On the
Rear Panel:
35 |
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| 34 | 33 | 32 | 31 | 30 | 27 | 28 |
Tweeter |
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| Line Outputs |
| Effects | Foot | |||
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| Loop | Switch | |
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0dB | 0 | 10 |
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Level | Level | Gnd | Low Z | High Z | Return | Send | Reverb/ | ||
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| Lift | Bal. | Bal. |
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| Chorus |
27:Footswitch. Connect the supplied
Note: This is a STEREO jack: tip controls the chorus, ring controls the reverb, sleeve is ground. Use only a footswitch equipped with a stereo 1/4” plug.
28:Effects Loop Send. When using an external signal processor, connect this jack to the input of the effect by means of a shielded signal cable.
29:Effects Loop Return. When using an external signal processor, connect this jack to the output of the effect by means of a shielded signal cable.
30:High Z Bal. Use this jack to connect a high impedance, line level signal to a house sound board, a recording console or an external power ampli- fier by means of an 1/4” stereo
31:Low Z Bal. Use this jack to connect a low impedance, line level signal to a house sound board, a recording console or an external power amplifi- er by means of an
32:Ground Lift. This switch, when depressed, electronically disconnects the low Z balanced output jack’s chassis ground connection. If you expe- rience excessive noise when using the low Z balanced output jack, depress this switch.
33:Line Out Level. Use this control to adjust the output level of the line out signal. (This control works independently from the amplifier’s master level control.)
34:Tweeter Level. Use this control to adust the signal output level from the CA112D’s internal tweeter. Rotating this control
Not Shown:
Power cord. Connect the end of this cord to a suitable source of line volt- age. Refer to the voltage information on the back of the amplifier for its voltage and current requirements.
Note: This is a grounded plug. To avoid the possibility of electric shock,
DO NOT defeat the ground connection in any way!
The DSP
Section:
The CA112D features Crate’s
Mode | |
| DLY |
SPR |
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LAR |
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SAR | Multi |
The following chart provides a list of the DSP settings along with a brief description of each effect.
SAR: | Small Room | 8’ x 8’ empty room w/hardwood floor |
Small Rehearsal Hall | 20’ x 40’ hall, wood floors, hard walls | |
LAR: | Large Hall | 50’ x 100’ hall, about 50 persons |
| Concert Hall | |
SPR: | Plate Reverb | Simulates studio steel plate reverb |
| Spring Reverb | Simulates |
DLY: | Slapback, short | 125ms delay + reverb |
| Slapback, | 240ms delay + reverb |
| Slapback, Medium | 350ms delay + reverb |
| Slapback, Long | 557ms delay - 630’ travel time |
Multi: | Short Med. Surface | 280ms delay w/21.8% regen + reverb |
Medium Hard Surface | 335ms delay w/26.5% regen + reverb | |
| 400ms delay with modulation | |
| Hall reverb w/modulated | |
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| Medium hall w/200ms |
| Instrument Doubler | Simulates second track slightly |
CA112D Block Diagram:
instrument |
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channel |
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input |
| filter |
| tones | |
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| rev/ | |
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| effect | |
active | piezo |
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| send | |
freq cut | gain | low mid cntr high | |||
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peak
master
effects | line out |
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| chorus |
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| depth rate | on |
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effects | mode |
send |
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off |
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| DSP |
foot
switch
reverb return
vocal/aux
phantom power
rev/
channel
aux channel
gain
effect
send
effect return
effect return
rev/
effect
send
line out |
bal. |
level |
gnd |
lift |
graphic EQ
master 80 330 1k 4k 10k
levelHz
high pass | 25w |
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| level |
low pass | 50w |
| 50w |
hi freq driver
dual
voice coil
low freq
driver
gain