Multi-room, Control Bus, Pre-Out, Tape | Cambridge Audio 640A, 540A

540A/640A V2.0 Integrated amplifier

6Multi-room

PSU - Connect an Incogntio PS5 to supply power to the connected multi- room keypads/speakers.

Keypad 1/2 - Connect one or two Incogntio A-BUS KP10 keypads (or other A-BUS compatible keypads) using CAT5/5e cable. Incognito AS10 Active Ceiling Speakers can also be connected here.

IR - Four IR outputs for remote control of source equipment.

Please refer to the ‘Multi-Room’ section of this manual for more information on connections and set-ups.

7Control Bus

In - Allows un-modulated commands from multi-rooms systems or other components to be received by the unit.

Out - Loop out for control bus commands to another unit.

8Pre-Out

Connect these sockets to the inputs on an external power amplifier(s) or active subwoofer etc.

9Tape In

Connect to a tape deck or to the analog output sockets on a MiniDisc, portable digital music player or CD recorder using an interconnect cable from the recorder's Line Out sockets to the amplifier's Tape In sockets.

The Tape Input circuit of the 540A/640A V2.0 is a "monitor" type, different from the other 5 inputs. For the 5 normal inputs, the source selected for listening to will be sent out of the Rec 1/Rec 2 outputs for

recording. The source currently being listened to and (optionally) recorded is then shown on the front panel by a corresponding blue LED.

However, when the Tape Mon Input is selected a second LED will illuminate indicating that the Tape Monitor Input is now being listened to with a different source being sent out of the Rec1/Rec2 outputs for recording. The recording source is shown by the first LED and can be changed by pressing the other source buttons. To switch Tape Monitor off, simply press the Tape Mon button again, toggling this function off.

This feature is most useful when using 3-head analog cassette decks which allow the signal being recorded to be played back live off tape (via a 3rd head) whilst it is simultaneously recorded. It is then possible by toggling the Tape Monitor input on and off to compare directly in real time the original and recorded signal so that adjustments to the recording parameters of the tape machine can be made (consult the manual of your 3-head analog cassette deck for full details).

10Record Out 1/2

These two identical output sockets can be connected to a tape deck or to the analog Record In sockets on a MiniDisc or CD recorder.

11DMP/MP3, DVD, Tuner/DAB, CD, Aux

These inputs are suitable for any 'line level' source equipment such as digital music players (DMP) and MP3 players, CD players, DAB or FM/AM tuners etc.

Note: These inputs are for analog audio signals only. They should not be connected to the digital output of a CD player or any other digital device.

Azur integrated amplifier 7

640A, 540A specifications

Cambridge Audio has established itself as a formidable force in the realm of high-fidelity audio equipment, and the 540A and 640A amplifiers exemplify the company's commitment to delivering exceptional sound quality at a competitive price point. These integrated amplifiers, known for their detailed sound reproduction and robust performance, cater to audiophiles who appreciate both quality and value.

The Cambridge Audio 540A is part of the company's entry-level range, designed for music enthusiasts seeking an affordable yet high-performance amplifier. The 540A boasts a powerful 50 watts per channel output, allowing it to drive a variety of speaker types with ease. The design emphasizes simplicity and user-friendliness, featuring straightforward controls and a sleek finish that fits well in any audio setup.

One of the standout features of the 540A is its dual-mono circuit design. This architecture minimizes crosstalk and signal interference, allowing for a cleaner, more precise sound. It also incorporates high-quality components, including a toroidal transformer, which contributes to improved efficiency and reduced distortion. Additionally, the amplifier features a range of inputs, including multiple line-level options, making it versatile enough to accommodate various audio sources such as CD players, turntables, and streaming devices.

On the other hand, the 640A is an upgrade that builds upon the strengths of the 540A. With a more powerful output of 75 watts per channel, the 640A is designed for users who demand more from their audio systems. This amplifier incorporates an improved power supply and enhanced components, further refining the sound quality. The 640A also introduces features such as a high-quality phono stage, enabling direct connection to turntables without the need for separate equipment.

Both amplifiers incorporate Cambridge Audio's dedication to quality with a focus on analog circuitry. This is particularly evident in the warm, rich sound signature that these amplifiers provide, making them ideal for a range of music genres. The build quality is robust, with a solid chassis designed to reduce vibration and resonance, ensuring a stable platform for audio performance.

In summary, the Cambridge Audio 540A and 640A amplifiers offer a compelling combination of sound quality, versatile connectivity options, and robust design. Whether you are an entry-level audiophile or a seasoned listener looking for an upgrade, these amplifiers provide an engaging listening experience that highlights the nuances and details of your favorite music. With Cambridge Audio's unwavering focus on high-fidelity sound, both models are captivating choices that continue to impress users worldwide.