Hifionics GLX1400.1D, GLX1800.1D manual Setting UP Systems After Installation for Best Performance

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SETTING UP SYSTEMS AFTER INSTALLATION FOR BEST PERFORMANCE

GLX60.4 / GLX100.4

General:

At this point you are ready to get more specific on the settings for your amplifier.

High Pass:

-When in Hi Pass operation, this setting acts as a low frequency cut off for your system reproduction. The point that you set it at cuts off any frequencies from reproduction beyond this point. The 12 o’clock position is a great starting point. EXAMPLE: If you adjust the High Pass to 100Hz, the amplifier will not play frequencies below 100Hz but will play frequencies from 100Hz to the highest frequency the amplifier is capable of reproducing.

-When in Low Pass/Bandpass operation, this setting acts as a low frequency cut off for your system reproduction aka Subsonic Filter. The point that you set it at cuts off any frequencies from reproduction beyond this point. The 12 o’clock position is a great starting point. EXAMPLE: If you adjust the High Pass to 60Hz, the amplifier will not play frequencies below 60Hz but will play frequencies from 60Hz to the chosen Low Pass frequency.

-When in Flat/Full operation, the Low Pass crossover is bypassed.

Bass EQ:

This setting is a fixed bass boost at 45Hz that is variable from 0-12dB. This feature provides impact to your bass, but if not adjusted correctly, it can be over used and cause damage to your speakers and amplifiers. It is best to slowly turn this setting clockwise until the desired punch is felt. It is not recommended to exceed the 12 o’clock position unless listening at a low volume or a low recording quality as this can result in high distortion and possibly clipping.

Low Pass:

The Low Pass control acts as a ceiling and doesn’t allow frequencies to the right of the desired setting to be reproduced. Turning the potentiometer all the way to the right is a great starting point. EXAMPLE: If you adjust the Low Pass to 120Hz, the amplifier will not play frequencies above 120Hz but will play frequencies from 120Hz to the chosen Hi Pass or Subsonic frequency.

-When in Hi Pass operation, this setting is bypassed.

Level Control Setup:

Ensure that the Level is turned completely to the left prior to turning the system on. Next you should insert a CD or cassette that you are familiar with to use as a reference, and turn the head unit volume control to about 80% of its full setting. The system sound level will of course be very low, and the following procedures will help you to match the amplifier input sensitivities properly to the head unit output signal level.

It is important to match the amplifier LEVEL input sensitivity to the Radio/CD output sensitivity. This can be located in the Radio/CD manual. If the Radio/CD output sensitivity is 2 volts, then adjust the amplifier LEVEL input to 2 volts.

If you are not sure what the Radio output sensitivity is, follow these general guide lines:

Turn the level control up slowly, till you hear distortion, then back off a few degrees on the control. If at any point your amplifier goes into protection, you will need to turn the Level to the left a bit and then try again. If you reach a point where the output does not increase, stop turning the Level control to the right as the amplifier/speaker combo has reached its maxx output in this application.

2 or 3 way active systems (all):

Always start with the bass, or low frequency amplifier as a reference, by turning its control up to the point where distortion is audible, and back it off some. Now adjust the level control for the highs or tweeter channels in a 2 way active system, to balance the highs to lows.

In a 3 way active system, match the midrange level to the bass, and then the highs to the midrange and bass. It may be necessary to perform a few iterations of the midrange and highs level control settings to achieve a satisfactory sound balance.

GLX1000.1D / GLX1400.1D / GLX1800.1D / GLX2200.1D

General:

At this point you are ready to get more specific on the settings for your amplifier.

Subsonic:

This setting acts as a low frequency cut off for your system bass reproduction. The point that you set it at cuts off any frequencies from reproduction beyond this point. The 12 o’clock position is a great starting point. EXAMPLE: If you adjust the Subsonic to 25Hz, the amplifier will not play frequencies below 25Hz but will play frequencies from 25Hz to the chosen Low Pass frequency.

Bass EQ:

This setting is a fixed bass boost at 45Hz that is variable from 0-10dB. This feature provides impact to your bass, but if not adjusted correctly, it can be over used and cause damage to your subwoofers and amplifiers. It is best to slowly turn this setting clockwise until the desired punch is felt. It is not recommended to exceed the 12 o’clock position unless listening at a low volume or a low recording quality as this can result in high distortion and possibly clipping.

Low Pass:

The Low Pass control acts as a ceiling and doesn’t allow frequencies to the right of the desired setting to be reproduced. The 12 o’clock position is a great starting point. EXAMPLE: If you adjust the Low Pass to 80Hz, the amplifier will not play frequencies above 80Hz but will play frequencies from 80Hz to the chosen Subsonic frequency.

Level Control Setup:

Ensure that the Level is turned completely to the left prior to turning the system on. Next you should insert a CD or cassette that you are familiar with to use as a reference, and turn the head unit volume control to about 80% of its full setting. The system sound level will of course be very low, and the following procedures will help you to match the amplifier input sensitivities properly to the head unit output signal level.

It is important to match the amplifier LEVEL input sensitivity to the Radio/CD output sensitivity. This can be located in the Radio/CD manual. If the Radio/CD output sensitivity is 2 volts, then adjust the amplifier LEVEL input to 2 volts.

If you are not sure what the Radio output sensitivity is, follow these general guide lines:

Turn the level control up slowly, till you hear distortion, then back off a few degrees on the control. If at any point your amplifier goes into protection, you will need to turn the Level to the left a bit and then try again. If you reach a point where the output does not increase, stop turning the Level control to the right as the amplifier/subwoofer combo has reached its maxx output in this application.

Sit back and enjoy the music!

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Contents Page Hifonics Gladiator High Performance Amplifiers General Installation Procedure WoodAmplifier Feature Descriptions Gladiator Amplifiers GLX60.4 / GLX100.4 4-CHANNEL AmplifiersGLX60.4 / GLX100.4 4-CHANNEL Amplifier Applications Channel Full Range SystemVIA Fuse Stereo Interconnect RCA CableRemote TURN-ON Designated Mono Line Input Parallel Mono SubwoofersGLX1800.1D Mono Amplifier Applications MonoMaster SlaveSetting UP Systems After Installation for Best Performance Or 3 way active systems allTroubleshooting a System Electrical interferencePage Gladiator Accessories OEM Integration Accessories PART# A1011

GLX60.4, GLX1400.1D, GLX1000.1D, GLX1800.1D, GLX2200.1D specifications

Hifonics is a well-known name in the car audio industry, famed for producing powerful amplifiers with a focus on delivering high-quality sound. Among their impressive lineup, the GLX series offers a range of formidable amplifiers, including the GLX100.4, GLX2200.1D, GLX1800.1D, GLX1000.1D, and GLX1400.1D. Each of these models is designed to cater to different performance needs, making them versatile options for various audio setups.

Starting with the GLX100.4, this four-channel amplifier is perfect for driving multiple speakers. It boasts a maximum power output of 100 watts per channel, coupled with Hifonics' advanced Onboard DSP that allows for precise tuning of sound properties. The GLX100.4 also features a high-pass filter and a low-pass filter, providing users with the flexibility to tailor their listening experience to their preferences.

Next, the GLX2200.1D serves as a powerhouse subwoofer amplifier, delivering an impressive 2200 watts RMS at 1 ohm. Its Class D design provides impressive efficiency while producing mind-blowing bass output. The amplifier comes with Hifonics' variable low-pass crossover, bass boost, and a remote bass level control, giving users the tools they need to enhance their subwoofer performance.

The GLX1800.1D is another exceptional choice for subwoofer enthusiasts, offering 1800 watts RMS at 1 ohm. This amplifier is part of Hifonics' high-performance Class D line, known for its compact size and substantial power output. Like the GLX2200.1D, it features adjustable low-pass filters and a bass boost option, allowing fine-tuning for optimum sound quality.

For those looking for a robust but slightly smaller option, the GLX1000.1D delivers 1000 watts RMS at 1 ohm. This amplifier maintains the same key technologies, including the low-pass crossover and variable bass boost, making it an excellent choice for a balanced and powerful audio experience.

Finally, the GLX1400.1D offers 1400 watts of RMS power at a 1-ohm load, blending performance and efficiency seamlessly. This model includes the same superior build qualities and technologies found across the GLX series, ensuring reliability alongside powerful sound.

All amplifiers in the Hifonics GLX series reflect cutting-edge technology and innovation, complete with a modern aesthetic. From dynamic sound control to rugged construction, they are engineered to satisfy even the most demanding audiophiles, making Hifonics a top contender in the car audio market.