Mamiya Guide on How to Load and Unload 645 - Unloading 120 Film Techniques

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Film Advance and Unloading Exposed Film

Film Advance

1.Giving the Film Advance Crank one complete turn, will cock the shut- ter and mirror and ready the camera for the next exposure.

2.When the film is completely ex- posed (15 exposures on 120, 30 on

220film), the crank stop will disen- gage. Continue turning until the pa- per trailer is completely wound onto the take-up spool. (About five turns after the last exposure.)

Unloading Exposed Film

3.Open the Back Cover, and remove the Roll Film Insert. The Exposure Counter will return to S (start) automatically.

4.Pull the Spool Clip on the roll film insert out to remove the film.

5.Remove the film from the roll film insert; make sure that the film on the roll does not loosen, and seal immediately.

*Move the empty spool from the top to the lower (take-up) compartment, ready for loading the next film roll.

*Never load, unload or handle film in direct sunlight.

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Contents Instructions Congratulations on your purchase of the Mamiya 645 PRO TL Contents Interchangeable Rollfilm Holder System Special Features of the Mamiya 645 PRO TLPrism Finder PF401 Interchangeable Focusing ScreensInterchangeable Viewfinders AE Prism Finder FE401 AE Finder FK402Time Exposure Motorized Power Drive GripsBroad Accessory System For Specialized Applications Self-timerTime Exposure Other FeaturesSelf-timer Mirror Lock-upNames and Functions of Parts @ Focusing Screen NFinder Coupling Panel Rear Shutter CurtainDistance Scale @ Attaching and Removing Lenses Removing the Rear Body Cap Attaching and Removing the Roll Film HolderLift the Upper Cover from the camera body Attaching and Removing the ViewfinderRemoving the Crank Attaching the Crank Removing and Attaching the Film Advance CrankInserting the Battery Batterv Check Operating the Shutter Release Button Shutter Release SelectorShutter Performance Test Before Film Loading Film Speed ISO DialMemo Clip Film Loading Do not use the dotted line for a start mark Advancing the Film to the First Frame How to set the Shutter Speed Dial Shutter Speed SettingsAperture Ring/Stop-down Operation Focusing with the Standard Focusing Screen N Type E r Focusing 4BReading the Depth of Field Scale Depth of FieldFilm Advance and Unloading Exposed Film Film AdvanceUnloading Exposed Film Please note Using the Self-Timer/Delayed Shutter ReleaseTime Exposures Multiple Exposures Mirror Lock-up Photography 14 56 8 11 Infrared Photography @ Using aTripod @Flash Photography Metz shoe mount flash type Metz flash 50MZ-5 Attaching Metz Flash Units Metz flash 60CT-4/45CL-4TTL Flash Photography with Metz Flash Units Mamiya 645 PRO has an X- sync terminal Photography with Non-TTL Flash UnitsEye-level Operation Waist Level Operation @ Holding the Camera Steady and Securely hAttaching the Strap to the Camera Attaching and Removing the Neck StrapAE Reflex Finder FK402 Basic AccessoriesPower Drive Grip WG401 Power Drive Grip WGPolaroid Land Pack Film Holder HP401 Metz TTL Flash Unit Handle MountInterchangeable Lenses Wide-angle Lenses PnSm FiIlder FP40 System ChartFilm Advance Crank continues to turn and does not stop Trouble ShootingRoll Film Holder cannot be removed from the camera body Developed film has fewer exposures than Speci- fiedFilm type Mamiya 645 PRO TL SpecificationsPage Things to Watch When using the AE Prism Finder FE401Storage Battery Advice

645 PRO TL specifications

The Mamiya 645 PRO TL is a prominent medium format camera, celebrated for its exceptional build quality and versatility. Introduced in the 1990s, it quickly gained popularity among professional photographers and serious enthusiasts. This camera is part of Mamiya's 645 series, designed to cater to the needs of a wide range of photographic applications, from portrait and landscape photography to commercial work.

One of the standout features of the Mamiya 645 PRO TL is its 6x4.5cm negative size, which allows for high-resolution images with stunning detail and rich tonal range. The camera uses the 645 film format, striking a balance between portability and image quality that larger formats often cannot achieve. This makes it an ideal choice for photographers who require the enhanced image quality of medium format without the cumbersome nature of larger cameras.

The Mamiya 645 PRO TL incorporates a modular design, allowing users to swap out various components easily. One of the highlights is its interchangeable film backs, enabling photographers to switch between different film types or even use instant film if desired. Professionals appreciate this feature as it adds flexibility and convenience to their shooting experience.

Another impressive characteristic of the Mamiya 645 PRO TL is its advanced metering system. The camera features a TTL (Through The Lens) metering system, ensuring accurate exposure readings even in challenging lighting conditions. It also offers various exposure modes, including manual, aperture-priority, and shutter-priority, giving photographers the tools they need to achieve their desired results.

The Mamiya 645 PRO TL is compatible with a rich lineup of lenses, offering a range of focal lengths that cater to different styles of photography. The lenses are known for their sharpness and bokeh, making them a favorite among portrait photographers who seek pleasing background defocus.

Durability is another hallmark of the Mamiya 645 PRO TL. The camera is constructed from high-quality materials, providing a robust and reliable platform for shooting in diverse environments. Photographers can trust the Mamiya 645 PRO TL to withstand the rigors of professional use.

In summary, the Mamiya 645 PRO TL stands out in the medium format photography landscape due to its versatility, superb image quality, and user-friendly design. Its modular nature, advanced metering system, and compatibility with excellent lenses make it an enduring choice for photographers looking to elevate their craft. Whether capturing stunning landscapes or intimate portraits, the Mamiya 645 PRO TL continues to be a cherished tool for many in the photographic community.