Beyerdynamic Opus 100 operating instructions Adjusting Input Gain

Page 7

2.Connect the supplied microphone or instrument cable to the jack socket (4).

3.Switch on the beltpack transmitter by switching the On / Off switch (6) to the “On” position. The power on battery condition LED (5) is illuminated green when the battery has been inserted correctly and has full capacity. If the transmitter is properly working, one of the diversity LEDs of the NE 100 receiver should be illuminated.

4.Make sure that the mute switch (1) is switched to the “Off” position. The mute switch (1) is for muting the transmitter during pauses of speech. Please note that the microphone is still consuming power when it is muted.

5.When the battery capacity is too low for operation, the power on battery condition LED (5) will flash for around 1 hour before the transmitter switches off (LED (5) goes out).

3.3Adjusting Input Gain

1.Switch on the NE 100 diversity receiver.

2.Switch the transmitter on by switching the On / Off switch (6) to the “On” position. Turn the gain control (3) to minimum sensitivity (fully counter clockwise).

3.If you have no suitable sound source, you can speak into the microphone at the maximum level you expect to use. We recommend you choose a “U”, because a spoken “U” has a relatively good sine-shape. Turn the gain control (3) clockwise until the peak LED (2) does not illuminate or should only flash momentarily during the loudest passages.

Important:

There are various microphones available for the TS 100. As their characteristics vary, the sensitivity has to be re-adjusted with each change of microphone.

4.General Instructions for all Transmitters

4.1Battery Change

•Switch the transmitter off before changing the battery (On / Off switch to the “Off” position).

•If you do not intend to use the transmitter for several weeks or months, please remove the battery as it can leak after some time and damage parts of the transmitter. Even “leak proof” batteries are no guarantee that they will not leak after some time. Failing to comply will render the warranty null and void.

•Different brands of batteries may vary in length of up to 2 - 3 mm. When you change the battery make sure there is a good contact and adjust the spring in the battery compartment if necessary.

•Clean the battery contacts from time to time. Use a soft cloth or cotton swab moistened with methylated spirits or alcohol.

•Please do not throw used battery packs away with your household rubbish, but take them to your local collection points.

•When using rechargeable batteries use conventional chargers.

english

21

Page 6 Page 8
Image 7
Page 6 Page 8
Contents Opus Rear view NE 100 Diversity Receiver Controls and IndicatorsOperating Instructions Opus Front viewSquelch Setting upAntennae Diversity Indication of the Receiving ChannelMounting NE 100 into ZTE 100/200 Mounting Bracket Setting the GainSEM TS 100 Beltpack Transmitter Controls and Indicators MaintenanceGeneral Instructions for all Transmitters Battery Change Adjusting Input GainWhat to do about Feedback Trouble Shooting NE 100 Diversity ReceiverProblem Possible Cause Solution Before the SoundcheckLicensing SEM 181, SDM 159, SDM 169, TS 100 TransmittersVersions Technical Specifications Optional AccessoriesSDM 159 V / U, SDM 169 V / U and SEM 181 V / U Microphones English

Opus 100 specifications

The Beyerdynamic Opus 100 series represents a remarkable entry into the world of professional audio equipment, specifically designed for musicians, sound engineers, and content creators. This versatile microphone series is distinguished by its superior sound quality, robust construction, and innovative features, making it an excellent choice for diverse applications such as live performances, studio recordings, and broadcasting.

One of the defining features of the Beyerdynamic Opus 100 is its dynamic microphone technology. Utilizing a moving-coil design, these microphones capture audio with high sensitivity and clarity, ensuring that vocals and instruments sound true to life. The Opus 100 series is also equipped with a frequency response tailored to enhance vocal presence and detail, achieving an even and natural sound across the spectrum. This makes them particularly suitable for capturing nuances in both singing and speaking scenarios.

The Opus 100 boasts impressive noise handling capabilities, thanks to its cardioid polar pattern. This directional feature ensures that the microphone picks up sound primarily from the front while effectively rejecting ambient sounds and background noise from the sides and rear. This characteristic is invaluable for live performances, where stage noise can be a significant concern. It allows performers to attain a cleaner sound without unwanted interference, resulting in a polished audio experience.

Additionally, Beyerdynamic has incorporated advanced technology in the Opus 100 series, including a high-output generator and low self-noise design. These features mean that the microphones can operate effectively in various environments, from loud venues to quieter studio settings, without sacrificing audio fidelity. The materials used in the construction of the Opus 100 are also noteworthy; they are designed to withstand rigorous use, ensuring durability and longevity.

Another highlight of the Opus 100 series is its versatility. These microphones come in different models, catering to various needs—whether it's for vocals, instruments, or as part of an ensemble. The user-friendly design means that even those new to audio recording can achieve professional-grade sound with ease.

In conclusion, the Beyerdynamic Opus 100 series stands out as a prime choice for anyone looking to elevate their audio quality. With its dynamic technology, cardioid polar pattern, and robust construction, it offers exceptional performance in a wide range of situations. Whether you're a seasoned professional or an aspiring artist, the Opus 100 series is equipped to deliver high-quality sound that meets the demands of modern audio production.
Top Page Image Contents