Maxxsonics P1-2000.1, P1-5000.5 manual Setting UP Systems After Installation for Best Performance

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SETTING UP SYSTEMS AFTER INSTALLATION FOR BEST PERFORMANCE

P1-600.2 / P1-1000.2 / P1-600.4 / P1-1000.4 / P1-5000.5

General:

At this point you are ready to get more specific on the settings for your amplifier.

High Pass:

-When in HPF operation, this setting acts as a low frequency cut off for your system reproduction. The point that you set it at cuts off any frequencies from reproduction beyond this point. The 12 o’clock position is a great starting point. EXAMPLE: If you adjust the HPF to 100Hz, the amplifier will not play frequencies below 100Hz but will play frequencies from 100Hz to the highest frequency the amplifier is capable of reproducing.

-When in LPF operation, this setting acts as a low frequency cut off for your system reproduction aka Subsonic Filter. The point that you set it at cuts off any frequencies from reproduction beyond this point. The 12 o’clock position is a great starting point. EXAMPLE: If you adjust the HPF to 60Hz, the amplifier will not play frequencies below 60Hz but will play frequencies from 60Hz to the chosen Low Pass frequency.

-When in FULL operation, the LPF crossover is bypassed.

Bass EQ:

This setting is a fixed bass boost at 45Hz that is variable from 0-12dB. This feature provides impact to your bass, but if not adjusted correctly, it can be over used and cause damage to your speakers and amplifiers. It is best to slowly turn this setting clockwise until the desired punch is felt. It is not recommended to exceed the 12 o’clock position unless listening at a low volume or a low recording quality as this can result in high distortion and possibly clipping.

Low Pass:

The LPF control acts as a ceiling and doesn’t allow frequencies to the right of the desired setting to be reproduced. Turning the potentiometer all the way to the right is a great starting point. EXAMPLE: If you adjust the LPF to 120Hz, the amplifier will not play frequencies above 120Hz but will play frequencies from 120Hz to the chosen Hi Pass or Subsonic frequency. -When in HPF operation, this setting is bypassed.

Level Control Setup:

Ensure that the Level is turned completely to the left prior to turning the system on. Next you should insert a CD or cassette that you are familiar with to use as a reference, and turn the head unit volume control to about 80% of its full setting. The system sound level will of course be very low, and the following procedures will help you to match the amplifier input sensitivities properly to the head unit output signal level.

It is important to match the amplifier LEVEL input sensitivity to the Radio/CD output sensitivity. This can be located in the Radio/CD manual. If the Radio/CD output sensitivity is 2 volts, then adjust the amplifier LEVEL input to 2 volts.

If you are not sure what the Radio output sensitivity is, follow these general guide lines:

Turn the level control up slowly, till you hear distortion, then back off a few degrees on the control. If at any point your amplifier goes into protection, you will need to turn the Level to the left a bit and then try again. If you reach a point where the output does not increase, stop turning the Level control to the right as the amplifier/speaker combo has reached its maxx output in this application.

2 or 3 way active systems (all):

Always start with the bass, or low frequency amplifier as a reference, by turning its control up to the point where distortion is audible, and back it off some. Now adjust the level control for the highs or tweeter channels in a 2 way active system, to balance the highs to lows.

In a 3 way active system, match the midrange level to the bass, and then the highs to the midrange and bass. It may be necessary to perform a few iterations of the midrange and highs level control settings to achieve a satisfactory sound balance.

P1-2000.1

General:

At this point you are ready to get more specific on the settings for your amplifier.

Subsonic:

This setting acts as a low frequency cut off for your system bass reproduction. The point that you set it at cuts off any frequencies from reproduction beyond this point. The 12 o’clock position is a great starting point. EXAMPLE: If you adjust the Subsonic to 25Hz, the amplifier will not play frequencies below 25Hz but will play frequencies from 25Hz to the chosen Low Pass frequency.

Bass Boost:

This setting is a fixed bass boost at 45Hz that is variable from 0-12dB. This feature provides impact to your bass, but if not adjusted correctly, it can be over used and cause damage to your subwoofers and amplifiers. It is best to slowly turn this setting clockwise until the desired punch is felt. It is not recommended to exceed the 12 o’clock position unless listening at a low volume or a low recording quality as this can result in high distortion and possibly clipping.

Low Pass:

The LPF control acts as a ceiling and doesn’t allow frequencies to the right of the desired setting to be reproduced. The 12 o’clock position is a great starting point. EXAMPLE: If you adjust the Low Pass to 80Hz, the amplifier will not play frequencies above 80Hz but will play frequencies from 80Hz to the chosen Subsonic frequency.

Level Control Setup:

Ensure that the Level is turned completely to the left prior to turning the system on. Next you should insert a CD or cassette that you are familiar with to use as a reference, and turn the head unit volume control to about 80% of its full setting. The system sound level will of course be very low, and the following procedures will help you to match the amplifier input sensitivities properly to the head unit output signal level.

It is important to match the amplifier LEVEL input sensitivity to the Radio/CD output sensitivity. This can be located in the Radio/CD manual. If the Radio/CD output sensitivity is 2 volts, then adjust the amplifier LEVEL input to 2 volts.

If you are not sure what the Radio output sensitivity is, follow these general guide lines:

Turn the level control up slowly, till you hear distortion, then back off a few degrees on the control. If at any point your amplifier goes into protection, you will need to turn the Level to the left a bit and then try again. If you reach a point where the output does not increase, stop turning the Level control to the right as the amplifier/subwoofer combo has reached its maxx output in this application.

Sit back and enjoy the music!

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Contents Page P1-600.4 / P1-1000.4 4-CHANNEL Amplifier Applications Power ONE Series AmplifiersWood General Installation ProcedureP1-5000.5 5-CHANNEL Amplifiers Amplifier Feature DescriptionsPower ONE Amplifiers P1-2000.1 Mono Block AmplifiersFull Range Stereo Line Input Switch setting checklistP1-600.2 / P1-1000.2 2 Channel Amplifier Applications 2CH X-OVER Full 4CH X-OVER LPF P1-600.4 / P1-1000.4 4-CHANNEL Amplifier Applications2CH X-OVER Full 4CH X-OVER Full HI Pass N/A LOW Pass N/AStereo Interconnect RCA Cable Full Range Stereo Line Inputs2CH X-OVER HPF 4CH X-OVER HPF Channels 3/4 HI Pass 100 HzParallel Mono Subwoofers P1-2000.1 Mono Amplifier ApplicationChassis Ground Remote TURN-ON P1-5000.5 5-CHANNEL Amplifier ApplicationMinimum final loudspeaker impedances 2-Ohms per channel Designated Mono Channel 5 InputsPage Or 3 way active systems all Setting UP Systems After Installation for Best PerformanceElectrical interference Troubleshooting a SystemMaxxsonics Limited Warranty

P1-600.4, P1-600.2, P1-1000.4, P1-2000.1, P1-5000.5 specifications

Maxxsonics is renowned for producing high-quality audio amplifiers that cater to diverse listening demands. Among their impressive lineup, the P1 series stands out, featuring models like the P1-5000.5, P1-2000.1, P1-1000.2, P1-1000.4, and P1-600.2. These amplifiers boast a blend of power, efficiency, and advanced technologies, making them favorites among audiophiles and casual listeners alike.

The Maxxsonics P1-5000.5 is a powerhouse designed for those who need significant output. It delivers a staggering 5,000 watts of peak power, making it suitable for subwoofers and large sound systems. This model features a Class D topology, ensuring high efficiency and minimal heat generation. A built-in low-pass filter allows for tailored sub-bass frequencies, enhancing the overall auditory experience.

Next in the lineup, the P1-2000.1 continues the legacy of power, providing 2,000 watts of peak power in a mono configuration. This amplifier is optimized for driving single subwoofers or multiple subwoofer setups, ensuring deep, thunderous bass response. Its frequent frequency response helps retain clarity and detail in the audio output, making it perfect for bass enthusiasts.

The P1-1000.2, with its 1,000 watts of peak power, is a versatile model designed for powering two-channel applications. Its compact design allows for easy installation while delivering impressive sound quality. Featuring a built-in crossover, users can effortlessly adjust frequency settings, making it adaptable for various speaker configurations.

For those who desire multi-channel options, the P1-1000.4 offers 1,000 watts of peak power across four channels. This makes it an excellent choice for driving a complete audio system, including front and rear speakers along with additional subwoofers. The advanced thermal management system ensures the amplifier maintains optimal performance without overheating, which is essential for long listening sessions.

Finally, the P1-600.2 is an excellent entry-level option, providing 600 watts of peak power in a compact yet efficient design. This amplifier is ideal for smaller systems, making it suitable for cars with limited space. Despite its size, the audio quality remains impressive, with clear output and dynamic range.

Overall, the Maxxsonics P1 series offers a comprehensive range of amplifiers tailored to various needs, from massive wattage for serious bass lovers to compact solutions for space-constrained environments. Each model is designed with advanced technologies and features that ensure high performance, reliability, and an exceptional listening experience. Whether you are building an intricate audio setup or seeking an upgrade, the P1 series has something to suit every audiophile's requirements.