Frequency Response: | Polar Response: | |||||||||||||||||||||||||||
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Microphone Use and Placement
(5 dB per division) 1000 Hz
Please note that micing techniques are a matter of personal preference. These are merely guidelines to assist in the placement of the microphone to gain optimal performance.
Usage | Optimal Placement |
Electric Guitar and Bass Guitar Amplifier | Place microphone approximately |
| To reduce boominess, move the microphone off axis to the cone from 90° to 45°, or move |
| mic from center of cone to either edge. |
| On double headed Toms place mic over the top of drum |
| drum surface and |
| or place mic inside Tom from underneath at a 90° angle from the center of head, |
| away. |
Snare Drum | Place mic |
| angled down about 45°. If the drum rings, tape deadening material to the head or use |
| damping rings. For more “snare” sound place a 2nd mic underneath aimed up at the |
| bottom of head. |
Cymbals | Place microphone one to two feet above the top of cymbals. |
Place 5 inches above outside edge at a 45° down angle. | |
Brass | |
Acoustic Guitar | Place mic |
Instrumental Microphone Standard Placement & Use Guidelines
1. Always point the microphone at the desired source of sound, and away from any unwanted sources.
2.The microphone should be located close to the sound source to minimize interference from other potential sound sources.
3.Use the
4.Minimize
5.Working close to the microphone will increase the bass tone and also provide increased
N/D478 Part Number: 16043312
12000 Portland Avenue South, Burnsville, MN 55337 Phone:
www.electrovoice.com
© Telex Communications, Inc. 9/2003
Part Number
U.S.A. and Canada only. For customer orders, contact Customer Service at:
+ 49
+ 1 952
For technical assistance, contact Technical Support at: