Mesa/Boogie Vacuum Tube Audio owner manual On TRIODES, Pentodes & Irishmen

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ON TRIODES, PENTODES & IRISHMEN: (Continued)

Although the term filament and heater are often used interchangeably, there are specific differences: A filament is a directly heated cathode where cathode coating is applied directly to the heating element. Examples are 5U4 twin diode rectifier and 300B triode amplifier tubes.

A heater, on the other hand, is a heating element which is separate from the cathode and is usually inserted within the tubular cathode sleeve. Examples are 12AX7 twin triode amplifier and 6V6 or EL84 beam power pentode tubes. In all cases this fundamental aspect of each tube’s construction is clearly visible, especially when the heating element is glowing red hot.

The cathode, then, would be considered the first numbered element because it is the source of the electrons. The word itself is from the Greek literally meaning completely down, which implies a sense of central origin - like the center of the earth where Tone begins. It might be said that an ecstatic audiophile experiences a positive catharsis, his soul being purified when his system transports him to Audio Nirvana. The only trouble with taking this positive imagery too far is that the cathode is, unfortunately, negative... at least electrically speaking. However this is easily remembered since virtually all musicians and audiophiles have also experienced the more common negative catharsis when they emerge from the emotional rebirth kicking and screaming in rage and frustration.

Once heated, the intrinsically negative electrons are energetic little fellows of almost no mass. Thus they may be accelerated almost instantaneously and will travel through a vacuum a nearly the speed of light. Being of like, negative charge, they tend to repel one another and thus within the electron cloud surrounding the cathode, there is much jostling and elbowing as each one tries to maintain his distance from all the others... unless there is a strong and universal attraction from an outside influence.

Visualize, if you will, a group of sub-atomic Irishmen milling about and in a repellent, negative state of mind. All are scowling and none wants to have anything to do with the other. Now introduce a strong attraction say, a public bar, and you can easily picture an orderly, if rapid movement of the lot in a single direction. This is what happens when a positively charged element called the anode or plate is introduced into the vacuum.

The plate is the large metal element most prominently visible through the glass of an electron tube. It is the outermost element of a tube’s structure and it surrounds all the others. The cathode is at the center radiating electrons outwards. As higher and higher positive voltage is applied to the plate, the attraction for the electrons surrounding the cathode is increased and with nothing standing in the way, full uninhibited flow to the plate occurs... sort of like removing the doors and offering free drinks to the crowd of surly Irishmen milling around outside.

As electrons flow to the plate, the space charge will continually be replenished by further ‘boiling’ of the hot, electron-rich cathode as you can easily imagine other Irishmen impatiently taking up the places of those who’ve gone inside - until the entire village is deserted.

Now, where do they come from and how do they emerge? Well, a grand and elegant lady once showed me how to revive flat champagne: She dropped a raisin into the glass. There was a dramatic and immediate increase in effervescence with the introduction of a cathoding surface. Thousands of tiny bubbles suddenly appeared - and continued to flow from the raisin. Of course the bubbles were made up of gas dissolved in the beverage, but the analogy makes it easy to visualize the loosely bound electrons dissolved in the rich cathode coating as they effervesce from its heated surface.

But back to the electron flow. If the electrons are strongly attracted to a positively charged plate, then it follows that they are strongly repelled by a negatively charged plate and they are. Thus, if an alternating current - such as comes from a transformer - is applied to the plate, electrons will flow only during the times when the plate is positively charged. During periods of negative plate charge, electron flow is stopped and the space charge of electrons remains compressed in the area around the cathode.

Thus a diode tube - one with a cathode and an anode - is mostly used to rectify alternating current into direct current by passing it without restriction, but in one direction only. This also explains why closing time is stricly enforced at Irish pubs: During normal operation, the traffic flow is similarily unimpeded and uni-directional toward the bar and this process rectifies the work-day negativity. It goes without saying that no one leaves as long as the atmosphere around the bar remains positively charged.

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Contents Vacuum Tube Audio Page Table of Contents Chapters USE Common Sense and Always Observe These Precautions PrecautionsOverview Operating InstructionsFront View Tigris Speaker Binding Posts InstallationUnpacking LocationHOOK-UP Options Speaker Binding PostsHOOK-UP Options HOOK-UP Options A.C. on / OFF Switch Detachable Power CordWarm / Operate Switches Congratulations Ground SwitchTandem State Imaging Advanced FeaturesAbout BREAK-IN CongratulationsTandem State Imaging Headphone Output Power Tube BlendAuto Bias Headphone OutputClass a Operation Cathode resistorClass a Operation On TRIODES, Pentodes & IrishmenOn TRIODES, Pentodes & Irishmen Triodes Tube Maintenance Tube Maintenance & Tube RollingPentodes Evolution of the Tigris Tube MaintenanceTube Rolling Evolution of the Tigris Mesa/Boogie Professional Heritage Customer ServiceSpecs Versus Performance Trouble ShootingSpecs Versus Performance Basic Specs14 1 Within the US Warranty14 2 Outside the US Warranty Registration Form From Mesa Boogie Spirit of Art in Technology

Vacuum Tube Audio specifications

Mesa/Boogie is a revered name in the world of vacuum tube audio, renowned for its high-quality amplifiers that have shaped the sound of modern music. Founded in 1969 by Randy Smith in California, Mesa/Boogie began by transforming Fender amplifiers into customized, high-gain models, ultimately gaining a reputation for producing powerful, versatile, and low-noise amplifiers. The signature sound of Mesa/Boogie is characterized by a complex harmonic richness, warmth, and clarity that resonates with guitarists and audiophiles alike.

One of the standout features of Mesa/Boogie amplifiers is their all-tube design. Utilizing vacuum tubes as the primary amplification source, these amps deliver a dynamic range and tonal complexity that solid-state amplifiers struggle to match. The quality of the tubes used, often hand-picked or specifically designed by Mesa, contributes to the unique audio characteristics of each model. The use of EL34, 6L6, and 12AX7 tubes in various configurations allows for a range of tonal options, from lush cleans to searing leads.

Mesa/Boogie amplifiers are also distinguished by their innovative technologies. The brand pioneered the dual rectifier system, which allows players to switch between tube and solid-state rectification. This feature gives musicians the ability to tailor their sound to preference, enhancing the responsiveness and feel of the amplifier. The Contour controls found on many models further exemplify Mesa’s commitment to versatility, allowing for fine-tuning of EQ settings that adapt to different musical styles.

Another hallmark of Mesa/Boogie designs is their attention to build quality. Each amplifier is crafted with robust materials, ensuring durability and reliability even in demanding performance environments. The custom cabinets and speaker selections are optimized to complement the amplified tone, providing a cohesive sound that resonates in live settings.

Mesa/Boogie’s reputation is enhanced by their extensive lineup, including the Mark series, the Rectifier series, and the Lone Star series. Each line caters to different playing preferences and styles, from jazz to metal. The versatility of these amplifiers makes them suitable for diverse genres, allowing musicians to explore their sonic identities.

In conclusion, Mesa/Boogie remains a leading force in vacuum tube audio, combining traditional craftsmanship with cutting-edge technology. Their dedication to quality, innovation, and tonal versatility ensures that they remain a favorite among guitarists seeking the ultimate sound experience. Whether in the studio or on stage, Mesa/Boogie amplifiers continue to inspire musicians to push the boundaries of creativity.