APPLICATIONS
BASIC SETTINGS
We recommend setting the controls as indicated in the fol- lowing three sections. This will give you a better idea of the switch and control functions:
1.Set the
2.Turn the MIX controls fully CCW and press the IN/OUT switch (green IN LED lit). Now turn the LOW MIX controls counterclockwise from the center position and the HIGH MIX controls slowly clockwise until the fundamental bass and high frequencies become more emphasized and the sonic image begins to “open up” or to “widen”.
3.The quality of the sound enhanced signal can be adapted to the program material by varying the LOW MIX controls and the TUNE controls.
When using enhancers or exciters, it is easy to get carried away. Therefore, we recommend regular A/B comparisons (IN/OUT) while setting the controls, in order to constantly check the signals integrity. Rule of thumb: the enhancer’s effect should only be noticeable when it is lacking, but not when it is present! Listening at high volume levels over long periods (in studios, for example) leads to listening fatigue and thus reduces sensitivity to higher frequencies. Regular pauses keep your hearing “healthy” and helps you avoid exaggerated sound processing.
SOUND ENHANCEMENT DURING REPLAY
For this application, the
Using the MSE-100A during replay
1.Set up your equipment as usual, with the effects switched off.
2.Turn on the
“Basic Settings” once again).
3.Check your settings by making an A/B com- parison using the IN/OUT switch.
SOUND ENHANCEMENT DURING RECORDING
The sound enhancing effect can be increased by using the
In this scenario, insert the
Using the
Using the
ENHANCING THE SOUND OF EFFECTS DEVICES Often, signal processing units such as flangers, phasers, distortion, chorus, delay and reverb units etc. considerably limit the signal’s sound quality. Here too, the
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