a wide range of audio applications. Its cutting-edge technologies make it a must-have for any audio professional seeking to elevate their sound quality and creative expression.