Film & Post Production

With more than 300 built-in Film-and Post production presets, Reverb 6000 offers the most extensive reverb and room simulation collection in the business.

Thanks to the processing and memory access capabilities of Reverb 6000, presets with distinct characteristics are offered alongside easy to use, generic sustain reverb effects. Therefore, credible and quickly adjustable simula- tions are a part of the package, covering anything from claustrophobic boxes to gigantic outdoor environments. To further spark the creativity of its user, Reverb 6000 also comes with new algorithms going beyond simulations to the land of twisted and funky effects.

Reverb 6000 includes award-winning VSS and Reflector algorithms at their highest resolution and density for just about any format: Mono, mono to stereo, stereo to stereo, matrixed surround, and 5.1 or 6.1. Delay and boundary effects can also be put in a 3-channel mode (LCR). One Reverb 6000 can simultaneously run 16 mono Reverbs, four times stereo, two times 6.1 or combinations of those and other formats.

Music Production

Reverb 6000 comes with more than 300 built-in presets for music production. It further refines TC’s idea of Reverb being more than a pleasing sustain effect; which is why you are not only offered stereo-in to stereo-out or 5.1-in to 5.1-out, but also Source based implementations of the algorithms. The Source based versions, instead take in e.g. 2 or 4 discrete mono sources and deliver a stereo or 5.1 rendering. Source based simulation makes it possi- ble for a listener to identify and differentiate between sources in a mix based upon subtle reflection cues, like a good microphone pick-up of a live performance, instead of adding the same Reverb soup to many elements of a mix. The Source concept is true stereo, or whatever format you have chosen to work in.

Adding to the award-winning VSS algorithms, Reverb 6000 also contains several new effect reverbs, some of which provide desirable and still sought after flavors from the past. Early generations of digital reverbs became famous as effects rather than for room simulations. Interesting combinations of dense, chorused Reverb or high- ly unnatural envelope responses spring to mind. The algorithms in Reverb 6000 can do it the way the ancestors did, including resolution, noise and texture, and can even be put in a hi-res mode. New functions have also been added to enable more wacky effects, should plain vanilla oldies not be what the user is after.

Reverb 6000 in Film & Post Production

6.1 Reverb

Provide the ultimate spatial engagement of a cinema audience using the 6.1 reverb with 3 front plus 3 surround channels. Reverb 6000 is an industry first.

Credible Environments

Extravagant reflection rendering delivers the most convincing and controllable spaces available. From claustrophobic boxes to big outdoor scenarios.

Halls of Fame

Find out how the latest reverb technology is used by the music industry’s top-notch producers and engineers. Halls of Fame is an unprecedented assembly of creativity in one, valuable preset bank, containing nothing but the best from pros such as Michael Bishop, Akira Fukada, Bob Katz, George Massenburg, Al Schmitt and many more.

16 Mono Reverbs

16 independent mono Reverbs to cover arbitrary sur- round formats, and situations where bleed between Reverb return channels has to be prevented.

Wild Reflections

Advanced Delays and boundary effects for mono, stereo, LCR, 5.1 and 6.1 formats. Reflector will forever change the way you look at Delay and Diffusion.

Skywalker Sound Collection

Reverb 6000 contains a compilation of first class Reverb and Room Simulation presets from one of the most respected post production houses in the world.

Reverb 6000 in Music Production

Source Reverb

Use Source based Reverb to create spatial sensation. Subtle position cues support localization and enables easy discrimination between instruments.

Massive Delay

High resolution Delays: 2290 users prepare yourself for the next step. More control, more time, more for- mats, more wacky.

True Stereo

Covering all formats from mono to 6.1, true stereo Reverbs are available in several flavors: From natu- ralistic source types to traditional sustain versions.

Old Classics

Now also available: Sought after flavors from the past like sweet, chorused Reverb and highly unnatural envelope responses.

“The 6000 allows me to move my sound effects from small	“Having experimented with the latest algorithms, I feel
caves to exterior wide expanses with startling realism”	the 6000 has what it takes to become the industry
Christopher Boyes	standard for 5.1 reverberation”
Recording Mixer, Sound Designer	John Kurlander
	Scoring Mixer

“These days I don't go anywhere without it!. I just used it on records for Barbra Streisand, Diana Krall and Patti Austin, there's no doubt about it: the System 6000 simply has the best reverbs around”

Al Schmitt

Producer/Engineer

“Since I've integrated the 6000 into my studio, I find I use other reverbs/processors less and less. Not only does it emulate other reverbs convincingly, on it's own it opens up a world of new possibilities. The reverbs are more detailed and subtle. The 5.1 reverbs are dramatic and are already completely indispensable”

George Massenburg

Engineer, Producer