Sony MSW-2000P manual Specifications, MSW-A2000

Page 11

Specifications

M

 

 

 

MSW-A2000

 

General

 

 

 

 

Power requirements

 

AC 100 to 240 V, 50/60 Hz

 

 

Power consumption

 

2A (200 W) / AC 240 V

 

 

Operating temperature

 

+5 ° to +40°C (+41° to +104°F)

 

 

Storage temperature

 

-20° to +60°C (-4° to +140°F)

 

 

Humidity

 

20 % to 90 % (relative humidity)

 

 

Mass

 

22.0 kg (48 lb 7 oz)

 

Dimensions (W x H x D)

 

427 x 194 x 544 mm (16 78 x 7 34 x 21 12 inches)

 

 

Tape speed

MPEG IMX™

64.467 (525)/53.776 (625) mm/s

 

 

Betacam SX

59.515 (525)/59.575 (625) mm/s

 

 

Betacam/Betacam SP

118.6 (525)/101.51 (625) mm/s

 

 

Digital playback time

 

Max. 184 (525)/220 (625) min with BCT-184MXL cassette

 

 

Fast forward/rewind time

 

Approx. 3 min with BCT-184MXL cassette

 

 

Search speed range

MPEG IMX™

±78 times normal playback speed

 

 

Betacam SX

±78 times normal playback speed

 

 

Betacam/Betacam SP

±35 (525)/±42 (625) times normal playback speed (Betacam/Betacam SP)

 

 

Servo lock time

 

0.5 (NTSC)/0.7 (PAL) s or less (from standby on)

 

 

Load/unload time

 

4.5 (S-cassette)/5.5 (L-cassette) s or less

 

Inputs/Outputs signal

 

 

 

 

Analog composite input

 

BNC ( x 2), 1.0 Vp-p, 75 , sync negative

 

 

Analog composite output

 

BNC ( x 3, including one character out), 1.0 Vp-p, 75 , sync negative

 

 

Analog component input

 

BNC ( x 3, for 1 set, Y/R-Y/B-Y),Y: 1.0 Vp-p, 75 , sync negative, R-Y/B-Y: 0.7 Vp-p, 75

 

 

Analog component output

 

BNC ( x 3, for 1 set, Y/R-Y/B-Y),Y: 1.0 Vp-p, 75 , sync negative, R-Y/B-Y: 0.7 Vp-p, 75

 

 

SDI input

 

BNC ( x 2, including one active through out), SMPTE 259M (ITU-R BT.656-3), 270 Mbit/s

 

 

SDI output

 

BNC ( x 3, including one character out), SMPTE 259M (ITU-R BT.656-3), 270 Mbit/s

 

 

SDTI-CP input

 

BNC ( x 1), SMPTE 305M (SDTI), 326M (SDTI-CP)

 

 

SDTI-CP output

 

BNC ( x 2), SMPTE 305M (SDTI), 326M (SDTI-CP)

 

 

Analog audio input

 

XLR ( x 4) (4CH :channel selectable)

 

 

Analog audio output

 

XLR ( x 4) (4CH :channel selectable)

 

 

Digital audio input (CH 1/2, 3/4, 5/6, 7/8), AES/EBU

BNC ( x 4), default 48 kHz ( 32 to 48 kHz with Sample rate converter)

 

 

Digital audio output (CH 1/2, 3/4, 5/6, 7/8), AES/EBU

BNC ( x 4), 48 kHz fixed

 

 

Remote control Remote

(RS-422A)

D-sub 9-pin ( x 2), Sony 9-pin remote interface

 

 

RS-232C (ISR*)

D-sub 9-pin ( x 1), RS-232C interface

 

 

Parallel remote

D-sub 50-pin ( x 1), female

 

 

Video control (1)

D-sub 15-pin ( x 1), female

 

 

Control panel

Circular connector 10-pin, female

 

 

Reference input

 

BNC ( x 2) ( VBS or VS) (including one through out)

 

 

Time code input

 

XLR ( x 1), female

 

 

Time code output

 

XLR ( x 1), male

 

 

Memory card insertion slot

 

PCMCIA ( x1)

 

 

Monitor output L/R

 

XLR ( x 2) (channel selectable)

 

Processor adjustment range

 

 

 

 

Video level

 

±3 dB/ - to +3 dB selectable

 

 

Chroma level

 

±3 dB/ - to +3 dB selectable

 

 

Black level

 

±30 IRE/±210 mV

 

Chroma phase

 

±30°

 

 

System sync phase

 

±15 µs

 

 

System SC phase

 

±200 ns

 

 

Y/C delay

 

±100 ns ( Betacam/Betacam SP playback only)

 

 

Composite input level

 

±3 dB

 

Digital video performance

 

 

 

 

Sampling frequency

 

Y: 13.5 MHz R-Y/B-Y: 6.75 MHz

 

 

Quantization

 

8 bits/sample

 

 

Error correction

 

Reed-Solomon code

 

 

Digital input to analog component output

K-factor ( 2T pulse): 1 % or less

 

 

Analog component input to analog component output

A/D and D/A quantization: 10 bits/sample

 

 

 

Bandwidth: Y: 0 to 5.75 MHz +0.5/-2.0 dB, R-Y/B-Y: 0 to 2.75 MHz +0.5/-2.0 dB

 

 

 

S/N ratio: 56 dB or more

 

 

 

K-factor ( 2T pulse): 1 % or less

 

 

 

LF non-linearity: 3.0 % or less

 

 

Analog composite input to analog composite output

A/D and D/A quantization: 10 bits/sample

 

 

 

Bandwidth: 0 to 5.75 MHz +0.5/-2.0 dB

 

 

 

S/N ratio: 53 dB or more

 

 

 

Differential gain: 2 % or less

 

 

 

Differential phase: 2°or less

 

 

 

Y/C delay: 20 ns or less

 

Digital audio performance

 

K-factor (2T pulse): 1 % or less

 

 

 

 

 

Sampling frequency

 

48 kHz (synchronised with video)

 

 

Quantization

 

16 or 24 bits/sample (selectable)

 

 

Analog input to output A/D and D/A quantization

20 bits/sample

 

 

Frequency response (0 dB at 1 kHz)

20 Hz to 20 kHz +0.5 dB/-1.0 dB

 

 

Dynamic range (at 1 kHz, emphasis ON)

More than 90 dB

 

 

Distortion (at 1 kHz, emphasis ON, reference level)

Less than 0.05%

 

 

Cross talk (at 1 kHz, between any two channels)

Less than -80 dB

 

 

Wow & flutter

 

Below measurable level

 

 

Head room

 

20 dB (18 dB selectable)

 

 

Emphasis (ON/OFF selectable in REC mode)

T1=50 µs, T2=15 µs

 

Supplied accessories

 

 

 

 

Remote cable (RCC-5G)

 

x 1

 

 

PSW 4 x 16 Rack mount screws

 

x 4

 

 

Operation manual

 

x 1

 

 

Installation manual

 

x 1

 

 

 

 

 

*ISR: Interactive Status Reporting

Image 11
Contents Studio Editing Recorders Enabling the presentMSW-2000P Series Mpeg Imxtm Enter the Open World of MPEG-2 with Mpeg IMX Recorders Dvcam Playback DV Playback DV LP Playback Dvcpro Playback Betacam SX Playba Betacam SP Playba Betacam PlaybackAck Ack A75P/A65P A75P/A65P MSW-2000P Series Mpeg IMX Studio Editing Recorders High-quality digital audio 525/60, 625/50 switchable operationMPEG-2 bit stream over SDTI-CP Compact designMpeg IMX Format Easy maintenanceVersatile interfaces Pre-read editing Shot marks Optional accessoriesFrame-accurate Insert/assemble editingMSW-A2000 SpecificationsSony Broadcast & Professional Europe

MSW-2000P specifications

The Sony MSW-2000P is a cutting-edge digital audio tape (DAT) recorder renowned for its advanced features and robust performance within professional audio settings. This versatile machine has made a significant impact in the broadcasting and production industries since its launch, offering high-quality audio capture and playback tailored to demanding environments.

One of the standout features of the MSW-2000P is its superior audio quality, achieved through precise digital signal processing and high-resolution recording capabilities. The device utilizes a sample rate of up to 48 kHz and a bit depth of 20-bit, allowing for a dynamic range that captures every nuance of the audio source. This results in recordings that are not only clear but also true to the original sound, making it an ideal choice for music production, broadcasting, and field recordings.

The MSW-2000P is built around the robust and reliable Digital Audio Tape technology, a format that provides durability and ease of use. The machine supports both standard and long-play modes, giving users flexibility in recording duration while maintaining excellent audio fidelity. The tapes used also allow for extended archiving, ensuring that high-quality audio content can be preserved over time.

Equipped with advanced editing capabilities, the MSW-2000P features a comprehensive set of on-device tools that facilitate precise audio manipulation. Users can easily mark, cut, and splice audio segments directly within the recorder, streamlining the workflow in production environments. Additionally, its user-friendly interface makes navigation simple, even for those who may be less familiar with digital recording technology.

Connectivity is another significant benefit of the MSW-2000P. The recorder offers a variety of input and output options, including AES/EBU, analog, and S/PDIF connections, catering to a range of professional infrastructure needs. This versatility enables seamless integration with other audio equipment and facilitates collaboration across various platforms.

Overall, the Sony MSW-2000P stands as a leading choice for audio professionals seeking a reliable and high-performance digital recording solution. Its combination of exceptional sound quality, user-friendly editing features, and robust connectivity makes it an indispensable tool in both studio and field environments, solidifying its legacy within the world of audio recording.