ARRI ARRIFLEX D-21 HD manual Ed Wild Cinematographer on Prisoners of the Sun

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Ed Wild - Cinematographer on Prisoners of the Sun

“Because it's a full-sized chip and a PL mount, there is a full choice of all the film lenses.”

Prisoners of the Sun; Photo © Miromar Entertainment AG

Prisoners of the Sun; Cinematographer Ed Wild

Afrika Mon Amour; Camera equipped with “workhorse” ARRI Master Zoom

Frank Küpper - Cinematographer on Afrika, Mon Amour

“No grain, instant availability of full resolution images and a 35 mm look.”

Afrika Mon Amour;

Cinematographer Frank Küpper framing a detail shot,

Photos: © Andreas Berkl

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Contents Arriflex D-21 / D-21 HD Arriflex D-21 / D-21 HD Film Style Digital CamerasArri Arriflex D-21 / D-21 HD Main Features Arriflex D-21Optical Viewfinder · zero delay State of the ART Technology Arri Imaging TechnologyArri Arriflex D-21 / D-21 HD Company Photo Sony Pictures TV Clear View Optical ViewfinderFilm Sized Sensor & Film Lenses for a Film Look For AN Authentic Cinematic LookArri Arriflex D-21 / D-21 HD True Anamorphic in HD MscopeTM a New and Unique Output FormatCinemaScope in Standard HD 21 / D-21 HDOnly Data Mode Main Features Flexible Output Options Different Productions Require Different OutputsComplete System True Arri Camera Arri Arriflex D-21 / D-21 HD Company Photo Sony Pictures TV From the Field Director of The Company and The Andromeda StrainEd Wild Cinematographer on Prisoners of the Sun Michael Coulter, BSC Cinematographer on The Bank Job Common Technical Data Arriflex D-21 / D-21 HDDivergent Technical Data Arriflex D-21 Arriflex D-21 HDUSA

ARRIFLEX D-21 HD specifications

The ARRI ARRIFLEX D-21 HD is a distinguished digital cinematography camera that has made remarkable strides in the film industry since its introduction. Designed for professional filmmakers, it combines traditional film aesthetics with modern digital technology, making it a compelling choice for various cinematic endeavors.

One of the most notable features of the D-21 is its image quality. The camera is equipped with a Super 35mm-sized sensor, which is pivotal in achieving the characteristic depth of field and wide field of view synonymous with 35mm film. This sensor allows filmmakers to exploit the rich visual language that has been a hallmark of high-end cinema for decades.

To ensure maximum flexibility and integration in post-production, the D-21 captures images in a high-definition format with a resolution of up to 1920 x 1080 pixels. This resolution provides filmmakers with the ability to work with detailed and vibrant footage, making it suitable for various distribution formats, including theatrical releases and broadcasting.

The D-21 is also notable for its superior dynamic range, which extends the capabilities of the camera in capturing details in both highlights and shadows. This feature is particularly beneficial for filmmakers working in challenging lighting scenarios, as it permits greater creative latitude during the shoot and post-processing.

In terms of technology, the D-21 incorporates several advanced features. One such feature is its unique color processing system, which allows for precise control over color grading. Filmmakers can capture the scene with accurate color reproduction, thus minimizing the amount of post-production color correction required.

Moreover, the camera supports a modular design, enabling customization to fit various shooting styles and requirements. This includes interchangeable lenses, allowing filmmakers to utilize different focal lengths and depths of field without restriction.

The ergonomic design of the D-21 makes it user-friendly, accommodating the needs of professional crews during long shooting days. It is compatible with a range of accessories such as matte boxes, follow focus systems, and wireless monitoring solutions.

Overall, the ARRI ARRIFLEX D-21 HD stands as a bridge between traditional film and the digital future. Its combination of superb image quality, advanced technology, and a user-centric design cements its position as a preferred choice for many cinematographers striving for visual excellence in their storytelling.