Installation, Limiter, Compressor | Nady Systems 16 manual

This type of dynamic process is very useful for the dynamic control of instruments or “single” sounds.

Mono 2 Band + 5 Bands EQ Compressor Presets

There are 8 presets available using the above algorithms:

1) Classic 1	2) Classic 2
3) Classic 3	4) Classic 4
5) Classic 5	6) Classic 6
7) Classic 7	8) Classic 8

These are all designed for use with single instruments. These presets are well tailored for use on classic guitars or acoustic instruments, where different equalizations of the sound (ranging from bright equalizations to warmer ones) can give the instruments more or less character and deepness.

Compression Effects Summary Table

LIMITER

	Band Split (Hz)	Limiter Low	Volume Low	Volume High
		Band (dB)	Band (dB)	Band (dB)
AGC PURE	800	0	0	0
ACOUSTIC	2500	-2	2	6.5
MASTER	630	-2	4	-4.5
CLEAN	3150	-3	0	5
DANCE	160	-1.5	6.5	2
KICK DRUM	250	-1.5	8	2.5
MIX DOWN	5000	-3	2	2
JUMP UP	1250	-1	2	4

COMPRESSOR

	Threshold (Hz)	Release (dB/s)	Attack (dB)
AGC PURE	0	-	-
ACOUSTIC	-2	33	111
MASTER	-2	34	29
CLEAN	2.5	30	111
DANCE	-1.5	50	72
KICK DRUM	-0.5	86	137
MIX DOWN	-2	32	25
JUMP UP	-1.5	57	72
CLASSIC	-6	6.5	85.6
1,2,3,4,5,6,7

I n s t a l l a t i o n

To ensure years of enjoyment from your NADY AUDIO DigiComp 16 sound processor, please read and understand this manual thoroughly before using the unit.

INSPECTION

Your DigiComp 16 was carefully packed at the factory in packaging designed to protect the units in shipment. Before installing and using your unit, carefully examine the packaging and all contents for any signs of physical damage that may have occurred in transit.

(Note: Nady Systems is not responsible for shipping damage. If the unit is damaged in shipping, do not return to us, but notify your dealer and the shipping company immediately to make a claim. Such claims must be made by the consignee in a timely manner.)

DESKTOP USE

The DigiComp 16 may be placed anywhere safely as needed where it will not fall or be possibly damaged. Attach the rubber feet provided to the bottom of the unit if the unit is placed on a surface you wish to protect.

(Note: The DigiComp 16 itself doesn’t generate any magnetic or hum fields, but it may pick up hum or noise from fields generated by power amplifiers. If it does, re-position the unit to eliminate the noise. Since the DigiComp 16 adapter may generate hum fields, locate it away from other audio equipment or wiring as much as possible.)

RACK MOUNTING

The DigiComp 16 has single rack height, and up to three DigiComp 16’s may be mounted side-by-side in a standard universal 19” equipment rack available from rack manufacturers or your music dealer.

16 specifications

Nady Systems, a leading manufacturer of wireless microphone systems, has long been at the forefront of audio technologies. Among its diverse product lineup, the Nady Systems 16 stands out as a versatile and efficient wireless microphone solution for performers, educators, and presenters alike. This article highlights the main features, technologies, and characteristics of the Nady Systems 16.

The Nady Systems 16 operates in the UHF frequency range, providing a reliable and interference-free wireless audio experience. One of its notable features is the wide frequency range, which ensures that users can select the ideal channel for their specific environment. The device is engineered to deliver high-quality audio with minimal latency, making it perfect for live performances and presentations where timing is crucial.

Equipped with True Diversity technology, the Nady Systems 16 minimizes dropouts and signal interruptions. This technology uses two separated antennas within the receiver to automatically select the strongest signal, ensuring consistent audio quality no matter the user's position on stage. Users can also expect extended range capabilities, making it suitable for larger venues and open outdoor spaces.

The convenience of operation is another strong suit of the Nady Systems 16. It features an easy-to-read LCD display that provides real-time information on channel selection, battery status, and signal strength. Additionally, the auto-scan feature allows users to quickly find the best available frequency, simplifying setup and reducing the likelihood of interference from other devices.

The Nady Systems 16 also emphasizes user comfort and flexibility. The handheld microphone is lightweight and ergonomically designed, allowing for extended use without fatigue. For those who prefer a bodypack option, the system includes an ultra-compact bodypack transmitter, which pairs effortlessly with various lavalier and headset microphones, making it ideal for theater, interviews, and educational settings.

Battery life is another critical aspect of the Nady Systems 16. The system typically operates for up to eight hours on a single set of AA batteries, providing ample time for performances, events, or lessons without the need for frequent battery changes.

Connectivity is highly user-friendly, with balanced XLR outputs and unbalanced 1/4-inch outputs, providing versatility for different audio setups. The robust construction of the microphone and transmitter ensures durability, making it reliable for regular use in demanding environments.

In summary, the Nady Systems 16 is a state-of-the-art wireless microphone system that combines innovative technology with user-friendly features. With its robust audio performance, ease of use, and versatility, it remains a popular choice among audio professionals and enthusiasts. Whether for on-stage performances, public speaking, or educational purposes, the Nady Systems 16 continues to deliver reliable and high-quality sound for a wide range of applications.

Nady Systems 16 owner manual Installation, Limiter, Compressor