>GEAR GUIDE 2005 REALLY INTO IT! GEAR GUIDE CONTINUED FROM PAGE 78
| Nikon |
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| ✚ What “extras” do pros get |
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| for the $300, $350, or $400 |
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| they drop on a |
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| Speedlight |
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| shoe flash? More power, for |
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| starters. Nikon’s |
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| $ | $334 street |
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| Guide Number (GN) of 125 |
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| www.nikonusa.com |
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| (at 35mm and ISO 100), while |
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| its nearest neighbor in the |
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| Nikon catalog, the |
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| With Nikon’s D2H SLR, the |
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| tops out at GN 98. In practical |
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| communicates the exact color tempera- |
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| terms, you get more throw, |
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| ture of its output (which changes with |
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| and/or the ability to shoot at |
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| flash duration) to ensure accurate auto |
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| smaller apertures. The |
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| white balancing; the |
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| also supports full |
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| speed FP mode allows sync speeds of |
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| less control of up to three |
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| up to 1/8000 sec; a modeling flash fea- |
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| groups of remote |
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| ture helps confirm lighting; |
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| (plus the Master Unit attached |
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| (Flash Value Lock) lets you preset a flash |
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| to the camera); each group can |
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| exposure, recompose, and maintain |
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| contain an unlimited number of |
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| proper exposure of your subject. |
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| flash units. How’s that for get- |
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| ting your money’s worth? |
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| Canon Speedlite |
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| 580EX |
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| $480 street |
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| Pentax |
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| www.canoneos.com |
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| slave. Put the |
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| $299 street |
| main light, or take it |
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| Canon’s recently introduced flagship |
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| www.pentaximaging.com | optical slave for more advanced lighting |
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| flash, the Speedlite 580EX, has more |
| setups. (Your SLR’s |
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| features and additional power, but is |
| Pentax’s | be the main |
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| both smaller and lighter than its pred- |
| works in either film or digital | have one.) Other features to like: a stro- |
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| ecessor, the 550EX. New capabilities |
| arenas, and offers something absent from | boscopic modeling light and |
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| include wider coverage (to 14mm), full |
| most | drive mode (to 20 consecutive pops). |
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| seven new custom functions, 25 per- |
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| WELCOME THE WACOM |
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| cent faster recycling times, more |
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| 5600 HS |
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| relationship | to the screen, each point on the tablet corresponds pre- |
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| even |
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| BEST |
| No matter how much mousing we do, palming a flat |
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| broader |
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| lump to move a pointer will never be as natural as |
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| BUY |
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| all the AF sensors of every EOS SLR. |
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| ★using a pen. That’s why a tablet can make such a dif- |
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| ference during retouching. Just like in real life, the harder you press, |
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| Konica Minolta |
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| the larger and darker your mark, and, unlike the mouse’s relative |
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| Flash |
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| $299 street |
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| cisely to a point on the monitor. |
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| www.konicaminolta.us |
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| Wacom is the ruler of the tablet world. They are the technology’s |
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| innovators, with competing tablets few and far between. Two of their |
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| Fully compatible with Konica Minolta’s |
| lines are relevant to photographers: the Graphire3 for enthusiasts, |
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| Maxxum film and |
| and the Intuos3 for the serious retoucher. The tablets connect to your |
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| digital cameras, the |
| computer via USB, and provide a surface like a super smooth mouse |
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| HS offers pros and serious amateurs |
| pad upon which the included wireless mouse and pen tools require |
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| unusually |
| no batteries. The pressure sensitivity of the Intuos is twice that of the |
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| tion that protects against moisture and |
| Graphire (1,024 levels vs. 512), but this difference will probably |
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| Units |
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| dust; |
| be imperceptible to the average user. The big differences are |
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| shutter speeds; a control lock to pre- |
| the new ExpressKeys and Touch Strip on the Intuos3. So |
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| vent inadvertent missettings; a strobo- |
| conveniently located and programmable, you |
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| scopic modeling light that lets you pre- |
| might find yourself eliminating the key- |
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| view strobe |
| board altogether and doing all your |
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| includes a stand to help you take |
| work from the tablet itself. |
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| advantage of the 5600 HS’s |
| ● GRAPHIRE3: |
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| trolled, wireless |
| INTUOS3: |
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| www.wacom.com |
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