Mesa/Boogie DC3 manual Tube Noise & Microphonics, Diagnosing Power Tube Failures

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TUBE NOISE & MICROPHONICS

You may occasionally experience some form of tube noise or microphonics. Certainly no cause for alarm, this quirky behavior comes with the territory and the Tone. Much like changing a light bulb, you don’t need a technician to cure these types of minor user serviceable annoyances and in fact, you’ll be amazed at how easy it is to cure tube problems...by simply swapping out a pre-amp or power tube!

First may we suggest that you set the amplifier up on something so that you can get to the tubes comfortably without having to bend down. It also helps to have adequate lighting as you will need to see the tube sockets clearly to swap tubes. Use caution and common sense when touching the tubes after the amplifier has been on as they may be extremely hot! If they are hot and you don’t want to wait for them to cool off, try grasping them with a rag and also note that the glass down around the bulbous silvery tip is considerably less hot which makes it easier to handle. Gently rock the tube back and forth as you pull it away from its socket.

DIAGNOSING POWER TUBE FAILURES:

There are two main types of tube faults: shorts and noise. Both large and small tubes may fall prey to either of these problems but diagnosis and remedy is usually simple.

If a fuse blows, the problem is most likely a shorted power tube and shorts can either be mild or severe. In a mildly shorted tube the electron flow has overcome the control grid and excess current flows to the plate. You will usually hear the amp become distorted and begin to hum slightly. If this occurs, quickly look at the power tubes as you switch the amp to STANDBY and try to identify one as glowing red hot. It is likely that two of a pair will be glowing since the “shorted” tube will pull down the bias for its adjacent mates, but one tube may be glowing hotter — and that one is the culprit. The other two are often fine — unless they’ve been glowing bright red for several minutes.

Because there is no physical short inside the tube (just electrons rioting out of control) merely switching to STANDBY for a few moments then back to ON will usually cure the problem...at least temporarily. Watch the tubes carefully now. Should the problem recur, the intermittent tube will visibly start to over heat before the others and thus it can be identified. It should be replaced with one from the same color batch, shown on its label. Call us and we will send one out to you. The severe short is not nearly so benign. In the worst cases, a major arcing short occurs between the plate and the cathode with visible lightning inside the glass and a major noise through the speaker. If this is seen to happen, IMMEDIATELY turn the amp to STANDBY. By this time the fuse probably will have blown. Such a short is usually caused by a physical breakdown inside the tube including contaminate coming loose or physical contact (or near contact) between the elements. Replace it and the fuse with the proper slo-blo type and power up the amp using the power up procedure as we described earlier in this manual.

TUBE NOISE:

Often caused by contamination within in a tube, the culprit can usually be identified, and by lightly tapping on the glass, you will probably hear the noise change. Hearing some noise through the speakers while tapping on the 12AX7’s is normal however. And the one nearer the INPUT will always sound louder because its output is being further amplified by the second 12AX7.

The power tubes should be all but quiet when they are tapped. If crackling or hissing changes with the tapping, you have probably found the problem. To confirm a noisy power tube, merely put the DC-3on Standby, remove it from its socket and turn it back on. It will cause no damage to run the DC-3briefly with one power tube missing. You may notice a slight background hum, however, as the push-pull becomes unbalanced. Whenever you are trying to diagnose a suspect tube, keep your other hand on the POWER and STANDBY switches ready to shut them off instantly in the unlikely case you provoke a major short.

If you think you’ve located a problem tube but aren’t sure, we recommend substituting the suspect with a new one just to be sure of your diagnoses. You will be doing yourself and us a big favor by just following the simple guidelines previously mentioned regarding tube replacement. You’ll probably be successful with much less effort than is required to disconnect everything and haul the unit to a technician who will basically perform the same simple tests. If the tubes are still within their six-month warranty period, we will happily send you a replacement. Just note the color designation on the tube label so that we can send you the appropriate match.

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Contents Dual Caliber DC Hello from the Tone Farm USE Common Sense and Always Observe These Precautions DC-3 DC-3Operating Instructions Use of the EQ. see page 5 for more information on EQ POWER-UPGain Midrange TreblePurpose MID Control From 0 to about BassAround PresenceINPUTdominant in the mix MasterGraphic EQ Output LevelOn / Standby Toggle Switches Rhythm / LeadPower EQ Select FuseFtsw EQ/REV Ing tradition and save the replaced set as sparesFX MIX FX Loop Send / ReturnRecording Silent RecordingSpeakers SlaveChannel SamplePersonal Settings 12AX7 Tube Noise Diagnosing Power Tube FailuresTube Noise & Microphonics Diagnosing PRE-AMP Tube Problems Here’s a question we often hear Why doesn’t Mesa put bias adjustments in their amplifiers?Bias Adjustment Cheers Randall Smith Designer & President Your amp needed biasingRear View DC Front View DCMesa Boogie 707 778-6565 FAX no

DC3 specifications

The Mesa/Boogie DC-3 is a highly regarded guitar amplifier known for its versatility, power, and distinctive tone. Introduced during the early 1990s, the DC-3 has become a staple among musicians who appreciate its unique blend of classic and modern sounds. The amplifier is part of the Mark series, renowned for its innovative design and exceptional sound quality.

One of the standout features of the DC-3 is its all-tube preamp, which contributes to its warm and rich tonal characteristics. The amplifier utilizes three 12AX7 tubes in the preamp stage, providing a dynamic response that enhances the natural tonal qualities of the guitar. This all-tube configuration is complemented by a powerful 2x6L6 power tube setup, delivering a powerful 30 watts of output. This combination allows the DC-3 to produce a wide range of tones, from clean and sparkling to thick and saturated drive.

The DC-3 is equipped with a unique two-channel design, offering a Clean channel and a Lead channel, each with its own set of controls for ultimate tonal shaping. The Clean channel is characterized by its bright and articulate sound, making it suitable for a variety of genres, including jazz, pop, and rock. The Lead channel, on the other hand, offers greater gain and sustain, perfect for heavier styles like hard rock and metal. These channels can be blended together using the shared EQ, allowing for a truly customizable sonic experience.

Mesa/Boogie's innovative graphic equalizer further enhances the versatility of the DC-3. It features a five-band EQ that allows players to sculpt their sound with precision. This feature makes it easy to dial in the perfect tone for different performance environments, whether in the studio or on stage.

The DC-3 also includes a built-in reverb, adding depth and ambience to the overall sound. This is a valuable addition for musicians looking to enrich their performances without the need for additional effects pedals.

Robust construction and attention to detail are hallmarks of Mesa/Boogie amplifiers, and the DC-3 is no exception. It is built to withstand the rigors of touring and the demands of professional musicians. With its impressive tonal palette, reliable performance, and durable design, the Mesa/Boogie DC-3 continues to be a favorite among guitarists, making it a worthy investment for anyone serious about their craft.