Custom Pictures
To achieve the look and feel you want in less time during
Black Balance Adjustment
In ambient conditions that cause the black in the video signal to shift out of alignment, the EOS C300’s and EOS C300 PL’s black balance can be easily adjusted to bring it back. A simple process with the lens cap on the camera, black balance adjust- ment is especially useful the first time you use the EOS C300 or EOS C300 PL, when your camera has been on the shelf for an extended period, when you’ll be shooting in a wide range of temperatures, or when the ISO sensitivity or gain settings have been changed.
Recording Modes
“I'm alwaysimpressedwhenwe
Custom Pictures
| Normal 1 |
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| Normal 2 |
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| Normal 3 |
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Gamma | Normal 4 |
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Cine 1 |
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| Cine 2 |
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| Canon Log |
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| EOS Std. |
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| Master PED | ±50 | ||
Black |
| R | ±50 | |
Master | G | ±50 | ||
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| Black | |||
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| B | ±50 | |
| Level |
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Black | Range |
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Gamma |
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| Point |
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Low Key | Switch |
| ON/OFF | |
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SAT | Level |
| ±50 | |
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| ON/OFF |
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Knee | Slope |
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Point |
| 50~109 | ||
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| Knee SAT |
| ±10 | |
| Level |
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| H DTL FREQ |
| ±8 | |
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| Coring | 0~50 | ||
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| DTL HV BAL |
| ±8 |
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| Effect Level | Low |
| Middle | |
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Selective |
| High |
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NR | Hue | 0~31 |
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| Chroma | 0~31 |
| Area | 0~31 |
| Y Level | 0~31 |
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| Select | Normal 4 |
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Color |
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Matrix | Color Gain | ±50 |
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| Color Phase | ±18 |
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| B Gain | ±50 |
White Bal G Gain | ±50 | |
| R Gain | ±50 |
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With the realities of production in mind, the EOS C300 and EOS C300 PL let you record in a number of different modes, resolutions and frame rates. You can shoot in both PAL and NTSC modes at 50Mbps (CBR), 35Mbps (VBR) and 25Mbps (CBR) with a range of settings for resolution, color, frame rate and recording time. Whether you’re shooting with the expectation of significant editing and
Recording Modes
| Recording Mode |
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| 50i |
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| 1920 x 1080 | 29.97p | Approx. |
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| 25p | 160 min. | |
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| mode, optimal for |
| 24.00p |
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50Mbps |
| 23.98p |
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must meet needs in |
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sophisticated editing, |
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4:2:2 |
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such as chroma key |
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| compositing and color |
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| correction |
| 29.97p | Approx. |
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| 25p | 160 min. | |
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projectonalargerscale,how littlethereistocorrectandhow gooditlooks.”
T IM S IL A NO
Editor on “Max Is Back”
High-Speed, Slo-Mo, Time-Lapse and Stop-Motion
Beyond the advantages of
Non-Linear Editing Integration
To manage your recorded material more efficiently, the EOS C300 and EOS C300 PL offer two solutions: direct export to Non Linear Editing (NLE) programs through a supplied software
Sharpness |
| ±50 | |
Limit |
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Select |
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Knee APT | Gain | 0~9 | |
Slope | 0~3 | ||
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| Level | 0~50 | |
Level | Slope | 0~3 | |
Depend | |||
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| Offset | 0~50 | |
Noise Reduction |
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Effective LVL | Low | ||
Middle | |||
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Skin Detail |
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| ±16 | ||
Hue |
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Chroma |
| 0~31 | |
Area |
| 0~31 | |
Y Level |
| 0~31 |
| Correct | B | ||
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| Phase | 0~31 | |
| A Area | Chroma | 0~31 | |
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| Select | Area | 0~31 | |
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Color |
| Y Level | 0~31 | |
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Corr | A Area | Color Level | ±50 | |
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| Revision | Color Phase | ±18 | |
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| Color Phase | 0~31 | |
| B Area | Chroma | 0~31 | |
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| Select | Area | 0~31 | |
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| Y Level | 0~31 | |
| B Area | Color Level | ±50 | |
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| Revision | Color Phase | ±18 | |
| Setup LVL | Level | ±50 | |
Others | Press | ON/OFF | ||
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| 100% Clip | ON/OFF |
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| 1920 x 1080 | 29.97p | Approx. | |
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35Mbps | Ideal for the longest |
| 23.98p |
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| 59.94p |
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4:2:0 | recording |
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| 1280 x 720 | 29.97p | Approx. | |
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25Mbps | Superb compatibility |
| 50i |
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(CBR) | with HDV editing | 1440 x 1080 | 29.97p | ||
310 min. | |||||
4:2:0 | workflows |
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Recording Frame Rate (fps)
| 1 | 5 | 6 | 8 | 12 | 15 | 18 | 20 | 21 | 22 | 24 | 25 | 26 | 27 | 28 | 30 | 32 | 34 | 36 | 40 | 44 | 48 | 50 | 54 | 58 | 60 | |||||
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| 1 … 30 fps (NTSC) |
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| 1 … 25 fps (PAL) |
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720 |
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| 1 … 60 fps (NTSC) |
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1280 | 50p |
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