Aphex Systems 2020Mk II manual Aphex 320A

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APHEX 320A

Compellor®

APHEX 250

Aural Exciter® III

APHEX 720/722

DominatorII

The Compellor provides a clean consistent sound when used as a pre-processor

Remote controllable relay hardwire bypass

Fader settings are less critical and the sound of the station will not change from announcer to announcer

For television, level changes between programs and commercials will be smoothed out without affecting audio quality

Servo balanced XLR in/outs for maximum audio quality

The Aural Exciter increases presence, clarity, speech intelligibility and detail without distortion or overmodulation

By pre-processing the audio, compensation can be made for the degradation the signal will receive further down the chain

Single-ended process that can be applied at any point in the audio chain before the peak limiter, and needs no decoding

Total flexibility in “tuning” the Aural Exciter to your needs

The Dominator provides an absolute peak ceiling adjustable in

.2dB steps over a 34dB range. Equipment following the Dominator (STL,telco lines, stereo generators, uplink transmitters, etc.) may be driven to maximum input level without overload

Model 722 is for applications requiring pre-emphasized limiting, such as STL’s, cable systems, satellite uplinks

Greater consistency of peak audio levels, maximized S/N ratios, and highest possible resolution (more bits) in the digital domain

Cable television operators can offer consistency in level when a customer switches between channels

Two channel Frequency Discriminate Leveler varies its attack time

Dynamic Verification Gate prevents pumping and breathing during short program pauses

Dynamic Recovery Computer accelerates compressor recovery under complex program to preserve natural sound on transients

Also available in mono with built in Aural Exciter™ - Model 323A

Patented Harmonic Generation Process can actually increase bandwidth without increasing level

Built-in single ended noise reduction can improve noisy sources

Spectral Phase Refractor circuitry improves bass without eq.

No unnatural distortion by-products

Servo balanced XLR inputs and outputs for maximum audio quality

Remote controllable relay hardwire bypass

Patented Automatic Limit Threshold varies ratio of bandlimiting to clipping

Remote controllable relay hardwire bypass

Switchable low to mid and mid to high crossover frequencies

Servo balanced XLR ins and outs for maximum audio quality

Model 722 - switchable pre- and de-emphasis, 50/75µsec/flat

Model 720 - flat only

104dB Dynamic Range

The Model 720 is without emphasis circuitry at a lower cost

APHEX 120A 1 x 4 Distribution Amp

Loading an output with multiple devices may cause noise, distortion and reliability problems. Y-cords and splitters are not the solution, a high quality distribution amp is. The Model 120A has one-input with four inde- pendent outputs. The inputs and outputs are trans- formerless and servo-balanced, allowing interface with balanced or unbalanced equipment (or even a dead short) without affecting the other outputs.

APHEX 124A

-10dBV/+4dBu Interface Box

Interfacing a -10dBV unbalanced device with a +4dBu balanced device must be done properly to avoid level mis- matches, noise, and distortion problems. The Model 124A has four discrete channels, two channels are -10dBV inputs to +4dBu outputs and two channels are +4dBu inputs to -10dBV outputs. The -10dBV outputs are active for low impedance and the +4dBu inputs are transformerless servo-balanced, allowing the interface to be transparent and problem free.

11068 Randall Street

Sun Valley, CA 91352, USA

Tel: 818-767-2929 • Fax: 818-767-2641 www.aphex.com

Aphex is proudly American.... 100% owned,

engineered and manufactured in the U.S.A.

Improving the way the world sounds SM

Aphex, Aural Exciter, Big Bottom, Compellor, Digicoder, Dominator, Easyrider and Expressor are trademarks of Aphex Systems, Ltd. All Aphex Products are ETL listed or pending.

The Model 2020MkII contains the following proprietary circuitry: Four Band Wave Dependent Compressor, Post Crossover Multiband Technique, Split Band Clipper, Parallel Path Digital Modulation Stereo Generator, Phase Coherent Crossover, Drift Stabilized A/D Converter, Frequency Discriminate Leveler, Sticky Leveler, Dynamic Verification Gate, Distributed Pre-Emphasis Filter, Split Band Optical High Frequency Limiter, Low Distortion Overshoot Compensated Low Pass Filter.

The Model 2020/2020MkII, 320A/323A, 250, 720/722 are covered by one or more of the following patents: 4150253, 4578648, 4633501, 4843626, 4939471, 5115471, 5155769, 5334947, 5359665, 5422602, 5424488, 5450034, 5463695, 5483600, 5485077, 5612612, 5737432, 5848167, 5896458, 5898395 and 5930374. Other U.S. patents issued and/or pending.

For detailed specifications on these or any other Aphex products call, fax, e-mail or write us.

Aphex reserves the right to make changes to its products without prior notice.

Rev:04-15-01 5k

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Contents Page Adjustable Crossover Bands Adjustable DriveLeveling Multiband CompressionPre-emphasis Limiter and Low Pass Filter LimiterPpdm Stereo Generator Aphex 320A

2020Mk II specifications

Aphex Systems has long been a trusted name in the pro audio industry, and the 2020Mk II microphone preamp is a testament to their commitment to innovation and quality. Building on the legacy of the original 2020 model, the Mk II introduces several enhancements that appeal to sound engineers and musicians alike.

One of the key features of the 2020Mk II is its ultra-low noise operation. This preamp employs advanced circuitry to deliver an exceptionally clean signal path, ensuring that your recordings maintain clarity and detail. This feature is particularly valuable when working with high-gain microphones, as it reduces the risk of unwanted noise and distortion.

The 2020Mk II also boasts an impressive dynamic range, allowing it to capture both subtle nuances and loud transients with ease. This dynamic range is complemented by a variable gain control, enabling users to dial in precise levels for different sound sources, whether it’s vocals, acoustic instruments, or drums. Additionally, the preamp includes a 48V phantom power supply, making it compatible with a wide range of condenser microphones.

Another standout characteristic of the 2020Mk II is its built-in high-pass filter. This feature is invaluable for eliminating low-frequency rumble and controlling proximity effect when recording vocals or instruments. With selectable frequency options, users can tailor the filter to suit their specific recording needs.

In terms of connectivity, the 2020Mk II features both XLR and 1/4-inch outputs, allowing seamless integration into any audio setup. The robust build quality also ensures that the unit can withstand the rigors of both studio and live environments.

Moreover, the preamp is designed to add warmth and character to recordings. Aphex's renowned "Big Bottom" and "Aural Exciter" technologies are integrated into this model, providing an added dimension to audio that is often sought after in professional recordings. This technology allows engineers to enhance bass response and restore high-frequency clarity, adding depth and presence to the overall sound.

Overall, the Aphex Systems 2020Mk II microphone preamp combines cutting-edge technology with practical features, making it an essential tool for any audio professional. Whether in a studio setting or during live performances, its reliability, versatility, and superior sound quality make it a valuable asset for capturing exceptional audio.