Setting up the B412DSP, Tweeter, Off | Behringer specification

EUROLIVE B412DSP

OFF

If the switch is not actuated (OFF position) then the speaker remains switched on and can only be deactivated via the POWER switch .

A noise-gate allows you to eliminate unwanted noise during signal pauses. This is done by a circuit that mutes the output when the signal level drops below a preset threshold. Use the NOISE GATE control to determine the threshold below which the noise-gate closes.

The TH LED lights up as soon as the signal level drops below the threshold value adjusted with the NOISE GATE

control (the noise-gate closes).

The LED on the front indicates the following operating status:

	Indicator	Operating status
	BLUE light	The device is switched on
	BLUE light	Device is on standby
	(dimmed)	(if TIMED TURN-OFF activated)

	VIOLET light	same function as CLIP LED
	flashing RED	Device is overheating!
	flashing RED	Switch off the speaker until it cools down
		Switch off the speaker until it cools down
	Tab. 2.1: Frontal LED operating status

3. Setting up the B412DSP

The sound of your B412DSP largely depends on the room acoustics. Please observe the following hints to get the most out of your B412DSP.

3.1 Tweeter

High frequencies are the very part of the audio spectrum that ensure a clear perception of sound and speech intelligibility. Although these frequencies can be located most easily, they are also the first to be blocked acoustically. We therefore recommend that you set up your speakers on speaker stands (not included), so that the tweeter radiates its signals slightly above the heads of the audience. This will ensure both an optimum dispersion of the high-frequency content and a considerably improved speech intelligibility.

Fig. 3.1: B412DSP mounted on a stand

3.2 How to avoid feedback

Always place the microphones (viewed from the audience) behind the B412DSP, never in front of it (Fig. 3.2). When you wish to adjust the controls on the B412DSP while holding a microphone, please approach the loudspeaker from the rear to avoid feedback.

Fig. 3.2: Right and wrong positioning

Since the B412DSP can be placed on the floor at an angle as shown in the illustration below, you can also use it as a monitor speaker on stage. In contrast to PA speakers, stage monitors are used to direct sound towards individual performers on stage. When microphones are used, it is not easy to position the monitor speakers, since the microphones are moved around in front of them, often coming very close. To avoid feedback, it is recommended that you carefully select and direct the microphones used. Basically, you should use microphones with a high directivity, i.e. with a cardioid or hyper-cardioid polar pattern. Never hold a microphone so that its main pick-up area points directly towards the loudspeaker. When you hold it with its less sensitive side towards the speaker box, you can move closer to the speaker.

Microphones with a cardioid polar pattern should always be directed at a 90° angle to the axis of the loudspeaker (Fig. 3.3, left). Microphones with a hyper-cardioid polar pattern should always be positioned at an acute angle to the axis (Fig. 3.3, right).

Fig. 3.3: The B412DSP as a monitor loudspeaker

+If you encounter persistent feedback problems, consider using our proven FEEDBACK DESTROYER PRO FBQ2496 for line-level signals. For signals with line or microphone level, we recommend our BEHRINGER SHARK DSP110.