This can cause an artifact which has become a creative effect occasionally (incorrectly) referred to as the “Cher Effect.”
Ratio: Here, you determine how strongly to apply the correction. Ratio defines how tight the correction should be, over then entire timeline of the correction. The default of 100% will maintain the speed and note transition values as they are in the original track. Lower values will morph the correction curve towards the detected pitch curve and a ratio of 0% will effectively bypass the correction. Think of it as a “More Correction/Less Correction” control.
Once you have manipulated all of the above controls to your liking, your song should be in good shape. In fact, you may be finished with the job. However, there likely remain some problem areas of the track which need more attention. For surgical
Part 4: Surgical Graphic Curve Editing
One size doesn’t always fit all, so Tune allows you to make meticulous local modifications to all parameters. Select a note or a segment and modify the curve to meet your needs. Tune remembers the parameters applied to each segment.
The best tools for perfecting your track are your ears and your experience with sound. Since Tune synchronizes perfectly with the host timeline, you can play all the elements of your mix while making adjustments to the pitch correction. You can play or loop the smallest of sections and make adjustments in real time. It’s no harder than adjusting an EQ.
First, identify a section which requires further work and define a loop around that area. You can create the loop in the host application, or you can define a loop within the Tune
By zooming in closely, you should be able to locate the offensive event and start correcting it. Only selected segments will be affected by your adjustments, leaving the rest of the curve unaltered. This includes Segmentation as well as Correction parameters. Certain manipulations with the graphic editing tools (such as the Glue or Slice tools) will alter your selection in a logical manner. Until you get used to this, pay attention to the resulting selections.
Let’s say that you identify an incorrect note. The singer got out of key enough so that Tune assumed the singer sang the next semitone, but actually should have gone to the full tone. Here, the first step would be to grab the note and drag it to the correct target note. Similarly, imagine the singer tried, unsuccessfully, to sing the same note twice. If Tune interpreted the second of the notes to be a different pitch, you can click on the note before the “stray “ with the Glue tool to merge them into one note segment, thus eliminating the note transition between them.