Channel 1 Normal / Pushed

The Controls: (Continued)

BASS: (Continued) The Bass frequencies are, as we mentioned, different in each channel and appear as follows:

CHANNEL 1: Enhanced low and sub-low regions provide warmth and most importantly, breath for clean sounds which produces a bouncy, elastic feel and natural sounding fundamental, yet with plenty of air.

CHANNEL 2: Sub-low extension defines this channels bottom end character and produces the deepest sounds in your Nomad. This is the fattest channel for single note work and chording will sound huge...especially when higher GAIN Control settings are applied. If you are not careful with the BASS Control in this channel - it may spoil you and leave you with a good case of EQ overhang...leaving the other channels sounding almost “thin” by comparison.

Also, don’t be surprised if at first, Channel 2 feels slower and a bit harder to steer. It can take a while for your picking technique to adjust to pushing around a sound of this girth. You will adjust and quickly find that these extra-low lows make for some unbelievable solo sounds.

CHANNEL 3: In this channel the opposite approach is taken and the emphasis is not on how low can you go, but rather how tight can you get. By raising the low frequencies and focusing on how well they track - and stop after the note sounds, a totally different personality emerges. This tracking characteristic adds bounce to both chording and single note styles and is essential for urgent high gain rock sounds. Due to its higher, tighter nature this BASS Control may be set higher than that of the other two channels without the feel of becoming slow or clumsy. In fact, this is the one control you can even run all the way up without worry.

NOTE: Do Not run the Bass all the way up in any channel when using the direct Recording Output ! Damage to the playback monitors could occur. When using the direct Recording Output, start with the Bass set relatively low and set conservative ( safe ) input levels at the console first. When levels are satisfactory you may then increase the BASS Control slowly and adjust levels as you go in order to prevent damage to playback monitors.

Channel Modes:

As mentiond earlier, each of the Nomads’ three channels contain two different modes so that each channel may be configured for an array of different sound styles. These opposing modes are selected by the mini-toggle switch located inside each channels borders. The upper position of the toggle in each channel is labeled “NORMAL” and calls up the “primary” sound for that channel. This scheme allows for quick demo tours through the three channels and provides the fastest understanding of the footswitchable possibilities with quickly identifiable sounds. Once this configuration has been auditioned and the channels explored, the modes can be drastically modified by a simple flick of the switch. As you will hear, these switches alter the voice of each channel radically as several different internal changes occur per channel. How you choose to utilize these alternate sounds is up to you and experimentation can lead to some of the most versatile footswitching you could find in any amplifier.

		CLEAN
CH1 GAIN	MASTER	PRESENCE (NORMAL)
TREBLE	MID	BASS
INPUT		PUSHED
		PUSHED

CLEAN / NORMAL: This is the lowest gain circuit of the Nomads six modes and is opti- mized for producing balanced pristine clean sounds. For the best understanding of how to achieve a great sound in this mode, please refer back to the GAIN Control section of this manual. However, a great place to start is 12:30 or so on the GAIN Control with more sparkle available below this and more warmth apparent above...from there adjust according to your guitars individual response.

Because of its more traditional architecture this mode also works extremely well for vintage style drive sounds. By turning the gain all the way up, a beautiful old school solo sound is possible...especially with neck single coil pick-ups. The TREBLE and MIDDLE Controls can

also add gain and sustain to this sound ( reduce Presence to blend highs ), but you will probably want to run the BASS Control below 10:30 to avoid flubbiness and preserve a focused attack.

PAGE 9

45, 55, 100 specifications

Mesa/Boogie, a name synonymous with innovation in the guitar amplification world, has carved out a niche in the hearts of musicians with its formidable lineup of amplifiers. Among these, the Mark series stands out, particularly with models like the Mark 100, 55, and 45. Each model brings its unique flavor and versatility, allowing players to craft their sound with precision.

The Mesa/Boogie Mark 100 is a powerhouse in the 100-watt category. It boasts multiple channels, allowing guitarists to switch between clean, crunchy, and high-gain tones effortlessly. One of its standout features is the onboard EQ, which facilitates fine-tuning for different guitars, pickups, and musical styles. The Mark 100 is engineered with Mesa's signature Dyna-Watt technology, providing a dynamic response at various volume levels without sacrificing tonal quality. This responsiveness makes it ideal for both live performance and studio recording, as it yields rich harmonic overtones and a wide dynamic range.

Moving to the Mark 55, this model offers a refined approach with 55 watts of power. It retains many features present in the Mark 100 but is more accessible for players who prefer a slightly lower wattage. The Mark 55 excels in mid-gain settings and is popular among blues and rock guitarists. Its Dual Rectifier circuitry can dial in everything from smooth, bluesy overdrive to tight, aggressive rock tones. The amp also incorporates a versatile effects loop, providing seamless integration with pedals and processors, making it a favorite among pedal enthusiasts.

The Mark 45, perhaps the most compact of the trio, brings 45 watts of power to the table, making it a versatile choice for players seeking portability without compromising tone. It retains critical features such as multiple channels and a powerful EQ section while being lighter and easier to transport. The Mark 45's sweet spot is found in its ability to deliver rich, saturated tones at manageable volume levels. Often favored for intimate gigs and home recordings, its versatility allows players to explore genres from jazz to metal with equal flair.

All three Mesa/Boogie amplifiers utilize high-quality components designed for durability and peak performance. Their construction is robust, ensuring reliability on stage or in the studio. With advanced features such as power scaling and tube rectification options, musicians can tailor their sound precisely.

In summary, the Mesa/Boogie Mark 100, 55, and 45 each present guitarists with distinctive tonal characteristics and features that enhance playability and sound. From the powerful performance of the 100 to the compact yet versatile 45, these amplifiers deliver the high-quality, rich tones that Mesa/Boogie is renowned for, catering to the diverse needs of players across genres.