Kodak 7229, 5229 Sensitometric Curves, MODULATION-TRANSFER Curves, Diffuse RMS Granularity Curves

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SENSITOMETRIC CURVES

"0" on the x-axis represents normal exposure of an 18-percent gray card in the red, green, and blue layers of this film. A white card is 2 1/3 stops higher than normal exposure, and there are at least 2 1/2 stops above that for capturing specular highlight detail.

A 3-percent black card is 2 2/3 stops below normal exposure. There are at least 2 1/2 stops of latitude below that for capturing shadow detail.

 

 

 

LOG EXPOSURE (lux seconds)

 

 

 

3.0

-4

 

-3.2

 

-2

-1

 

-0.2

 

 

 

 

 

 

 

 

 

DENSITY

2.0

 

 

 

 

 

 

 

 

1.0

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

0.0

 

 

 

 

 

 

 

 

 

-10

-8

-6

-4

-2

0

2

4

6

 

 

 

 

CAMERA STOPS

 

 

 

RECIPROCITY

No filter corrections or exposure adjustments for exposure times from 1/1000 of a second to 1/10 second. In the 1-second range, increase exposure 2/3 stop and use a KODAK Color Compensating Filter CC 10Y. In the

10 second range, increase exposure 1 stop and use a KODAK Color Compensating Filter CC 20Y.

MODULATION-TRANSFER CURVES

This graph shows a measure of the visual sharpness of this film. The x-axis, “Spatial Frequency,” refers to the number of sine waves per millimetre that can be resolved. The y-axis, “Response,” corresponds to film sharpness. The longer and flatter the line, the more sine waves per millimetre that can be resolved with a high degree of sharpness—and the sharper the film.

DIFFUSE RMS GRANULARITY CURVES

To find the rms granularity value for a given density, find the density on the left vertical scale and follow horizontally to the sensitometric curve and then go vertically (up or down) to the granularity curve. At that point, follow horizontally to the Granularity Sigma D scale on the right. Read the number and multiply by 1000 for the rms value.

SPECTRAL-SENSITIVITY CURVES

These curves depict the sensitivity of this film to the spectrum of light. They are useful for determining, modifying, and optimizing exposure for blue- and green-screen special-effects work.

SPECTRAL DYE-DENSITY CURVES

These curves depict the spectral absorptions of the dyes formed when the film is processed.

They are useful for adjusting or optimizing any device that scans or prints the film.

NOTE: Cyan, Magenta, and Yellow Dye Curves are peak-normalized.

 

 

 

 

 

 

 

 

IDENTIFICATION

 

 

 

 

 

 

 

 

After processing, the Kodak internal

 

1000

 

 

 

 

 

 

product code symbol (EB), product code

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

numbers 5229 (35 mm) or 7229 (16 mm),

(%)

100

 

 

 

 

 

 

emulsion and roll number identification,

RESPONSE

10

 

 

 

 

 

 

visible along the length of the film.

 

 

 

 

 

 

 

 

and EASTMAN KEYKODE Numbers are

 

1

 

 

 

 

 

 

GRAIN

 

 

 

 

 

 

 

 

 

1

 

10

100

 

 

1000

The perception of graininess of any film

 

 

SPATIAL FREQUENCY (cycles/mm)

 

 

 

 

 

 

depends on scene content, complexity,

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

color, and density. In KODAK VISION2

 

 

 

 

 

 

 

 

Expression 500T Color Negative Film

 

3.0

 

 

 

 

 

 

5229 / 7229, the measured granularity

 

 

 

 

 

 

 

 

is exceptionally low.

 

2.0

 

 

 

 

D

 

 

 

 

 

 

.10

GranularitySIGMA

 

SHARPNESS

 

DENSITY

 

 

 

 

 

 

 

 

.03

 

The perceived sharpness of any film

 

 

 

 

 

 

 

 

1.0

 

 

 

.01

 

 

depends on various components of the

 

 

 

 

 

.004

 

 

motion picture production system.

 

 

 

 

 

.003

 

 

 

 

 

 

 

.002

 

 

Camera and projector lenses, film printers,

 

0.0

1.0

2.0

3.0

.001

 

 

 

0.0

4.0

 

 

and other factors play a role, but the

 

 

LOG EXPOSURE (lux-seconds)

 

 

 

 

 

 

 

 

 

 

 

specific sharpness of a film can be

 

 

 

 

 

 

 

 

measured and charted in the Modulation

 

4.0

 

 

 

 

 

 

Transfer Curve.

*

3.0

SENSITIVITY

 

 

 

 

 

 

 

 

 

 

Sensitivity of the yellow dye

 

 

 

 

 

 

 

 

 

 

 

Spectral Sensitivity Curve Key

 

2.0

 

 

 

 

 

 

 

 

 

 

LOG

1.0

 

 

 

 

 

 

 

 

 

forming layer

 

 

 

 

 

 

 

 

 

 

Sensitivity of the magenta dye

 

 

 

 

 

 

 

 

 

 

 

 

0.0

 

 

 

 

 

 

 

 

 

forming layer

 

350

400

450

500

550

600

650

700

750

 

 

250 300

Sensitivity of the cyan dye

 

 

 

 

WAVELENGTH (nm)

 

 

 

 

 

 

 

 

 

 

 

 

*Sensitivity = reciprocal of exposure (erg/cm2 ) required

forming layer

 

 

 

to produce specified density

 

 

 

 

 

1.8

 

 

 

 

 

 

 

DENSITY

 

 

 

 

 

 

 

Spectral Dye Density Curve Key

1.4

 

 

 

 

 

 

 

SPECTRAL

 

 

 

 

 

 

 

Midscale Neutral

1.0

 

 

 

 

 

 

Cyan Dye

 

 

 

 

 

 

 

 

0.6

 

 

 

 

 

 

Magenta Dye

 

 

 

 

 

 

 

Yellow Dye

DIFFUSE

 

 

 

 

 

 

 

0.2

 

 

 

 

 

 

Minimum Density

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

-0.2

 

 

 

 

 

 

 

 

300

350

400 450

500

550

600

650 700 750

800

 

 

 

WAVELENGTH (nm)

 

Note: Sensitometric and Diffuse RMS Granularity curves are produced on different equipment.

A slight variation in curve shape may be noticed.

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Contents W . k o d a k . c o m / g o / m o t i o n 500TLight Source Kodak Filters on Camera Exposure Index Original NegativeSPECTRAL-SENSITIVITY Curves Sensitometric CurvesMODULATION-TRANSFER Curves Diffuse RMS Granularity CurvesHollywood, California China Peoples RepublicNew York, New York

5229, 7229 specifications

Kodak 5229 and 7229 are highly regarded motion picture films that are favored by filmmakers for their unique characteristics, versatility, and the nostalgic quality they impart to cinematic projects. These films are designed for professional filmmakers and are prominent choices within the industry for various types of productions, from narrative films to documentaries.

Kodak 5229 is a black and white reversal film that is known for its fine grain and wide exposure latitude. This film excels in low-light conditions, making it particularly useful for shooting in environments where lighting can be unpredictable. The high contrast and rich tonal range of 5229 allows for striking visuals that can evoke a sense of realism while maintaining a cinematic flair. It is also recognized for its exceptional sharpness, which contributes to detailed images. The ability to push or pull process this film enhances its adaptability and makes it suitable for a variety of artistic interpretations.

On the other hand, Kodak 7229 is a color negative film that is celebrated for its vibrant color reproduction and overall image quality. This film features a fine grain structure that offers superb detail and clarity, making it a popular choice for both feature films and documentary projects. Kodak 7229 has a wide color gamut that allows for accurate skin tones and lively colors, creating an immersive viewing experience. The film’s exposure latitude is also commendable, granting filmmakers flexibility in various lighting conditions while preserving image integrity.

Both Kodak 5229 and 7229 utilize advanced emulsion technology which contributes to their outstanding performance. They are designed to provide high-quality images that stand the test of time, making them reliable options for filmmakers concerned about archival stability. The films are compatible with a wide range of cameras, further enhancing their utility in production environments.

In summary, Kodak 5229 and 7229 stand out for their respective black and white and color capabilities, appealing to a diverse range of creative needs. Their fine grain, low-light performance, color rendition, and overall imaging quality make them staples in the professional film community. As motion picture film continues to be embraced in an era of digital filmmaking, Kodak's offerings ensure that the art of film remains vibrant and expressive.