Mesa/Boogie Rectifier Stereo owner manual On TRIODES, Pentodes & Irishmen

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ON TRIODES, PENTODES & IRISHMEN: ( Continued )

Thus a diode tube - one with a cathode and an anode - is mostly used to rectify alternating current into direct current by passing it without a cathode and an anode - is mostly used to rectify alternating current into direct current by passing it without restriction, but in one direction only. This also explains why closing time is stricly enforced at Irish pubs: During normal operation, the traffic flow is similarily unimpeded and uni-directional toward the bar and this process rectifies the work-day negativity. It goes without saying that no one leaves as long as the atmosphere around the bar remains positively charged.

TRIODES: This section is a continuing technical treatise on the workings of Irish Pubs but to make it easier for the layman to understand, it is explained in terms of vacuum tube technology. Enter the original bar - free beer and no doors. Well, it turns out that some control over the flow can be a necessary and useful advantage. This led to the invention of those swinging louvered saloon doors which are open at the top and bottom. They are patterned after the control grid of the vacuum tube, which is a loosely wound coil of thin wire located between the cathode and the plate.

In a Triode the plate is always positively charged with high voltage D.C. and even though the grid is blocking the path, those negative electrons can still FEEL the strong attraction - just as the Irishmen can see in through the louvers of the bar doors. They know what pleasures lie beyond, but to get there requires overcoming the negative influences controlling the access. This negative influence is typically called a Bias. In electronic terms that means the grid is supplied with a voltage which is slightly MORE NEGATIVE than the already negative electrons. The more negative the Bias, the more it tends to neutralize the attraction of the plate and repel the electrons back toward the cathode.

The Irish can be similarily charged with Bias, but unless you are Irish yourself, this type of Biasing may be more difficult to understand. The effect is similar though: The more negative the Bias, the more it impedes forward progress. Generally speaking though, the electronic Bias of the grid is easiert to overcome, and for two main reasons: First, the Bias is set - like the bar doors - to allow some passage. Second, the grid is mostly NOT THERE, like the louvered doors which are mostly open spaces. Unlike the plate which is solid, the grid is like a coiled bed spring. It can create a repelling field but mostly itÕs empty space in between widely seperated windings of wire. ItÕs very easy to control the electrons as they pass through the gridÕs force field: Changing the grid voltage only slightly will have an enormous effect on how much current flows through... and thatÕs what AMPLIFICATION is: a small change in voltage at the grid causing a large change in current flowing to the plate.

The purpose of the louvered bar doors is similar to that of the grid, namely, to give momentary pause while still revealing the promise within. Hesitation mostly gives way to temptation, but there are those few stalwart Irishmen who think twice and decide to come back later. Most just pause slightly then go on through. That is the purpose of the bar doors: to prevent everyone from crowding in all at once - and as the door is made less of a barrier, wider spaces between the louvers, more of the barÕs attractive influence is felt outside thus amplifying the customer flow and increasing the crowd at the bar.

PENTODES: Occasionally though, bar doors - even the louvered type - were found to be too effective, and too many customers turned away. Something further was needed to increase the attraction of the bar and overcome the resistance created by the door. Thus the cocktail waitress was invented.

Once again the idea was inspired by the vacuum tube. It had been discovered in some tubes, often large power types, that the distance to the plate was too great to attract enough electrons past the negative influence of the control grid. So another grid coil of fine wire was inserted between the first grid and the plate. This was called the screen grid and carrying a highly positive charge, it functioned as a ÒbaitÓ for the plate.

In a properly designed power tube such as an EL84 or a 6V6, the windings of the screen grid are precisely aligned to fall in the shadow of the control grid. This way the electrons responding to the pull of the screen grid are lined up in sheets as they pass between windings of the inner control grid... only to find that they have been fooled! Once past the control grid and drawn toward the screen grid, they discover...thereÕs almost nothing there. The path theyÕre on has them aligned to zing straight through the spaces BETWEEN screen grid windings. So rather than a close and personal encounter, they just fly on past - and once theyÕre out that far, thereÕs no

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Contents Mesa Boogie Hello from the Tone Farm Table of Contents Precautions & Warnings Operating Instructions Them when you need to cut through a Òloud mix.Ó Front Panel ControlsFront Panel Controls ReducedRear Panel Features Same way the EL34’s doRear Panel Types of ground loops areTroublesome power tubes Necessary from time to time for noise problems Your nearest MESA/Boogie Pro CenterPage Page Bias Adjustment part of a continuing series Page Cheers Randall Smith Designer & President Speaker Impedance Matching & HOOK-UP Guide Speaker Impedance Matching & HOOK-UP Guide Wiring SCHEMES...Amplifier to Speaker Cabinets Wiring SCHEMES...Amplifier to Speaker Cabinets Wiring SCHEMES...Amplifier to Speaker Cabinets Wiring SCHEMES...Amplifier to Speaker Cabinets ALL Tube Stereo Power Amplifier Suggested Wiring #2 On TRIODES, Pentodes & Irishmen On TRIODES, Pentodes & Irishmen On TRIODES, Pentodes & Irishmen Mesa Boogie Spirit of Art in Technology

Rectifier Stereo specifications

The Mesa/Boogie Rectifier Stereo is a celebrated product in the realm of high-performance guitar amplification. Designed to cater to the demands of both live performance and studio recording, the Rectifier Stereo stands out due to its versatility, powerful tone, and advanced technology.

This amplifier features a dual-channel design that allows guitarists to seamlessly switch between two distinct tonal profiles. The clean channel delivers pristine, bell-like tones that are ideal for jazz and pop, while the high-gain channel unleashes a ferocious, saturated sound that caters to genres such as rock and metal. This flexibility is further enhanced by the inclusion of three distinctive modes for each channel, offering players a wide array of tonal possibilities.

One of the signature technologies of the Rectifier Stereo is its Multi-Watt power switch feature. This innovative design allows players to choose between different wattage configurations—50 or 100 watts—enabling them to dial in the perfect amount of power for any performance setting. Whether you are playing in a small club or a large arena, the amplifier can be configured to deliver optimal headroom or saturation.

The Rectifier Stereo also incorporates the iconic Rectifier sound, characterized by its smooth, compressed lead tones and tight bottom end. Electronic components like the patented "Dyna-Watt" technology improve power delivery and tonal response, ultimate clarity making it suitable for intricate guitar work, while an intuitive EQ section provides precise control over the tonal spectrum.

The amplifier is built with rugged construction, featuring high-quality transformers and heavy-duty casters, ensuring durability on the road. The sleek aesthetic design makes it not only a functional tool but also a visually appealing addition to any guitarist’s arsenal.

One notable feature is its built-in effects loop, providing an easy way to integrate pedals and outboard gear into your sound without compromising tone. Furthermore, the addition of a MIDI interface opens up a world of control options for performing guitarists, allowing them to program presets and switch channels with ease.

In summary, the Mesa/Boogie Rectifier Stereo is a remarkable amplifier that blends vintage warmth with modern technology. Its diverse tonal capabilities, robust construction, and innovative features make it a go-to choice for professional musicians who demand the best in performance and sound quality. Whether you’re a studio recording artist or a touring musician, the Rectifier Stereo stands ready to deliver outstanding results for any musical endeavor.