Fender SR-6520PD, SR-8520PD Input Output, Important EFFECTS/REVERB Turned ALL the WAY Down OFF

Page 14

FIGURE 6

PATCHING AN EFFECT BETWEEN THE EFFECTS OUT AND THE AUX. IN.

SR6520PD D S P P O W E R E D M I X E R

 

MAX.

 

MAX.

 

MAX.

 

MAX.

 

MAX.

 

MAX.

 

63

125

250

500

1K

2K

4K

8K

16K

DELTACOMPTM

POWER

 

EFF./REV.

EFF./REV.

EFF./REV.

EFF./REV.

EFF./REV.

EFF./REV.

 

+dB

 

 

 

 

 

 

 

+dB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

12

 

 

 

 

 

 

 

12

OFF

 

E L E C T R O N I C S

 

 

 

 

 

 

 

 

 

 

 

 

 

9

 

 

 

 

 

 

 

9

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

6

 

 

 

 

 

 

 

6

ON

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PHANTOM

 

 

 

 

 

 

 

 

 

 

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

POWER

3

 

 

 

 

 

 

 

3

DIGITAL REVERB and EFFECTS

 

HIGH

 

HIGH

 

HIGH

 

HIGH

 

HIGH

 

HIGH

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

0

 

 

 

 

 

 

 

0

 

 

 

 

 

 

 

 

 

 

 

 

 

3

 

 

 

 

 

 

 

3

 

1-SHORT

 

 

 

 

 

 

 

 

 

 

 

 

 

6

 

 

 

 

 

 

 

6

DEFEAT

2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MULTI-TAP

3

 

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

OFF

9

 

 

 

 

 

 

 

9

DELAY

 

 

MID

 

MID

 

MID

 

MID

 

MID

 

MID

 

 

 

 

 

 

 

TRIPLE HIT

4

REVERB /

 

 

 

 

 

 

 

 

 

 

 

 

ON

12

 

 

 

 

 

 

 

12

DELAY

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DOUBLE HIT

5

DELAY TIME

 

 

 

 

 

 

 

 

 

 

 

 

 

-dB

 

 

 

 

 

 

 

-dB

DELAY

6

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

GRAPHIC EQUALIZER

 

 

 

TAPE ECHO

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DELAY + REVERB

7

 

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

 

 

 

 

 

 

 

 

 

 

DEFEAT

8-LONG

 

LOW

 

LOW

 

LOW

 

LOW

 

LOW

 

LOW

 

 

 

 

 

 

 

 

 

 

REVERB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

REGENERATION

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MAX.

 

 

 

MAX.

 

 

 

MAX.

SPECIAL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

REVERB RETURN

 

REVERB RETURN

 

AUX. LEVEL

BRIGHT

 

MAX.

 

MAX.

 

MAX.

 

MAX.

 

MAX.

 

MAX.

TO MAIN

 

TO MONITOR

 

 

 

 

EFFECTS

SMALL HALL REV.

 

MON.

 

MON.

 

MON.

 

MON.

 

MON.

 

MON.

 

 

 

 

 

 

 

 

 

 

 

DARK

REVERSE REVERB

BRIGHT

DELAYS

LARGE HALL REV.

DARK

GATED REVERB

BRIGHT

SMALL ROOM REV.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DARK

DARK

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MAX.

MAX.

 

MAX.

LARGE PLATE REV.

 

 

 

MAIN

 

MAIN

 

MAIN

 

MAIN

 

MAIN

 

MAIN

MAIN

 

MONITOR

 

EFF./REV.

BRIGHT

BRIGHT

 

1

 

2

 

3

 

4

 

5

 

6

 

MASTER

MASTER

 

SEND LEVEL

 

LARGE ROOM REV.

 

 

 

 

 

 

 

DARK

DARK

 

 

 

 

 

 

 

 

 

 

 

 

SMALL PLATE REV.

 

 

 

 

 

 

 

 

 

 

 

 

 

BRIGHT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MAIN

MONITOR

EFF. OUTPUT

GEQ

GEQ

PWR. AMP

TAPE

TAPE

 

 

 

 

 

 

 

 

 

 

 

 

AUX.

 

 

 

 

 

 

 

 

 

 

 

 

 

OUTPUT

OUTPUT

REVERB

OUTPUT

INPUT

INPUT

INPUT

 

LINE

MICROPHONE

LINE

MICROPHONE

LINE

MICROPHONE

LINE

MICROPHONE

LINE

MICROPHONE

LINE

MICROPHONE

 

 

FOOTSWITCH

 

SYSTEM PATCH BAY

INPUTS OUTPUTS

 

 

 

 

 

 

EFFECTS OUT

AUX. IN

INPUT

OUTPUT

EFFECTS

FIGURE 7

PATCHING AN EFFECT BETWEEN THE EFFECTS OUT AND CHANNEL INPUT.

IMPORTANT: EFFECTS/REVERB

TURNED ALL THE WAY DOWN (OFF).

SR6520PD D S P P O W E R E D M I X E R

 

MAX.

 

MAX.

 

MAX.

 

MAX.

 

MAX.

 

MAX.

 

63

125

250

500

1K

2K

4K

8K

16K

DELTACOMPTM

POWER

 

EFF./REV.

EFF./REV.

EFF./REV.

EFF./REV.

EFF./REV.

EFF./REV.

 

+dB

 

 

 

 

 

 

 

+dB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

12

 

 

 

 

 

 

 

12

OFF

 

E L E C T R O N I C S

 

 

 

 

 

 

 

 

 

 

 

 

 

9

 

 

 

 

 

 

 

9

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

6

 

 

 

 

 

 

 

6

ON

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PHANTOM

 

 

 

 

 

 

 

 

 

 

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

POWER

3

 

 

 

 

 

 

 

3

DIGITAL REVERB and EFFECTS

 

HIGH

 

HIGH

 

HIGH

 

HIGH

 

HIGH

 

HIGH

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

0

 

 

 

 

 

 

 

0

 

 

 

 

 

 

 

 

 

 

 

 

 

3

 

 

 

 

 

 

 

3

 

1-SHORT

 

 

 

 

 

 

 

 

 

 

 

 

 

6

 

 

 

 

 

 

 

6

DEFEAT

2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MULTI-TAP

3

 

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

OFF

9

 

 

 

 

 

 

 

9

DELAY

 

 

MID

 

MID

 

MID

 

MID

 

MID

 

MID

 

12

 

 

 

 

 

 

 

12

TRIPLE HIT

4

REVERB /

 

 

 

 

 

 

 

 

 

 

 

 

ON

 

 

 

 

 

 

 

 

 

DOUBLE HIT

5

DELAY TIME

 

 

 

 

 

 

 

 

 

 

 

 

 

-dB

 

 

 

 

 

 

 

-dB

DELAY

6

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

GRAPHIC EQUALIZER

 

 

 

TAPE ECHO

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DELAY + REVERB

7

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

 

 

 

 

 

 

 

 

 

 

DEFEAT

8-LONG

 

LOW

 

LOW

 

LOW

 

LOW

 

LOW

 

LOW

 

 

 

 

 

 

 

 

 

 

REVERB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

REGENERATION

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MAX.

 

 

 

MAX.

 

 

 

MAX.

SPECIAL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

REVERB RETURN

 

REVERB RETURN

 

AUX. LEVEL

BRIGHT

 

MAX.

 

MAX.

 

MAX.

 

MAX.

 

MAX.

 

MAX.

TO MAIN

 

TO MONITOR

 

 

 

 

EFFECTS

SMALL HALL REV.

 

MON.

 

MON.

 

MON.

 

MON.

 

MON.

 

MON.

 

 

 

 

 

 

 

 

 

 

 

DARK

REVERSE REVERB

BRIGHT

DELAYS

LARGE HALL REV.

DARK

GATED REVERB

BRIGHT

SMALL ROOM REV.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DARK

DARK

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MAX.

MAX.

 

MAX.

LARGE PLATE REV.

 

 

 

MAIN

 

MAIN

 

MAIN

 

MAIN

 

MAIN

 

MAIN

MAIN

 

MONITOR

 

EFF./REV.

BRIGHT

BRIGHT

 

1

 

2

 

3

 

4

 

5

 

6

 

MASTER

MASTER

 

SEND LEVEL

 

LARGE ROOM REV.

 

 

 

 

 

 

 

DARK

DARK

 

 

 

 

 

 

 

 

 

 

 

 

SMALL PLATE REV.

 

 

 

 

 

 

 

 

 

 

 

 

 

BRIGHT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MAIN

MONITOR

EFF. OUTPUT

GEQ

GEQ

PWR. AMP

TAPE

TAPE

 

 

 

 

 

 

 

 

 

 

 

 

AUX.

 

 

 

 

 

 

 

 

 

 

 

 

 

OUTPUT

OUTPUT

REVERB

OUTPUT

INPUT

INPUT

INPUT

 

LINE

MICROPHONE

LINE

MICROPHONE

LINE

MICROPHONE

LINE

MICROPHONE

LINE

MICROPHONE

LINE

MICROPHONE

 

 

FOOTSWITCH

 

SYSTEM PATCH BAY

INPUTS OUTPUTS

 

 

 

 

 

 

CHANNEL INPUT

EFFECTS OUT

OUTPUT

EFFECTS

INPUT

A Product of:

Fender Musical Instruments Corp.,

Corona, CA 91720

Image 14
Contents Page Table of Contents Block Diagram Front Panel CONTROLS, Jacks and LEDs Patch BAY Rear Panel Using the Graphic Equalizer to ELIMI- Nate Acoustic Feedback Typical Procedure for Room EQUALIZA- TionUpkeep and Service Cords and CablesSR-6520PD / SR-8520PD Front Panel Controls Keyboard Switchcraft S3FM Fender SPL 6000 or SPL 9000 Power Amplifier OUTInput Input OutputImportant EFFECTS/REVERB Turned ALL the WAY Down OFF

SR-8520PD, SR-6520PD specifications

The Fender SR-6520PD and SR-8520PD are two remarkable electric guitars that exemplify the innovative spirit and craftsmanship synonymous with the Fender brand. These models are designed to cater to musicians of various styles and expertise levels, integrating advanced technologies and premium features.

The SR-6520PD, often appreciated for its versatility, features a solid alder body which provides a balanced tone with excellent sustain. This model is equipped with a pair of specially designed pickups that deliver a warm, full-bodied sound. The unique combination of single-coil and humbucker configurations allows players to easily switch between bright, snappy tones and deeper, richer sound profiles. Its smooth maple neck and rosewood fingerboard ensure comfortable playability, enhancing the guitar’s overall feel.

On the other hand, the SR-8520PD stands out with its slightly more refined aesthetic and enhanced tonal capabilities. With a slightly heavier ash body, it offers added resonance and projection, making it a favorite among performing musicians. The SR-8520PD is equipped with advanced locking tuners for precision tuning stability, allowing players to perform confidently without worrying about their setup drifting out of tune. Its expressive tremolo system offers a wide range of creative possibilities for subtle pitch bends and dynamic vibrato effects.

Both models incorporate Fender’s proprietary technologies, including the brand’s acclaimed Pickup Switching System, which provides musicians with a broad spectrum of tonal options. The guitars’ hardware is designed for durability, ensuring years of reliable performance under varied playing conditions. The sleek finishes available on both models add to their visual appeal, ensuring that they look as stunning as they sound.

The SR-6520PD and SR-8520PD are more than just instruments; they are versatile tools for expression, enabling musicians to explore a wider range of genres and styles with ease. From rock riffs to blues solos, these guitars hold their own in any musical setting. With their robust technological features and classic Fender craftsmanship, the SR-6520PD and SR-8520PD cater to modern guitarists looking for quality, performance, and style. Whether on stage or in the studio, these models embody the essence of what makes Fender a staple in the world of music.