1.On-site Previewing
Use the AJ-FRC27 Frame Rate Converter to check the results of fast-motion or slow-motion effects right after recording. Combine it with the BT-LH900 HD LCD Monitor (which features gamma correction) or the AJ-GBX27 HD Gamma Corrector, and you can view images with gradation that closely approximates that of the finished images.2.Variable Frame Rate Compatible
Non-linear Editing
The AJ-FRC27 lets you play the tapes recorded at 60 fps directly on a DVCPRO HD VTR. Using a variable frame rate compatible nonlinear editing system with an effective frame extraction function, you can directly upload undercranked or overcranked footage for use in 1080/24p or 720/60p (24p over 60p).
*Applicable nonlinear editing systems (as of July 2005 ): Apple Final Cut Pro 5, Interactivefx Piranha HD, Quantel iQ/eQ
3.Film recording
By printing onto film using the conversion table, you can produce a gradation that's appropriate for screen projection. The gradation characteristics of F.REC gamma materials are equivalent to digital scanning. Those of V.REC are equivalent to telecine.
4.Conversion to TV Broadcast Footage
Compared with telecine systems, the AJ-GBX27 HD Gamma Corrector offers a cheaper and easier way to convert movie content into high-quality TV content with a film-like texture.
5. 24 fps Non-linear Editing
First, use off-line editing to convert the frame rate of undercranked or overcranked footage, then down-convert to the Standard Definition (576/50i) format through AJ-FRC27. Next, use the EDL from the off-line editing for 1080/24p online editing. The AJ-HD1700 or AJ-HD1200A DVCPRO HD VTR lets you play back a 720/24p over 60p source and directly convert it to 1080/24p output.
| Frame Rate Conversion (Ex. 40-fps) | | | | | | | | | ★＝Active Frame Frag |
| AJ-HDC27F | 1 | 2 | 2 | 3 | 4 | 4 | 5 | 6 | 6 | 7 | 8 | 8 | 9 |
| Camera-Recorder |
| AJ-FRC27 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | | | | |
| (HDD Recording) | | | | |
| | | | | | | | | | | | | |
| DVCPRO HD | 1 | 1 | 2 | 2 | 2 | 3 | 3 | 4 | 4 | 4 | 5 | 5 | 6 |
| (720/60p) |
| | | | | | | | | | | | | |
| HD-D5 | | 1 | | 2 | | | 3 | | 4 | | | 5 | 6 |
| （1080/24p）� | | | | | | | |
| | | | | | | | | | | | | |
6. 25 fps Non-linear Editing
First, convert ‘off-speed’ material to 25p material by using Frame rate converter. Second, down convert to PAL signal and make EDL by off line edit. Third, cross convert from 720/25p to 1080/25psf and online edit by using EDL. Fourth, Mastering finished piece to D5-HD or DVCPROHD. In case of F.Rec mode, it would be better to use GBX27 when capture into NLE.
7. Multi-Format Output
The down-converter integrated into the AJ-HD1200A lets you down-convert and output SD footage from an HD package. Plugging in the optional AJ-YA120AG board also enables 720/1080 line converting as well as conversion and output of 1080/25psf footage from a 720/25p over 60p source. This function allows multi-format output for HD broadcasting, cinema, and SD broadcasting.
DVCPROHD and IEEE1394
Supported Non-Linear Editing system.
Apple Final Cut Pro 5 (Power Mac G5)
Avid Media Composer Adrenaline HD
Canopus EDIUS HD/SD/SP/NX
