Mesa/Boogie pmn owner manual

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DIAGNOSING PRE-AMP TUBE PROBLEMS:

Because your amplifi er is an all tube design, it is quite possible that you will at some point experience minor pre-amp tube noise. Rest assured - this is no cause for alarm and you can take care of the problem yourself in a matter of minutes by simply swapping tubes.

Let us begin by saying; It is a “very good” idea to keep at least a couple of spare pre-amp tubes on hand at all times to insure unin- terrupted performance. These minor pre-amp tube problems can take many forms but can generally be described in two categories: Noise and Microphonics. Noise can be in the form of crackling, sputtering, white noise/hiss and/or hum. Microphonic problems usually appear in the form of a ringing or high pitched squealing that gets worse as the gain or volume is increased thus are more noticeable in the higher gain “HI” modes. Microphonic problems are easily identifi ed because the problem is still present even with the instru- ments’ volume off or unplugged altogether - unlike pick-up feedback which ceases as the instrument is turned down. Microphonic noise is caused by mechanical vibration and shock: think of banging a microphone around and you’ll understand where the word came from.

The best way to approach a pre-amp tube problem is to see if it occurs only in one specifi c mode or channel. This should lead you to the tube needing replacement. Then all that remains is to swap the suspect tube for a known good performer. If you cannot narrow down the trouble to a specifi c mode or channel, the problem may be the small tube that drives the power tubes which is operational in all modes and channels. Though rare, a problem with the driver tube would show up in all aspects of performance - so if you can’t narrow the problem down to being mode or channel specifi c, you may want to try replacing the driver tube. Driver problems generally show themselves in the form of crackling or hum in all modes of performance and/or weak overall output from the amplifi er. Occasion- ally an anemic driver tube will cause the amplifi er to sound fl at and lifeless, but this is somewhat uncommon, as worn power tubes are a more likely suspect for this type of problem.

Sometimes making the diagnosis is more trouble than it’s worth and it’s faster and easier to merely replace the small pre-amp tubes ONE AT A TIME with a replacement known to be good. But MAKE SURE you keep returning the tubes to their original socket until you hit the one that cures the problem.You’ll notice that tubes located nearer to the INPUT jack always sound noisier...but this is because they are at the start of the chain and their noise gets amplifi ed over and over by the tubes that follow. The tube that goes into this “input socket” (usually labeled V1) needs to be the least noisy of the bunch. The tube that goes at the end of the preamp chain - just ahead of the power tubes - can be quite noisy without causing any problem at all. The tubes in your amp have already been located in the most appropriate sockets and this is why you should NEVER pull them all out at once and ALWAYS swap them one at a time. ALWAYS return a perfectly good tube to its original socket. Also it’s a good idea to put the amp on STANDBY when swapping tubes to reduce the heat build up in the tubes themselves and to prevent explosive noises (which can still occur even if you are pulling the tubes away from their sockets gently) from coming through the speaker.

Remember, take your time, be patient and chances are real good that you can fi x your amp yourself by fi nding and replacing the bad tube. It kills us to see someone who has shipped their amp back to us...and all it needed was a simple tube replacement! If you must send back your amp, remove the chassis from the cabinet by unscrewing the four mounting bolts on the bottom top. The chassis then slides back like a drawer and comes out from the back. Remove the big power tubes and mark them according to their location from left to right 1, 2 etc. They need to be wrapped separately with plenty of wadded up newspaper around them and put in a smaller box within the larger carton. Remove the Rectifi er tubes and wrap them also.You can leave the preamp tubes in or remove them and wrap them separately being sure to label their location. (See Tube Task Chart.)

To wrap the chassis, use plenty of tightly wadded up newspaper so there is at least six inches of “crush space” between the chassis and the cardboard box. Bubble wrap also works well, but please DON’T use styrene peanuts - they will shift during transit and get lodged inside your electronics as well as allowing your amp to end up at the bottom of the box unprotected and possibly damaged.

Pre-amp tubes don’t normally wear out as a rule. Therefore, it is not a good idea to change them just for the sake of changing them. If there isn’t a problem - don’t fi x it. If there is no result from your substitutions, it may be possible that you have more than one problematic tube. Though rare, this does happen and though it makes the troubleshooting process a little more intimidating, it is still possible to cure the problem yourself.

NOTE: It is normal to hear a slight metallic ringing sound when tapping on the preamp tubes. As long as the tube does not break into oscillation or start crackling or any other form of bizarre noise, it is considered normal and functional.

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Contents Series Hello from the Tone Farm Series Precautions & Warnings Series Front Panel Amplifi er. Here are the choices Grinding crunch or searing solo soundControls Controls Higher than that of Channel Everywhere between Output Control will serve as the master level controlPresent Go to other amps for their wet sound Used on some of the best recordings to dateRear Panel Necessary from time to time for noise problems Gold somedayFactory Sample Settiings Factory Sample Settings Personal Settings Combo Version Shown 12AX7 Speaker Impedance Matching & HOOK-UP Guide Speaker Impedance Matching & HOOK-UP Guide Wiring SCHEMES...Amplifier to Speaker Cabinets Wiring SCHEMES...Amplifier to Speaker Cabinets Wiring SCHEMES...Amplifier to Speaker Cabinets 16 Ohm Page Page More Page Your amp needed biasing On TRIODES, Pentodes & Irishmen Page Page Reverb RECT-O-VERB Only Page Page Spirit of Art in Technology

pmn specifications

Mesa/Boogie has long been at the forefront of amplifier innovation, and the Mesa/Boogie PMN (Powerful Musical Network) is a testament to the brand’s commitment to exceptional sound quality and versatility. The PMN series is designed primarily for guitarists and musicians seeking a blend of power, flexibility, and tone-shaping capabilities.

One of the main features of the PMN series is its robust power output. With variants that can handle 50 to 100 watts, the PMN delivers enough volume for live performances while also providing the opportunity to dial back the wattage for studio use. This flexibility allows musicians to achieve that desirable "cranked" tube amp sound at lower volumes, making it an excellent choice for in-home practice or studio environments.

Another key characteristic of the PMN series is its advanced tone-shaping capabilities. The amplifiers come equipped with multiple channels, each offering distinct tonal characteristics. Musicians can switch from clean, sparkling tones to rich, saturated overdrives with the flick of a switch. The amp's comprehensive EQ controls allow for detailed adjustments, ensuring that players can sculpt their sound precisely to their liking.

Mesa/Boogie is also known for its innovative technologies, and the PMN series incorporates several cutting-edge features. The "Multi Watt" technology provides options for optimizing power and headroom according to the player's preferences and needs. This design allows the amp to operate in different power modes, giving artists the option to tailor their sound further.

Additionally, the PMN series includes the "Graphic EQ" feature which allows players to visualize and manipulate their sound in real-time. This interactive aspect of tone shaping helps musicians develop their own unique sonic signature.

The construction of the PMN series amplifiers also reflects Mesa/Boogie's commitment to quality. Built from durable materials with a focus on reliability, these amplifiers are designed to withstand the rigors of touring and frequent use. The attention to detail in both craftsmanship and electronics guarantees that players will get reliable performance over time.

Overall, the Mesa/Boogie PMN series stands out as a powerful tool for musicians who demand versatility and exceptional sound quality. With its potent output, advanced tone control, and innovative technology, it serves as a valuable asset for players in a variety of musical genres.