ENGLISH | ENGLISH |
1 |
|
IN |
|
| 1 |
MIC 1 LINE MIC 2LINE | MIC 3LINE |
2
Figure 2
INPUT PANEL CONNECTORS AND CONTROLS (Figure 2)
1.Channel Inputs: The three female XLR inputs are transformer balanced for superior rejection of hum, RFI, and other interference. Each input can provide 48 V or 12 V phantom power (for condenser micro- phones); 12 V T
2.Mic/Line Level Input Switch: Selects Microphone or Line to match the incoming signal level. The Mic signal level is typically
1 2
MIX BUS
|
| L | OUT R |
| MON | TAPE |
|
|
| MIC LINE MIC LINE | |
| IN | OUT | |
4 | 5 | 6 | 7 |
3
Figure 3
OUTPUT PANEL CONNECTORS AND CONTROLS (Figure 3)
1.Mix Bus Jack: Allows an FP33 to be connected to an additional FP33 or FP32A mixer. A mix bus cable is supplied with every FP33. The Mix Bus connection is
Note: The output level of both mixers will drop by 6 dB when they are connected via the Mix Bus. Increase the Master Gain to compensate for this.
2.Main Output: The two male XLR outputs are trans- former balanced and may be switched to Mic or Line Level. The Line Level output can be modified to a true 600:. See the Internal Modifiable Functions section.
3.Headphones Outputs: A stereo 1/4 in. phone jack and a stereo 3.5 mm
4.Monitor In Jack: Designed to accept stereo
In signal to the headphones. Program audio is not heard in the headphones when this switch is on.
Note: A
5.Tape Output Jack: A stereo 3.5 mm
6.Mic/Line Level Output Switch: Selects Mic or Line Level to match the input level of the device connected to the FP33 output. The Mic signal level is typically
7.
4