Tiffen Camera Filters manual Filters for Color, Color Conversion Filters, Light Balancing Filters

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darken the blue, and lighten the orange; a blue filter will perform the reverse.

A green filter, such as Wratten #11, can be used to lighten green foliage, to show more detail. It may also be used to provide more pleasing skin tones outdoors, especially against blue sky.

Any filter used for the above purposes will have a greater effect if slightly underexposed. Its function depends on absorbing light of its complementary colors to increase the proportion of light of colors similar to itself. Exposure compensation is often needed to allow proper image density, but the relative difference is reduced by the addition of light at the absorbed wavelengths through additional exposure.

FILTERS FOR COLOR

General Information

Recording color involves knowing more about light sources than is necessary for black-and-white imaging. Sunlight, daylight, exterior lighting at different times of day, incandescent, fluorescent, as well as other artificial sources, all have color characteristics that vary significantly. We see images through our eyes only after they are processed by our brain, which has the ability to make certain adjustments to the way we see color. White will still appear white to the eye in various lighting, so long as we don't have more than one type visible at a time. Film has no such internal compensation. It is designed to see only a certain type of light as white - all others will appear different to the extent of their difference. Filters are required to provide the necessary fine-tuning.

Knowing that light is a form of energy, we can theoretically view it as energy emitted from a hot object, usually termed a 'black body,' that gives off light as a function of its temperature. The color of that light can be measured in degrees Kelvin (K). The normally encountered types of light can be categorized by certain anticipated color temperatures, or can be measured with a color temperature meter.

Color Conversion Filters

Color Conversion filters are used to correct for sizable differences in color temperature between the film and the light source. These are comprised of both the Wratten #80 (blue) and the Wratten #85 (amber) series of filters. Since they see frequent outdoor use, in bright sunlight, the #85 series, especially the #85 and #85B, are also available in combination with various neutral density filters for exposure control.

Light Balancing Filters

Light Balancing filters are used to make minor corrections in color temperature. These are comprised of both the Wratten #81 (yellowish) and the Wratten #82 (bluish) series of filters. They are often used in combination with various neutral density filters for exposure control. They are often used in combination with Color Conversion filters. Certain #81 series filters may also be available in combination with various neutral density

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CAMERA FILTERS © Ira Tiffen

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Contents Camera Filters Camera Filters IntroductionFilter Planning Filter FactorsFilter Grades Camera Filters for Both Color and BLACK-AND-WHITEUltraviolet Filters Infra-Red FiltersColor-Grad Graduated ND Filters Polarizing Filters Special Effect Filters General InformationDiffusion Filters Camera Filters Ira Tiffen Sliding Diffusion Filters Fog, Double Fog and Pro-MistContrast Control Filters Star Effect FiltersFilters for Black and White Imaging Tone Control FiltersFilters for Color Color Conversion FiltersLight Balancing Filters Color Compensating Filters Decamired FiltersMixed Lighting Situations Color-Grad Gradated Color FiltersCoral Filters Sepia FiltersFilter Didymium FiltersUnderwater Color Correction Filters LL-DSpecial Application Filters Contrast Viewing FiltersDay-For-Night Close-up and Split-Field Diopter LensesEffect of Depth of Field and Focal Length Changes Sizes, Shapes, and Mounting TechniquesMultiple Filter Use Secondary ReflectionsCustom Homemade and Field-Ready Filters Camera Filters Ira Tiffen