Alesis 7-51-0121-A manual Attack, Look Ahead, Release, Pumping Breathing

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3 Using the Smashup

Attack

The [ATTACK] knob controls the amount of time before compression starts. The range of this control is generally in the range from 0.1 (full counter-clockwise) to 300 milliseconds; but this may vary depending on the [TYPE] setting. [ATTACK] has no effect when the [LOOK AHEAD] switch is engaged.

Long attacks are useful for keeping the initial transients of percussive sounds like drums, lead guitar, and bass. Short attacks are good for melodic parts like vocals and strings. Experiment with different short attack times on snare drums to get more or less of the “stick” attack.

Look Ahead

When the [LOOK AHEAD] switch is turned on, a very small amount of delay (under 3 milliseconds, about the time sound takes to travel 3 feet) is introduced in the signal. The detector of the compressor looks at the peak levels in this delay, so it can “pre- attack” or lower its gain even before the peak arrives for processing.

For obvious reasons, when [LOOK AHEAD] is on, the [ATTACK] knob has no effect.

Release

The [RELEASE] knob controls the amount of time the compressor takes to stop compressing after the signal crosses under the threshold. The range of this control is very different from type to type, but in every case the longest release time is at the full clockwise rotation.

Short release times are good for percussive, punchy sounds; longer release times can make compression less obvious on vocals. Adjusting the release time may be necessary when using extreme compression and “pumping” or “breathing” is audible, or if lower- level signals are getting lost after peaks.

Pumping and

Breathing

When a compressor is making large changes to the input signal (10 to 12 dB or more) the noise floor will also rise and fall with the signal level. When this noise signal rises and falls drastically between signals, such as a heavily compressed, noisy drum track, you might hear the noise level “breathing” between drum hits. One solution to this breathing problem is to turn up the release time. This way, the noise floor won’t have time to rise between drum hits.

However, if the Release time is too long, lower level signals after the peak will be lost as the compressor slowly stops reducing gain. This is called “pumping” as the lower level signals (noise included) slowly fade back up to their normal signal level. The secret to avoiding these problems is to achieve a balanced release time on the input signal.

The PUMP mode of the Smashup is set up intentionally to use pumping as a creative tool.

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Contents Reference Manual Page Table of Contents Table Of Contents Introduction WelcomeImportant features of your Smashup IntroductionAbout the Smashup Smashup Key Features How to Use This Manual Safety symbols used in this product Safety Instructions/NoticesImportant Safety Instructions English Please follow these precautions when using this productImportant Safety Instructions CE Declaration Of Conformity FCC Compliance StatementSymboles utilisés dans ce produit Instructions de Sécurité Importantes FrenchImportant Safety Instructions Sicherheit Symbole verwendet in diesem Produkt Lesen Sie bitte die folgende Sicherheitshinweise GermanImportant Safety Instructions This page intentionally left blank If you can’t wait to get started If youre new to signal ProcessingQuick Start Guide Hook it up to a synthesizerQuick Start Guide Quick overview of the controlsRear Panel Connections Installing in a RackPower Unpacking and InspectionIn-line connection Connecting audioConnections Turn up the trimConnecting to the Channel Inserts of a mixing console Connecting to the Main Outputs of a mixing console Connecting to the inserts on an instrument amplifierConnecting to equipment with XLR inputs and outputs About audio cablesDont use line transformers Using the ModLink What about the input and output jacks on the slave units?Using the Smashup What is a compressor?Using the Smashup What the controls doAttack/Release times vary by Type How the Smashup goes beyond just compression Gain structure Operational adviceSetting Levels About stereo compressionGraph of input level Description of ControlsThreshold Graph of compressionRelease AttackLook Ahead Pumping BreathingFAT mode and Sizzle OutputSizzle Opto Type Select SwitchClassic TransparentDe-Ess PumpFat Using the Foot Switch BypassClassic Sample SettingsThreshold and Output settings may need changing De-EssOpto Sample SettingsFat PumpTransparent BlankBlank Settings Templates Troubleshooting Troubleshooting IndexTroubleshooting Keep Audio Wiring AS FAR Away from AC Wiring AS Possible Avoiding ground loop noiseLine conditioners and spike protectors Care and Maintenance CleaningRefer all servicing to Alesis Obtaining repair service Customers in the USA and CanadaCustomers outside the USA and Canada Audio Output SpecificationsAudio Input MechanicalSpecifications Foot SWITCH, 16 IndexWarranty / Contact Alesis Alesis Limited WarrantyWarranty/Contact Information Alesis Contact Information