Saxophones and Reeds

T H E D R A G O N F L Y

pick up more of the bright, crackling buzz from a snare. Moving the microphone closer to a drum generally increases the low end, shell resonance and separation from other sound sources, while more distant placement emphasizes the interaction of the drum and the environment, producing a blended, airier sound.

The smooth, natural high end response of the Dragonfly makes it an ideal choice for miking saxophones and other reed instruments. For soprano sax, clarinet and related instruments, position the mic directly above and in front of the keys between the middle of the horn and the lowest pads. Try rotating the capsule or moving the mic up or down along the length of the body to adjust the balance of airy highs (toward the mouthpiece) and cut- ting midrange (toward the bell). For other members of the saxophone fam- ily, start by placing the Dragonfly two to six inches in front of the lip of the bell. Turn the capsule up toward the mouthpiece to capture more air, brightness and high notes. For a mellower sound, rotating the capsule toward the floor emphasizes the low range of the sax, and tames the biting upper mids that project straight out of the bell.

Technical Specifications

Acoustical Operating Principal: Pressure Gradient

Directional Pattern: Cardioid

Frequency Range: 20Hz – 20KHz

Sensitivity at 1 kHz into 1kΩ: 21mV/Pa

Output Impedance: 50Ω

Rated Load Impedance: Not less than 1k Ω

S/N ratio CCIR468-3: 75dB

S/N ratio DIN/IEC 651: 86dB-A

Noise Level DIN/IEC 651: 8dB-A

Max SPL (0.5% THD) into 2.5kΩ: 140dB

Dynamic Range (2.5kΩ load): 132dB

Supply Voltage (IEC 268-15): 48V Phantom (35V min)

Weight: 630g

Dimensions (mm): 165x 60

Included Accessories:

•Wood storage box

•Series 2 Shockmount

Recommended Optional Accessories:

•The Pop (brass mesh pop filter)

•Kiwi, Cranberry or Blueberry high-definition mic cable

•Robbie the Mic Pre Class-A vacuum tube mic preamplifier

BLUE MICROPHONES

of the world

Microphones specifications

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