Canon eos5d manual Auto Lighting Optimizer

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IV. PERFORMANCE AND RELIABILITY

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When PIC is enabled and data is contained within the camera for the lens in use, the right amount of correction is applied automatically to JPEG images at all apertures and focal length settings. This correction is of the same nature as the correction available under the Lens Aberration Correction control panel in the DPP software. However, camera-applied vignetting correction isn’t as powerful (roughly 70% of the correction possible in DPP).

With RAW files, images are automatically tagged with the correction needed, if a compatible lens is used and PIC is turned on. Processing these images in Canon’s DPP software will allow automated vignetting correction, tailored specifically to that lens. If shooting in RAW+JPEG mode, PIC will be applied to the JPEG files, allowing you to increase or decrease the correction later on the RAW file using the DPP software.

Please note that if RAW files are processed using a third-party software application, in most cases any such in-camera tags are ignored, and you’ll need to use the software’s own tools (if available) manually for any such correction.

Auto Lighting Optimizer

Another powerful image correction feature found in both new DSLRs is the Auto Lighting Optimizer (ALO). This feature can be used to greatly improve the impact and quality of underexposed, muddy JPEG images, including backlit portraits that accidentally underexposed the subject, and portraits where the subject was slightly out of range of the flash (the camera’s ability to detect faces plays a part in this correction). Flat, low contrast scenes can also be given extra snap when using this function. More sophisticated and more powerful than the Auto Brightness and Contrast Correction found in the EOS 40D’s Basic Zone Mode, ALO can be accessed via the custom menu (C.Fn II -4), and has three settings in addition to disabled: Standard, Low, and Strong. In addition, ALO can now be activated in RAW and RAW+JPEG instead of being limited to JPEG.

Highlight Tone Priority

Found previously in the EOS 40D, but completely new to the full-frame EOS 5D Mark II, Highlight Tone Priority greatly improves the image quality of high contrast and high key scenes. It effectively increases dynamic range and detail in highlight areas, minimizing blown out details in a white fabric (such as a wedding dress) or high contrast scenes such as snow-covered landscapes. Only brightness values between 18% middle gray and the maximum-recorded brightness are affected, while shadow and midtone areas of a scene remain untouched. In both the EOS 50D and the EOS 5D Mark II, a new Highlight Tone Priority status indicator (D+) now appears on the 3.0-inch LCD and in the viewfinder. ISO range is a bit more limited when Highlight Tone Priority is active: when used in the EOS 50D, the selectable ISO range decreases to ISO 200–3200, and on the EOS 5D Mark II (C.Fn II -3), the ISO range is limited to ISO 200-6400.

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Contents White Paper III VII Overview EOS 50D EOS 50D’s 3.0-inch LCD EOS 5D Mark II’s Viewfinder II. Summary of NEW and Improved Features II. Summary of NEW and Improved Features II. Summary of NEW and Improved Features EOS-1Ds Mark II. Summary of NEW and Improved Features III. Video Recording on EOS 5D Mark III. Video Recording on EOS 5D Mark CF card Video Display III. Video Recording on EOS 5D Mark III. Video Recording on EOS 5D Mark New Video Shooting Capability IV. Performance and Reliability Microlens Comparison Conceptual Diagram Low-Pass Filter ConstructionOpening Ratio Conceptual Diagram Sensor Comparison ChartInfrared, Low-Pass Filter Construction Cmos sensorEOS 5D Mark II only Digic 4 Image Processor improvements EOS 50D Image Recording Specifications EOS 5D Mark II Image Recording SpecificationsIntelligent lithium-ion battery on EOS 5D Mark Peripheral Illumination Correction Auto Lighting Optimizer Coating Layers on LCD Monitor IV. Performance and Reliability Sensor Configuration AF Points AF Sensor Arrangement EOS 5D Mark II AF Systems IV. Performance and Reliability Self Cleaning Sensor Unit Construction Diagram EOS 5D Mark II Exterior Layout IV. Performance and Reliability IV. Performance and Reliability Live View Function Controls and Convenience Creative Auto Settings Setting Exposure Compensation and AEB Controls and Convenience Controls and Convenience Controls and Convenience Quick Control Screen VI. Intelligent Bundled Software VI. Intelligent Bundled Software VII.NEW Accessories and Lenses VII.NEW Accessories and Lenses EOS 5D Mark II WFT-E4A EMD External and Cross Section of EF-S 18-200mm f/3.5-5.6 is EMDEF-S 18-200mm f/3.5-5.6 is Lens Movement During Zooming Lens groupVIII. Specifications Performance Imaging SensorImage Recording LCD Monitor Live View FunctionAutofocus System Exposure Control FlashImage Control ViewfinderInterface Direct Printing Power SupplyBody EOS 5D Mark MOV Movie Shooting and PlaybackMonaural recording using the built-in microphone LCD Monitor Brightness Levels Auto LCD Brightness Seconds ~ 1/8000, plus Bulb x-sync at 1/250 sec WFT-E4/E4A Remote Control Audio/Video Terminals All Canon EF lenses Focusing AccessoriesDimensions and Weight OpticsImage Stabilizer AutofocusIX. Feature Comparison Charts EOS 50D Comparison Chart Built-in Flash EOS 5D Mark II Comparison Chart Nikon D700 Nikon D3 Nikon D90 Sony A900 Nikon D700 Nikon D3 Nikon D90 Sony A900 Recording Media Conclusion Conclusion